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Most Helpful Customer Reviews
12 of 12 people found the following review helpful:
5.0 out of 5 stars
4.5 stars for the Faces' swan song,
By bass boy "music fan" (Arkansas) - See all my reviews
This review is from: Ooh La La (Audio CD)
Actually, the song "Ooh La La" is sung by Ronnie Wood, not Ronnie Lane, as stated in the review below. Wood did share vocals with Lane on "Glad and Sorry." Although "Ooh La La" is a Lane song -- Lane first tried singing it, and then Stewart tried, but they fought over which key to perform the song in -- that's when Wood stepped in and sang it, and it's the best Ron Wood vocal ever, hands-down.
A 4.5 star record from one of the greatest bands of all time. The title track alone is worth the 10-dollar asking price. It's possibly the Faces' greatest studio cut, even greater than the popular "Stay With Me," although "Stay With Me" has a better bass line. Had the Faces stayed together - Lane quit soon after this 1973 LP came out - they would have suprassed the good Rolling Stones. The Faces had three great writers in Lane, Wood and Stewart, and Jones and McLagan also were good at composing, whereas the Stones only utilized two writers most of the time. Enjoy! The "Five Guys Walk Into A Bar" box set is worth it, if you want to get more than one Faces disc and see what this terrific band was like ....
7 of 7 people found the following review helpful:
4.0 out of 5 stars
****1/2. One of their best and most consistent,
By Docendo Discimus (Vita scholae) - See all my reviews
This review is from: Ooh La La (Audio CD)
This is the Faces' tightest album, filled with rough, tough three-minute rock n' roll songs. The arrangements are the best you'll find on any Faces record, and the songs are more varied than usual in mood and tempo, spanning ballads, hard rock, piano-driven boogie rock, and acoustic folk-rock.
Ian McLagan plays wonderful boogie piano on the swaggering rockers "My Fault" and "Borstal Boys", and Ron Wood's muscular guitar playing on the mid-tempo groove of the classic "Cindy Incidentally" and the good-time barroom boogie of "Silicone Grown" is some of his best and most focused playing on record. And even the lesser-known songs are excellent, like the superbly melodic "Just Another Honky" and the acoustic title track. This collection of songs is the best you'll find on any Faces album (well, alongside "A Nod Is As Good As A Wink..."), and "Ooh La La" is a must-have for Faces fans, hardcore and casual alike. 4 1/2 stars - highly recommended.
13 of 16 people found the following review helpful:
5.0 out of 5 stars
I don't care what Rod Stewart and the critics have said.,
By A Customer
This review is from: Ooh La La (Audio CD)
This album has routinely been chided by critics as a sell-out, a primary example of a once-substantial band yielding to commercial pressure. Further, Rod Stewart himself considers the album horrible and has publicly disowned it. Frankly, I don't care what the critics have written. A turn to the more upbeat, which this album undeniably is, in their world will usually be dismissed as an abandonment of artism. That is, of course, unless a plug would mean an advancement in their careers. Actually, there's much of value on this album, and the hilarity of "Silicone Grown" doesn't preclude this. "Cindy Incidentally" and "Borstal Boys" rank among the band's finest work, and there is not a bad track on this album. While the traditionally critically-favored albums _A Nod's as Good as a Wink..._ and _The Long Player_ each have their weaknesses ("Memphis, Tennessee" in the case of "Nod" and the whole second side of "The Long Player") this album never ceases to interest.Returning to Rod Stewart's dismissal of the album, it must be noted that the artist had also dismissed "Truth," the first album of two on which he sang lead vocals for Jeff Beck. It seems that he and Jeff didn't get along very well, and that's all right, but I think Rod's opinion of _Truth_ is more based on his contempt of Jeff Beck than the quality of the music. Similarly, during the production of _Ooh La La_, Rod and the rest of the band were on particulary bad terms. The rest of the band resented Rod's success as a solo artist, and Rod rarely showed up for recording sessions. Again, I think Rod simply hates the album because he hated this phase of his career. I guess you can't blame him, but it's sad to note that since the Faces broke up he hasn't produced anything as substantial and instead (now it can safely be said) sold out, while Ron Wood has taken the artistic high road but not had the successful solo career of Rod. This is understandable because, until 1992, Ron Wood couldn't sing to feed his menacing addictions to nicotine and alcohol and who-knows-what-else.
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