74 of the world's greatest melodies from the timeless works for the stage, transcribed for intermediate- to advanced-level piano solo. Includes highlights from dozens of great works, including Aida, The Barber of Seville, La Boheme, Carmen, Don Giovanni, Faust, Die Fledermaus, Hansel and Gretel, Madama Butterfly, The Marriage of Figaro, Rigoletto, Der Rosenkavalier, and Tosca.
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Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.
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16 of 16 people found the following review helpful:
5.0 out of 5 stars
Worthy Transcriptions,
This review is from: Opera at the Piano: 74 Favorite Selections from 44 Operas (World's Greatest Classical Music) (Paperback)
The full title of this book is Opera at the Piano: 74 Favorite Selections from 45 Operas Transcribed for Intermediate to Advanced Piano Solo. The title is quite accurate in that nearly all of the selections included are well known "favorite selections." Included are: "Celesta Aida" and the "Triumphal March" from AIDA, "Una voce poco fa" from IL BARBIERE DI SIVIGLIA, four selections each from LA BOHEME, CARMEN, MAGIC FLUTE and LE NOZZE DI FIGARO, three selections each from DON GIOVANNI, MADAMA BUTTERFLY, MANON LESCAUT, RIGOLETTO, TOSCA, LA TRAVIATA, and one or two selections each from: MARTHA, I PAGLIACCI, HANSEL UND GRETEL, LOUISE, LUCIA DI LAMMERMOOR, LA RONDINE, SAMSON ET DALILA, Il TROVATORE, etc. As would be implied by any listing of "favorites," the time period covered is basically Mozart through Puccini, with a few earlier chestnuts thrown in (a couple of selections from Handel's SERSE and GIULIO CESARE and "When I am laid in earth" from Purcell's DIDO AND AENEAS). The book includes transcriptions of instrumental works as well as vocal works -- the Intermezzo from Macagni's CAVALLERIA RUSTICANA, the Waltzes from Strauss' DER ROSENKAVALIER, the Mediation from Massanet's THAIS, and overtures to Rossini's GUILLAUME TELL and Glinka's RUSLAN AND LYUDMILA. None of the well known instrumental music of Wagner is included and his presence in this volume is limited to two selections from TANNHAUSER. Included at the beginning of the book are short paragraph-length synopses of all of the operas represented which would no doubt be helpful to those unfamiliar with all of the operas represented. The transcriptions are pianistic and work well at the keyboard. None of the transcribers are identified. The pieces are of medium to advanced difficulty. These are not transcriptions in the sense of the virtuosic Lisztian operatic transcriptions where Liszt wrote new compositions based on operatic melodies. Instead, these are straightforward faithful piano transcriptions of works originally written for voice and orchestra. It is unlikely that any of these pieces would be included on recital programs. I see the main function of these pieces as giving opera loving pianists hours of pleasure playing through them for him/herself and maybe for friends.
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Excellent transcriptions,
By Joanna Daneman (Middletown, DE USA) - See all my reviews (TOP 10 REVIEWER) (VINE VOICE) (COMMUNITY FORUM 04) (HALL OF FAME REVIEWER) (REAL NAME)
This review is from: Opera at the Piano: 74 Favorite Selections from 44 Operas (World's Greatest Classical Music) (Paperback)
Unless you are a virtuoso pianist and can handle the Liszt transcriptions of opera, this is a fantastic way to play some of the greatest opera music on solo piano.I particularly like the "Revenge Song" from "The Magic Flute." These are for intermediate to intermediate-advanced (you can play some Beethoven Sonatas, for example) and deliver a lot of pleasing sound for the effort.
1 of 4 people found the following review helpful:
1.0 out of 5 stars
Aria is missing,
By
This review is from: Opera at the Piano: 74 Favorite Selections from 44 Operas (World's Greatest Classical Music) (Paperback)
While I just received the book and haven't gotten a chance to really check it out, I did go to "O mio babbino caro" from Gianni Schicchi (which was the major reason I ordered this collection) and IT WAS MISSING. Page 88 was really Page 90 printed twice. It was disheartening since I've been looking forward to getting it. What are the chances the ONE aria I really wanted was messed up?!! I dont' know if there are any other misprints.I have emailed the published but have yet to get a response. Until I do, my 1 star will remain.
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