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Most Helpful Customer Reviews
63 of 63 people found the following review helpful:
5.0 out of 5 stars
Put Yer Pants on, Spartacus........,
By
This review is from: One, Two, Three (DVD)
I have always loved this movie for two reasons: James Cagney and James Cagney. A lesser-known Billy Wilder comedy gem, this film moves like greased lightning. An out and out farce, the modern audience may not appreciate some of the Cold War jokes, but the movie is still well-worth anyone's while to see Cagney's brilliant performance and the non-stop machine-gun delivery of one-liners and asides.The head of Coca Cola in Cold War divided Berlin (but before the Wall), is saddled with the twit daughter (she of the over-active hormones), of one of his Coke Atlanta Office superiors. She becomes involved with an East German communist bohemian/activist, the parents from Atlanta are on the way, and all the fun begins. The jokes are rapid fire and non-stop. The cast impeccable. I can't imagine anyone other than Cagney doing his role (its that indelible). In its own way a daring little picture, the world was incredibly tense when this movie came out, much like it is today but for different reasons. Berlin was one of the world's "hot spots" and a face-off point with the Soviet Union and a possible spark for Armageddan. Wilder found humor in that tension and the laughs that resulted were relief at the discovery of the human comedy within the Cold War. He put a human face on the communists and found in their foibles the same age-old human weaknesses of greed & lust & envy. In other words, they were the same as us. That meant there was hope. But the heck with that, its funny as hell. Take the ride.
33 of 34 people found the following review helpful:
5.0 out of 5 stars
2nd Funniest Movie by the Great Billy...,
By R. Gawlitta "Coolmoan" (Milwaukee, Wisconsin USA) - See all my reviews
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This review is from: One, Two, Three (DVD)
Billy Wilder made the great comedy "Some Like it Hot" in 1959. The following year, he broke Academy records by winning THREE Oscars for "The Apartment" (Writer, Director, Producer); his next film brought James Cagney his (almost) last role, a role that exhausted him (& the audience) so much he said he'd never make another film (1981's RAGTIME brought him out of retirement for a small role). It's almost impossible to imagine that he was having nothing but fun. Truth is, Cagney was having problems remembering lines, Wilder was pushing him (not unlike Monroe) and wringing out of him the most energetic performance I've ever seen. Subtlety, social comment, outrageous events--all staples of a Wilder film--were wrought with the complete insanity taken way over the top. The plot, involving Coca Cola's executive in Berlin in 1961, revolved around family life and corporate BS, and has to be one of the most frantic & enjoyable experiences, not to mention, breathless. Brilliant black & white Panavision photography by Daniel L. Fapp was Oscar nominated, but the rapid-fire, (often improvised) screenplay by Wilder & regular collaborator, I.A.L. Diamond was ignored by the Academy, as well as Cagney's incredible performance. The acting, besides Cagney, is acceptable; Pamela Tiffen & Horst Buchholz only had to look pretty and very affected, in which case their over-acting was appropriate. Arlene Francis seemed to be the "grounded force", keeping things a bit down to earth with droll humor. But the real acting support came from the lovely & wonderful Lilo Pulver and the agile Hanns Lothar. Leon Askin, a character actor so often in unrecognizable roles, is again brilliant here. The scenes at the Grand Hotel Potemkin are hilarious, and seeing Hanns Lothar in drag is something to behold! This film is so very important, on so many levels. Wilder laughed directly in the face of East German officials and methods; it was made because of the building of the Berlin wall; it showed Capitalism as a pleasant alternative to what was going on there; family crises were dealt wit seriously; extra-marital nonsense was treated as just that; Cagney's junior-Megalomania is treated justly; and the bottom line is that love conquers all, and, as Cagney/Wilder says "It's what makes our system work...everybody owes everybody..." A treat for all. If you haven't seen this, TREAT YOURSELF!! There's also a running gag, "Totally unacceptable...full of holes", which I still haven't figured out, and I've seen this film at least 50 times.
23 of 23 people found the following review helpful:
5.0 out of 5 stars
"Bury us, but don't MARRY us!",
By
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This review is from: One, Two, Three (DVD)
Set your time machine for 1961 and go back to the days of Khrushchev, Huntley-Brinkley, and the height of the Cold War. Billy Wilder's screwball farce is set in West Berlin, where Macnamara (James Cagney), the head of the local Coca Cola office, wants " the pause that refreshes" to be the first American product sold behind the Iron Curtain. He also has to baby-sit his boss's wild teenage daughter (played by Pamela Tiffin), who quickly marries a raging communist from East Berlin and finds herself in the family way. And now her father is coming over to see how well Macnamara is taking care of his little girl.
This frenetic comedy is not for everyone, but if you can remember pill box hats and Berlin before the Wall, you will probably love it. The one-liners come fast and furious as all the actors shout their lines, and the "Sabre Dance" is the background music for the non-stop physical humor. Cagney hams it up as the harried Coca Cola boss who barks orders to his ex-nazi assistant and keeps wife Arlene Francis from leaving him. Tiffin, a teen icon at the time, floats through the movie in a Southern-belle haze, mostly ogling handsome Horst Buchholz, who plays her commie beatnik husband, Otto ("He doesn't even wear socks!"). The supporting cast is full of German and Russian stereotypes of the period who race around at breakneck speed trying to make Otto into a respectable husband. If you liked the wacky political humor that was popular at the time, you'll enjoy this very funny comedy, filmed in glorious black and white. Kona
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