One, No One, and One Hundred Thousand (Eridanos Library) [Paperback]

Luigi Pirandello (Author), William Weaver (Translator, Introduction)

Book Description

Series: Eridanos Library | Publication Date: September 1, 1992

novel, tr w/intro by William Weaver

Editorial Reviews

From Publishers Weekly

A cavalier comment about his nose sends Pirandello's protagonist careening disasterously towards madness and freedom in the Nobel laureate's expert 1926 novel.
Copyright 1992 Reed Business Information, Inc.

Language Notes

Text: English (translation)
Original Language: Italian --This text refers to an out of print or unavailable edition of this title.

Product Details

• Paperback: 176 pages
• Publisher: Marsilio Publishers (September 1, 1992)
• Language: English
• ISBN-10: 0941419746
• ISBN-13: 978-0941419741
• Product Dimensions: 8.1 x 6.3 x 0.5 inches
• Shipping Weight: 7 ounces (View shipping rates and policies)
• Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #716,335 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

18 of 19 people found the following review helpful:

5.0 out of 5 stars Turmoil in the Mirror., January 24, 2001

By 

[e-mail] (PARISFRANCE) - See all my reviews

This review is from: One, No One, and One Hundred Thousand (Eridanos Library) (Paperback)

Admirers of Pirandello's plays will be grateful for the new translation of the author's 1926 novel, "One, No One, and One Hundred Thousand," for it illuminates the background of Pirandello's theatrical works.The novel includes similar legerdemain; the reader observes the author playing with time, people and places. It reflects his cross-eyed way of looking at life and society, later seen in his major plays, "Six Characters in Search of an Author," "As You Desire Me" and "Tonight We Improvise."

The central character in the novel, a small-town squire, looks in the mirror one day, touches a nostril and feels some pain. His wife tells him his nose tilts to the right, something he had not realized before. Catching sight of his reflection in the mirror again, he concludes that he possesses different personalities. So begins a search to discover his various selves. After a series of bizarre incidents, he is deserted by his wife and is declared insane. The court gives his money to a poorhouse; he becomes its first guest. In the poorhouse, he becomes the "no one"of the book's title.

By being no one, the squire becomes everyone. He can be reborn again and again. "I am I and you are you," the squire, speaking as the first-person narrator of the novel, declares. In the end, he says: "I no longer look at myself in the mirror, and it never even occurs to me to want to know what has happened to my face and to my whole appearance. The one I had for the others must have seemed greatly changed and in a very comical way, judging by the wonder and the laughter that greeted me."

Trying to explain a Pirandello plot is like trying to catch a tiger by the tail or walking with Vulcan on the lava of Mount Etna: dangerous. Put it this way: "One, No One, and One Hundred Thousand" is Pirandellian...

13 of 13 people found the following review helpful:

5.0 out of 5 stars My 100-thousand faces in the others' perception....,, March 26, 2003

By 

Massimo (Florence, Italy) - See all my reviews

This review is from: One, No One, and One Hundred Thousand (Eridanos Library) (Paperback)

After 13 years since I read this book for the first time, it still remains one of my favorites. I find it so dense of deep meanings, and so pleasant to read, that every now and then I'm still captured to read a chapter here and there, when I happen to have it in my hands. I will try to describe it in a few lines, despite that a comprehensive review of the book would require much more effort, which such a masterpiece would certainly deserve.

It is an outstanding philosophical and psychological novel, fresh and humoristic, but deep and contemplative at the same time, that deals with the theme of 'identity'. It develops concepts that foresee our contemporary sensibility so well, that after almost a century their validity is perfectly unchanged.

Reality is illusory, relative and subjective, and always becomes the expression of personal interpretations. Communication is made out of subjective distortions, of standardized definitions through `labels' that are attached to persons and situations. And the characters built by these labels end up by having their own lives, in the projection of our ego in the perception of the others, as well as in our occasional will to become what the others want us to be.

But our identity is fluid, in a `continuous becoming'. It cannot be made still, in a definition, if not at the price of losing its dynamic character, or even its transitory reality. Such lack of identification leads each of us to become, in the end, absolutely alone, with our own misperception of ourselves, unknown even to ourselves.

It is a 'cerebral' writing, full of contorted but still delicious meditations that give the reader the chance to recognize himself into the main character of the novel, "Vitangelo Moscarda". The style is however bright and colorful, at times able to admirably convey inner sensations in the description of certain landscapes, at times so immediate and simple in the use of humor and comicity, to effectively entertain the reader throughout the book.

7 of 8 people found the following review helpful:

4.0 out of 5 stars Engaging meditation on identity, October 23, 2000

By 

Douglas Turnbull (Fallston, MD USA) - See all my reviews

This review is from: One, No One, and One Hundred Thousand (Eridanos Library) (Paperback)

This short book by Pirandello is a quick read, but if you're like me the ideas will stay with you. Pirandello explores the nature of personal identity and the disconnect between self-image and the views that others have of us. It's not a great book, but it is a very good one and is definitely worth the afternoon spent reading.