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Opera Arias
 
 

Opera Arias

Marilyn Horne Audio CD
5.0 out of 5 stars  See all reviews (1 customer review)


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Product Details

  • Audio CD (April 18, 1995)
  • Label: Bongiovanni
  • ASIN: B00000447K
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,612,678 in Music (See Top 100 in Music)

 
1. Cantata No. 51, 'Jauchzet Gott in allen Landen,' BWV 51 (BC A134): Jauchzet Gott in allen Landen
2. Acis and Galatea, oratorio, HWV 49: Come quando la colomba
3. Rodelinda, regina de' Langobardi, opera, HWV 19: Scacciata dal suo nido
4. Rodelinda, regina de' Langobardi, opera, HWV 19: Dove sei
5. Rodelinda, regina de' Langobardi, opera, HWV 19: Vivi tiranno
6. La donna del lago (The Lady of the Lake), opera: Tanti affetti in tal memento
7. Tancredi, opera: Di tanti palpiti
8. La cenerentola (Cinderella), opera: Non pił mesta
9. L'italiana in Algeri (The Italian Girl in Algiers), opera: Cruda sorte

 

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Average Customer Review
5.0 out of 5 stars (1 customer review)
 
 
 
 
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6 of 6 people found the following review helpful:
5.0 out of 5 stars Quite Extraodinary, March 28, 2000
This review is from: Opera Arias (Audio CD)
This is an interesting collection of pieces sung by Horne in the early stages of her career. It is interesting to hear her "soprano" voice ( which she is said to have used for the first 10 years of her career, but seldom heard on records ), and to really see how secure it was. In her autobiography she says the high C was always hers, but if one listens to this recording carefully one often hears high notes that are high screeches more than sung notes. They are not actually horrible to listen to, but they don't phonate as they should. In the first piece by Bach, one actually senses a mezzo singing with a very elevated vocal center that is not totally natural to the voice. Nothing is unpleasing on the disk, though the sound is at times "overly resonant", almost artificial ( this is a recording problem, or a transfer to disk problem, maybe?).

As one goes through the disk, one starts to hear the "glory of Marilyn Horne" as we are familiar with it. She sings Rossini, and it is amazing that some of her embellishments don't really change with time or with age.

The real drawback with this disk is there is no translation of the text to go with it, and only a very short biography of Horne. Little or no explanation is given for a piece, and if you need words to follow the music, or some sort of story outline, it just isn't to be found.

It is worth the money, and will give many hours of enjoyment just the same.

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