From Publishers Weekly
When his father is relocated from Indiana to Minor, Miss., in 1973, 16-year-old Daniel Musgrove finds himself a classic fish out of water. At Minor High, the Midwestern teenager finds a kindred spirit in wiseacre Tim Cousins, whose motto is "Everything is funny all the time." The two indulge their love of Sonny and Cher, get recruited by a local Baptist church to perform in an amateur musical called Christ! and endure the bullying of football star Red Martin. When, on prom night, the boys accidentally run over Arnita Beecham, a beautiful, popular black girl, the boys flee, letting Red take the fall. Arnita wakes from her coma believing she's white and promptly falls for Daniel—which makes Tim extremely jealous and puts their coverup at risk. Childress's comic tone and well-written adolescent confusion make his late shift into darker territory jarring, and readers might not follow him all the way to his violent destination. (July)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School–Just as Daniel Musgrove is about to enter 11th grade in the early '70s, his father moves the family from Indiana to rural Mississippi. A few months later, Daniel's older brother, and best friend, joins the Army, and Daniel finds a new best friend, Tim. Both boys are bright, witty, and living with secret demons. Chief among Daniel's is his father, a bully and a coward. When Tim and Daniel double date for the junior prom, the teens have an accident on the way home and cause the prom queen to fall off her bike and hit her head. Childress's inspection of race relations–among schoolmates, adults, and lovers–builds from this point: the prom queen of the newly integrated high school is black, but the injury leaves her believing that she is white. The boys hang the accident on a bullying football player, but the girl's mother knows Daniel was involved and uses that knowledge to gain power over him. Tim's secret begins to erupt during the summer, although Daniel, preoccupied with his obligations to and feelings for the prom queen, misses warning signs. Childress doesn't twist the plot so much as he unravels its threads with realistic deliberation, diverting attention from Tim by spotlighting Mr. Musgrove's literal home destruction, then swinging the focus back in time to catch Tim in his last furious act. Authenticity demands some brutal scenes and rough language, and a loaded interlude with Cher Bono. This is Daniel's story, so many of the minor characters are one-dimensional, just as they would be in his perception.–Francisca Goldsmith, Berkeley Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.










