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One of Us Is the Killer

4.5 out of 5 stars 51 customer reviews

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Editorial Reviews

Hailing from New Jersey, the trailblazing band, whose creative energy and unwavering artistic commitment has reverberated through underground subculture and in tastemaker circles alike since the late 1990s, return with renewed passion and unrivaled skill with their fifth full-length album. The album represents a holistic pinnacle of the band's constantly evolving and engaging dynamics.
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Product Details

  • Audio CD (May 14, 2013)
  • Number of Discs: 1
  • Label: Sumerian
  • ASIN: B00BXHE0CI
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (51 customer reviews)
  • Amazon Best Sellers Rank: #29,656 in Music (See Top 100 in Music)

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Top Customer Reviews

Format: Audio CD Verified Purchase
My only complaint about this album is that after listening to it, I was forced to get reconstructive plastic surgery because IT MELTED MY FACE OFF
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There is a bit of a dichotomy in my review because on the one hand you have the musicians in The Dillinger Escape Plan again making an incomprehensible beast of an album, but on the other hand it's much less stylistically evolved than you may hope for from a DEP release. What I mean is precisely this. The growth and development of style that characterized the jump from Calculating Infinity to Miss Machine, then Miss Machine to Ire Works is almost absent, with only a few songs offering something you haven't heard DEP try or hint at in other iterations. The material is strong and fluidly flows from track to track creating a sense of album continuity. The surprises for DEP fans are pretty few and far between as now in their career we've come to expect a couple curve balls, but when they do try something new it's hyper charged and super refreshing. If any fan from Miss Machine on heard this, they would recognize it immediately as DEP. This has a much more renewed vigor for hardcore and makes me recall many a crazy mosh pit adventure which only adds to the charm this band exudes. Melodic elements are still present but in much smaller doses. Again some excellent recording and production jobs make this album explode like a pipe bomb in your face. It's the Dillinger Escape Plan, there are no substitutes and no imitators. Everything they try is pure divinity, and everything they leave alone makes you wonder what it would sound like if they tried it. Pure emotion, pure expression and almost pure creativity make this album another shining gem in an ever growing spoil of riches. I saw these guys get kicked out of the House of Blues Orlando for close to six years for their chaotic ballet of destruction, so please, do yourself a favor and go see them live before they get banned from your hometown venues too!
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The Dillinger Escape Plan style has been described as many things down through the years such as Mathcore, Hardcore and Metalcore to name just a few, what they really are is one of the best bands in music today. With their relentless non-stop style both in and out of the studio they have forged a path that is unmatched by most bands with their complex playing of styles being heavy yet melodic at the same time and not to forget Greg Puciato ability for high pitched and angry in your face vocals and all this from a band that have a high turnover of members including numerous drummers, bassists and rhythm guitarists, of course lead guitarist Ben Weinman is now the only original member. Former guitarist James Love returns replacing Jeff Tuttle.

Following on from 2010's outstanding "Option Paralysis" the band release album number five "One Of Us Is The Killer" which has the same in your face style of tracks starting right from the get go. They come straight out of the blocks with the hard hitting single "Prancer" and follow that up with the equally aggressive "When I Lost My Bet" The band have long been influenced by Mike Patton (he recorded an ep with them back in 2002) whether it be his work with Faith No more or probably closer to Tomahawk and that style is evident on the title track which has Puciato adopt a much more straight forward vocal style, and with "Nothing's Funny" they have a song in the style of "Black Bubblegum" from 2007's "Ire Works" including Ben Weinman's use of electronics on the track. "Paranoia Shields" is a song full of twists and turns with Puciato twisting every vocal into a different style and features a real mellow breakdown at the 2:27 mark as it goes really quiet before coming out full belt again.
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I'm one individual in a sea of people who love to read things they have written. Anyways, after reading some of the negative reviews I feel compelled to say something. First off I am not defending Dillinger escape plan I am just speaking about music with regard to them. I have never heard a punk band that can be as ragged as any other punk band and add some jazz inspired off beat drumming especially the interesting bass drum inflections in some of the songs. How can someone miss the technical prowess in the relationship between the guitars and drums. The wildly chaotic sounding rhythms which sound childish until you try to comprehend how every hit of the ridiculously confusing snare is played perfectly in time with the guitars. How about the simple idiosyncrasy in the atypical chords used by the guitarist in this genre? By the way what genre is this? That imaginative way of not fitting a mold and of being courageous enough to put something into a song because you are writing what you feel instead of trying to conform to one style all the way through a career. That's the new underground. Please musicians write songs you want to write, songs you've got inside that wants to come out. The rebellion in this time of history is to not get mired into one pigeonhole of music. The opposite of something like Metallica from the black album on. Also, how about the vocals? The vocalist shows on more than just this album that a singer can be truly, sickly punk who is screaming with no falsetto old style heavy metal crap, and then follow up with smooth, layered choruses and bridges if he feels like it. if all you hear is noise then I implore you to stop hearing the superficial surface and dig into what is under the punk flow. How about this?Read more ›
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