One

Jamshied Sharifi (Artist) | Format: Audio CD

Product Details

• Audio CD (March 3, 2008)
• Number of Discs: 1
• Label: Ceres
• ASIN: B0013FSZ2G
• In-Print Editions: MP3 Download
• Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #208,104 in Music (See Top 100 in Music)

Editorial Reviews

Review

In 2001, on the one month anniversary of 9-11, we sent out a call to musicians to submit music as part of An Echoes Requiem for 9-11. Jamshied Sharifi sat down and in a couple of days composed the most haunting and moving track we received. Simply called 'Requiem', it featured his wife and daughter singing in pygmy voices and Moroccan singer Hassan Hakmoun. Reworked slightly, with Seamus Egan from Solas on low whistle, it remains a poignant lament and it's now a powerful conclusion to his new album, One. From the first spiraling notes of Tibetan singer Yungchen Lhamo to the final notes of 'Requiem', it's evident that Jamshied Sharifi has picked up where he left off some ten years ago with his debut album, A Prayer for the Soul of Layla. That album brought musicians from many traditions together, calling out in spiritual chants, singing elaborate minarets of melody, all deployed over a lush, world fusion soundscape. Sharifi does it again, with many of the same singers, on One. We already knew Jamshied Sharifi's work before his solo album. He's composed soundtracks for Clockstoppers, Muppets from Space and Harriet the Spy. But those film credits don't really prepare you for the sound of Jamshied Sharifi's personal music. For that, you have to look to his work with the techno tribal group, Mo Boma. In fact, bassist Skúli Sverrisson and guitarist/percussionist Carsten Tiedemann from Mo Boma appear on One. They're part of a global cast laying down Sharifi's transcultural grooves and haunting moods, continuing the 'One-World' view of this international musician born of an Iranian father and American mother in Topeka, Kansas. Jamshied Sharifi crosses global traditions, mixing instruments from Mexico, Africa and the Middle East in percussively melodic arrangements with his keyboards and electronic wind instrument. In this exotic sound world, he creates a home for artists like longtime collaborator, Hassan Hakmoun, the Gnawa musician who prowls the sky with his desert cry and plucked sintir. Veteran mystical singer, Iranian-born Sussan Deyhim, graces a couple of tracks with her throaty, sensually imploring voice and singer-songwriter Paula Cole taps into a different, more ecstatic side on tracks like 'A Charlotte Sky'. Jamshied Sharifi's A Prayer for the Soul of Layla was our CD of the year in 1997. One might join it in 2008, but for now, it's the easy choice for our March CD of the Month. --John Diliberto - Echoes.org

Product Description

On One, Jamshied Sharifi collaborates with six virtuoso singers from around the world: Hassan Hakmoun (Morocco), Yungchen Lhamo (Tibet), Vishal Vaid (India), Sussan Deyhim (Iran), Abdoulaye Diabaté (Mali), and Paula Cole (United States). Also featured is an international cast of instrumentalists, including Ole Mathisen (clarinet), Eyvind Kang (viola), Séamus Egan (whistle), Brahim Fribgane and Stephane René (oud), Michiyo Yagi (koto), Mamadou Diabaté (kora), Skúli Sverrisson (bass), and Benjamin Wittman and Simone Haggiag (percussion). The result is a luminous collection of songs which shape and shift like small novels - ambient - rhythmic - both voluptuous and deeply spiritual, with incandescent singing from around the world.

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Customer Reviews

Most Helpful Customer Reviews

14 of 14 people found the following review helpful:

5.0 out of 5 stars An alphabet soup jumble of musicians, genres, and instruments that reads like a work of art., April 10, 2008

By 

Lou Novacheck (Silver Spring MD - for now) - See all my reviews
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This review is from: One (Audio CD)

Breathtakingly beautiful Oriental, Gaelic, and modern American influences are heard in this World Music CD. The underlying and overarching themes are undoubtedly Oriental, while a trace of minimalist is the undercurrent, all put together with sometimes lush orchestration, while at the same time never losing its identity.

The first few notes of the first cut, also the title cut, made me do a double-take, making me check that I'd put the correct CD on. The first few seconds sounded decidedly Japanese, with a soaring female voice. After the surprise beginning, the tune settled into a distinct Middle Eastern melody. Abdoulaye Diabaté, a Malian dialy, or griot, uses his high tenor in spine-chilling vocals on this and other cuts.

Middle Eastern nations spawned world famous poets and musicians long before Columbus or the Vikings landed on the shores of North America. The area was also the home of world-class mathematicians, builders, and engineers.I don't think anybody can pinpoint exactly when or where music originated, but it almost certainly did so in or very near this area of the world. Every note, every chord, every genre of music we listen to today has its origins there. So why should it surprise so many Westerners that beautiful, lush music can also rise from an area so many Westerners see only as a land of sand, oil, and turmoil? That thought has changed substantially since World Music began becoming more popular in the West about 30 years ago. The study and publication of treatises and books on the connections, tentative or solid, between Middle Eastern and African music and early American music by Western blues music scholars have further broadened its acceptance.

Jamshied Sharifi, despite the Middle Eastern sounding name and the music on this CD, was born, raised and educated in the United States. He was born in Kansas, as Middle American as one can get; he began classical piano training at age five, and by age 10 had added drums, guitar, and flute. He's a graduate of MIT and of the Berklee School of Music; he was chosen outstanding jazz pianist at the 1983 Collegiate Jazz Festival; he was director of the Festival Jazz Ensemble for seven years. It was in 1991 that the Ensemble, under Sharifi's direction, was chosen the outstanding band at the Notre Dame Festival. He's also worked in Hollywood, scoring several films including Harriet the Spy and The Thomas Crown Affair.

Sharifi is accompanied on the CD by Paula Cole, famous in her own right, and by Sussan Deyhim and Yungchen Lhamo, along with a multicultural host of others on a broad assortment of Western and Eastern instruments, as well as synthesizer. Lhamo's voice is particularly well showcased on the first and final cuts, "Requiem," which was written especially for "An Echoes Requiem for 9-11." "Echoes" is a weekly syndicated program of ambient and New Age music, and the program was broadcast shortly after the attack.

This CD is a blend of instruments and voice, in a commingling that defies description at times. The instruments are a broad range from all parts of world; the mundane and ordinary such as sax and clarinet, to the exotic, including the oud, talking drum, kora, dumbek, bombo, bougadoubou, and caxixi. The different languages, the instruments, the synthesizer and the voices are all brought together in a texture and feeling as mellifluous and soft as your favorite cuddly blanket on a bitterly cold winter night.

"My Grandfather the Tree" is also particularly memorable, an Irish lament which starts with Seamus Egan on low whistle, so sad and lonesome you can smell the peat and hear the brogue; it also brings Paula Cole's tremendously under-appreciated voice to the fore.

Production and post-production are impeccable. With 11 tracks topping out at 50 minutes, this CD has something for every listener.

8 of 8 people found the following review helpful:

5.0 out of 5 stars One Crosses Boundaries, March 26, 2008

By 

C. Requate "Global Mama" (Asheville, NC) - See all my reviews
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This review is from: One (Audio CD)

Drenched in world rhythms and instrumentation, and accented by contemporary Western influences, One invites the listener to journey to places off the map through its blending of cultures, performers, and sounds. One is a breathtakenly beautiful album!

3 of 3 people found the following review helpful:

5.0 out of 5 stars An open mind......., April 7, 2009

By 

DJ O'Haley "Seeker" (Oregon) - See all my reviews

Amazon Verified Purchase

This review is from: One (MP3 Download)

After hearing a cut from this album last night on NPR, I was intrigued about this new-to-me artist, Jamshied Sharifi. How exotic! How sensual! What a fascinating blend of cultures! According to Jamshied, when making music together, we cannot be fighting and killing each other. What a concept......

I look forward to many more contributions from Mr. Sharifi. Perhaps through the music, we will not all be strangers and can seek what is in our hearts. Thank you!