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The lead role in this western actually belongs to Kevin Costner, who plays Spearman's trail partner and employee, Charlie Waite. Boss is a cattleman that practices free-range grazing, i.e. driving his herd from place to place, only staying long enough for the animals to deplete the available food supply. But it's 1882, ranchers are beginning to fence in the West, and freegrazers are an endangered species. So, its no surprise when Charlie and Boss are ordered to take their beeves and get out of Dodge, so to speak, by big time rancher Baxter (Michael Gambon), who also owns the local town and its sheriff. Waite and Spearman are soon backed into a corner when the latter's two other hired hands, Mose (Abraham Benrubi) and Button (Diego Luna), run seriously afoul of Baxter's thugs.
It would be hard to choose between the better performance - Costner or Duvall - both playing characters so strong, self-reliant and silent that neither knows the other's full name. And they've been riding the West together for ten years! Nor does Boss know Charlie's violent history, which included being a Civil War raider, and then a hired gun much like the ones now working for Baxter. When Charlie falls in love with Sue (Annette Bening), the spinster sister of the local sawbones, his guilt over his rough-edged past is a self-imposed handicap that Sue, who sees Waite's inner goodness, must overcome.
Moviegoers accustomed to a steady diet of mindless, FX-laden action thrillers may find the first three-quarters of OPEN RANGE slow going. It's called "character and plot development", an intelligent change of pace. And when the final shoot-out comes, it's perhaps the best ever filmed. While most such western confrontations seem like a choreographed ballet, this one shows them for what they were: relatively short, extremely violent, chaotic, and lacking in fancy gunplay and sharpshooting finesse.
Big Screen westerns are such a rarity nowadays that it's hard to compare this one with any other in recent memory. Though perhaps not as memorable as DANCES WITH WOLVES, this Old West morality play is certainly the best since UNFORGIVEN. Admittedly, we've seen similar plots before: the small homesteader/Big Ranching feud in the classic SHANE, and Big Mining vs. the small prospector in PALE RIDER, Clint Eastwood's transparent re-scripting of the former. However, the acting, cinematography and costuming of OPEN RANGE are excellent. Duvall surely deserves a Best Supporting Actor nomination, and the production as a whole may merit a Best Picture nod. My only complaint lies with the editing, which left in one too many leave-takings between Charlie and Sue, the last being completely superfluous. That said, however, this is a five-star tribute to loyalty, rugged individualism, integrity, and simply doing what's right. I think, sometimes, that Hollywood has forgotten what those qualities are all about.
Set in 1882, OPEN RANGE stars Costner and veteran Robert Duvall as cattlemen only trying to drive their cattle across the open prairie of Montana. But they soon run afoul of a ruthless land baron (Michael Gambon) out to rid the land of free-grazers like Duvall and Costner; and to prove his point, Gambon has one of Duvall's men (Abraham Benrubi) killed and another (Diego Luna) seriously wounded. The stage is set for a traditional but classic shoot-out to the finish.
If not on the epic level of Costner's 1990 Oscar-winner DANCES WITH WOLVES, or the standards set by people like Clint Eastwood, John Ford, Howard Hawks, or Sam Peckinpah, OPEN RANGE nevertheless demonstrates Costner's comfortability with the Western. His is a determined performance, and his direction is equally fine, with stunning photography, done on location in southern Canada, and a fine Michael Kamen score. Gambon is about as nasty a villain as there has been in any film in recent times, and James Russo does his natural evil best as a half-crazed town sheriff. It is Duvall, a veteran of many westerns (TRUE GRIT; LAWMAN), however, who really shines, as is typical of this kind of caliber actor. Always offering some wry advice but ready to take retaliation for having been wronged, Duvall is a tower of strength. Annette Benning also does good work as the town doctor's sister, who also becomes Costner's love interest.
The Western genre has not run out of stories or ideas, and never will; it just needs people of integrity like Costner to keep it going. OPEN RANGE proves that in spades.