Opera Gala

Samuel Barber (Composer), Vincenzo Bellini (Composer), Gaetano Donizetti (Composer), Giacomo Puccini (Composer), Richard [1] Strauss (Composer), Giuseppe Verdi (Composer), Andrew Litton (Conductor), Dallas Symphony Orchestra (Orchestra), Alessandra Marc (Performer)

Product Details

• Performer: Alessandra Marc
• Orchestra: Dallas Symphony Orchestra
• Conductor: Andrew Litton
• Composer: Samuel Barber, Vincenzo Bellini, Gaetano Donizetti, Giacomo Puccini, Richard [1] Strauss, et al.
• Audio CD (May 30, 2000)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Delos Records
• ASIN: B00004TKHD
• In-Print Editions: MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (6 customer reviews)
• Amazon.com Sales Rank: #340,059 in Music (See Bestsellers in Music)

Customer Reviews

Most Helpful Customer Reviews

8 of 8 people found the following review helpful:

5.0 out of 5 stars Alessandra Blows the Roof Off the Dallas Symphony Hall, July 3, 2000

By	"nwdixieboy" (Seattle, WA United States) - See all my reviews

If you enjoy Alessandra Marc, then this CD is a must buy. She sings one of the most beautiful "Casta Diva"s I have ever heard. " Give Me My Robe" is a tour de force dramatic soprano piece which Marc delivers with power, intensity, and great beauty. Hold on your seats for the Strauss and Puccini, as she excells in both. To me she has one of the most beautiful true dramatic soprano voices of the century. It is dark, rich, gorgeous, powerful with a shimmering top that reminds one of Rysanek in her prime. Only lately has Alessandra developed good chest notes, which she shows off in her gorgeous Anna Bolena selection. Marc also seems to have one of the few really huge voices with records well, as I have heard her live and this comes close to the sound in a good house. I highly recommend this recording ! John

3 of 3 people found the following review helpful:

5.0 out of 5 stars Welcome back, Alessandra!, August 6, 2000

By	Antonio Matos (New York, NY United States) - See all my reviews

After hearing Ms. Marc two years ago in Turandot in Turin, Italy and after having heard this CD, I cannot wait to hear her once again at this Met in this season's Turandot. What a fantastic voice. The Strauss alone is reason enough to buy this CD. She has it all: power, beauty of tone and truly thoughtful singing. Why do we even bother with the laziness of Eaglen when we have a dramatic soprano like this around?

2 of 2 people found the following review helpful:

3.0 out of 5 stars Average performance, November 8, 2003

By	V. Chau (San Diego, CA) - See all my reviews (REAL NAME)

This disc contains three orchestral tracks, six aria tracks, and one choral track. It was recorded during three days of concerts in Dallas in September 1998. The recorded sound is clear and spacious.

The Dallas Symphony plays the three orchestral tracks well, but they do nothing spectacular with the music. Puccini's early work, Preludio Sinfonico, is quite beautiful and is worth a listen. The contribution from the Dallas Symphony Chorus in the "Guerra, guerra" chorus from "Norma" and in "In questa reggia" from "Turandot" is excellent. Their enunciation of the text is exemplary. However, they could have been better in "Casta diva".

The featured soloist is soprano Alessandra Marc. She has a huge, darkly-hued voice that can be easily heard over the orchestra. I, however, find the timbre of her voice to be heavy and matronly. Her rapid vibrato, magnified by her voice's large size, is quite annoying. Her diction is not ideally clear. Her consonants need to be crisper. Her voice has the right color for singing "Casta diva", but her breath control needs more work. It was quite disconcerting to hear such a heavy voice negotiating the delicate bel canto lines of this aria. She smudges the chromatic scales in the aria. Her small contribution to the "Guerra, guerra" chorus is not sufficiently angry. She is completely out of her element in Anna Bolena's Mad Scene. Her voice is far too heavy for Anna Bolena. In the Mad Scene recitative and aria, her dramatic commitment is non-existent. In "Al dolce guidami", she manages several respectable trills, but the final series of ascending trills is beyond her technically. The requisite nostalgia in this aria is just not there. In Helena's great aria, Marc sings well and enunciates the German competently, but her consonants need work. She is a native speaker of the language, English being her second language. In "Give me my robe", she is quite fine. She completely identifies with Cleopatra's character and she sings the high notes very securely. Her English is intermittently intelligible. Her rendition of "Vissi d'arte" starts with a scooping of pitch and is uneven in quality, but nothing goes terribly wrong. "In questa reggia" is given a powerful account, but she and the conductor are not always together.

This disc is definitely not a failure, but Ms. Marc could have been better.