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Optometry [Vinyl] Limited Edition


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Optometry
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Vinyl, Limited Edition, July 9, 2002
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Biography

Paul D. Miller is a conceptual artist, writer, and musician working in New York. His written work has appeared in The Village Voice, The Source, Artforum, The Wire, Rap Pages, Paper Magazine, and a host of other periodicals. Miller's first collection of essays, Rhythm Science, was published by MIT Press in April 2004, and was included in several year-end lists of the best books of 2004, ... Read more in Amazon's DJ Spooky Store

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Product Details

  • Vinyl (July 9, 2002)
  • Number of Discs: 2
  • Format: Limited Edition
  • Label: Thirsty Ear
  • ASIN: B000069B00
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #2,367,790 in Music (See Top 100 in Music)

1. Ibid, Désmarches, Ibid
2. Reactive Switching Strategies for the Control of Uninhabited Air
3. Variation Cybernétique: Rhythmic Pataphysic, Pt. 1
4. Asphalt (Tome II)
5. Optometry
6. Sequentia Absentia (Dialectical Triangulation I)
7. Rosemary
8. Dementia Absentia [Dialectical Triangulation II]
9. Parachutes
10. Absentia Absentia (Dialectical Triangulation III)
11. Variation Cybernétique: Rhythmic Pataphysic, Pt. II
12. Périphique
13. It's a Mad, Mad, Mad, World

Customer Reviews

4.1 out of 5 stars
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See all 10 customer reviews
Some of the songs are a little too slow, but it all works together in the end.
Kenneth Harden
It combines the talents of such great avant-garde jazz musicians as Matt Shipp and William Parker, as well as the interesting effects Spooky adds to the mix.
jay
This beat continues throughout while a bass begins to play a catchy sound and soon followed by piano chords to bring them all together.
Ashley Parsley

Most Helpful Customer Reviews

4 of 4 people found the following review helpful By GraceNoteX on June 10, 2005
Format: Audio CD
This is such a successful fusion of jazz, acid jazz, trip-hop, and illbient that the CD deserves a genre of its own.

The work here is such a thick soup of sound that it takes numerous repeats to savor all of the flavor. Yet, it all meshes into such a tight seamless whole that its hard to imagine that any element was ever intended to be part of anything but these finished pieces. DJ Spooky moves tracks effortlessly from free jazz piano figure intros into pulsing thick funky grooves, loose and atmospheric like his best trip-hop underneath, smoky, moody and grooving like a hot jazz club on top.

"Asphalt (Tome II)" with its beat poet throw-down, and "Optometry" with its late 70s jazz clavinet are raw, burning, funking masterpieces. Ordinarily, a track like "Asphalt" with its spoken word center piece wouldn't get many repeat listens from me, but the vocal performance is as brilliant and exciting as any of the playing or mixing supporting it. After weeks of repeat listens, I'm still not burned out on this.

As other reviewers have warned, DJ Spooky is really stretching himself on this one. It's hard to believe this is the same artist who produced "Songs of a Dead Dreamer" or "Riddim Warfare" or "The Quick and the Dead." But what a successful stretch! Paul D. Miller is one of the sharpest most creative minds in current music, and this is some of his best work. Too bad this CD will never get the attention it truly deserves.
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4 of 4 people found the following review helpful By Kenneth Harden on October 9, 2002
Format: Audio CD
This is my third DJ Spooky CD (File Under Futurism, Modern Mantra, and Optometry) and I like it a lot!
File Under Futurism was garbage except for a few songs. Modern Mantra is absolutely spectacular, and I have listened to it over 20 (yes, twenty) times in that last week! This CD fits between the two. Some of the songs are great, some are just OK. The first few tracks are kinda toned down acid jazz, but after those are over, the CD starts to pick up. Some of the songs are a little too slow, but it all works together in the end. Some rap, some techno, some real imagination on the behalf of Paul D. Miller (DJ Spooky.) I would not recommend this as a first DJ Spooky CD (that job goes to Modern Mantra in IMO), but if you like DJ Spooky, this is definitely a must have!
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3 of 3 people found the following review helpful By Keith Bickerstaffe on August 18, 2002
Format: Audio CD
This great CD makes you sit up and listen! I am a jazz fan of long standing, preferring Miles, Trane, Monk, Rollins, etc..but I like to keep my ears open for new interpretations. This is a fascinating blend of great drum licks, keyboard and reed improvs, combined with beautiful, spacy, delicate mood pieces. Even the rap tunes, and I have not been much of a rap fan (until now) are extraordinary! I can hear Miles saying "yeah, man!!" Go buy it!
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Format: Audio CD
DJ Spooky, the stage name for Paul D. Miller, is an electronic and experimental hip-hop musician who has created many complex and well-known albums. One of his most famous albums is "Optometry", which was created in 2002 in collaboration with several other jazz players including Matthew Shipp, William Parker, Guillermo E. Brown, and Joe McPhee. This CD, full of surprises and unique sounds, is a highly acclaimed CD of fresh sounds.
The genre of this CD has been debated for there are constantly new ideas and instruments being introduced throughout. "Optometry" is both fully a DJ outing and jazz album. The beginning of the album "Optometry" consists of free jazz with soul as well as DJ squabble. Yet the pieces steadily change into more meditative moods. DJ Spooky uses his mixing board and turntables and plays the kalimba, and bass.
The opening "Ibid, desmarches, ibid" begins with traffic sounds and then a snare-heavy rhythm begins. This beat continues throughout while a bass begins to play a catchy sound and soon followed by piano chords to bring them all together. The sound is intense and makes you want to tap your foot.
On "Reactive Switching Strategies for the Control of Uninhabited Air", snares, toms, and cymbals are used to create a unique rhythm. The time signatures vary between four and eight, and there are various timbres and harmonics emitted by the individual musicians, also producing the quartet sound. The major focus of this song is the keyboard sounds between the lines and the varying gaps between segments.
"Variation Cybernetique: Rhythmic Pataphysic (Part I)" is next and begins with speedy piano notes that produce a reverberating sound. A violin begins to play and percussion begins to produce noises soon after the violin comes in.
Read more ›
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By T. Klaase on November 11, 2003
Format: Audio CD Verified Purchase
This is a fine piece of work. DJ Spooky is tops in my book. What better way to create a master work than to hire the help of musicians like William Parker, Matt Shipp, etc...
Great, great album!
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