Customer Reviews

Orange

5 star:		(5)
4 star:		(6)
3 star:		(1)
2 star:		(0)
1 star:		(1)

 

 

This is the first Al Stewart LP I ever heard. My cousin in Madrid had it and I listened to it on my trip to Spain in 1975. Then I bought in 1977 a used copy of it in "Cheapo Cheapo" in London, so it's all memories and many hours I spent in my adolescence hearing Stewart's difficulties with women, instead of dating them. "And it was no sense at all/ or too much sense/ that brought me to the bridge of impotence".
I think this is a classic, and songs like "News from spain", "Amsterdam", "songs out of clay" and all the others are hard to forget. This is folk, british folk at its best, and besides his voice he's different here than n his more famous songs from Year of the cat and the 80's. The sound of the cd is very good, and for once I can say it is very close to the vinyl. The lyrics are in the booklet, good move. Now, it's your turn, buy it.

Orange is the not the easiest of albums; the most personal of all Al Stewart's work, but also the last of his truly autobiographical albums; his next phase was more experimental, more historical - and yes - more commercial.

Orange was an acquired taste - many fans saw it as a sell out (at the time), as it was so smooth and professional compared with the first three.

And smooth it is; a polished performance of well-written, intelligent lyrics with a backing from fine musicians.

Many of us, born within a year or three of Al, could (and did) relate to his angst. Almost uniquely in my experience, this album seemed to talk equally to both male and female listeners.

Finally, and this must be recorded for posterity, this is the album that spawned the 'Al Stewart Joke' on the UK folk club circuit: "Tragedy - Al Stewart has a new girlfriend. [pause] That means another album." They were only jealous!

My love affair with the music of Al Stewart began with the issue of Past, Present and Future. Then, I was fresh out of high school with every cent needed for living expenses. Money to go and buy earlier albums of artists I had come to like was scarce.
Now, after years of listening to Stewart, buying all of his post PPF albums, and hearing him a number of times live, I have become curious about his earliest recordings. So I took the plunge and picked up Orange.
My first impression was that it is pretty mediocre when compared with some of Stewart's future offerings. But then I forced myself to think in terms of the times in which this first appeared and compare it with other music coming out at the same time. When I looked at it that way, it rose in my estimation.
Three songs in particular stand out here: Songs Out of Clay, The News From Spain, and the instrumental Once An Orange, Always An Orange. Songs Out Of Clay presages the development of Stewart as a modern troubador and as a wordsmith and storyteller without parallel. News From Spain is a great early example of a Stewart love song sited in an exotic locale. The rare Stewart instrumental features a silly name, but some tasty chops.
I also like Al's rendition of Bob Dylan's I Don't Believe You and his own composition The Night Of The 4th Of May, another love song written in his inimitable way.
Among the standout musicians featured are Tim Renwick, who is to work with Stewart for many years, keyboardist Rick Wakeman, and 60s legend Brinsley Schwarz. Though this CD may never have mass appeal, it is recommended to any Al Stewart fans who missed it. Now that I've heard how good some of his early musings are, I will seek out his first three albums.

Al Stewart is quoted in the liner notes to the CD re-issue of "Orange", that he suffered writer's block for nearly two years after the release of his third album "Zero She Flies" in 1970 and that it was only the ensuing breakup with his longtime girlfriend, Mandy Newell that got his creative juices flowing again. The 10 songs on "Orange", originally released on January 1, 1972 in the UK and in Europe only, are the interesting fruits of his toils. Another reviewer here erroneously as has been pointed out, claims to have heard "Carol" and "Sirens of Titan", but after repeated listenings to "Orange", I hear snippets of melody that Stewart would more successfully incorporate into his 1974 masterpiece, "Past, Present and Future", as for instance the rhythmic acoustic guitar chord that leads into "Songs Out of Clay" which can later be heard more fully fleshed out on 1974's, "Roads to Moscow".

With producer John Anthony at the helm for "Orange" great care was put into engineering these songs, as Stewart's vocals are clearer, the string arrangements are lush but not overbearing, and the guitars, bass and drums blend in a much cleaner sounding mix than previous Stewart albums. And what of the songs? Al Stewart was still searching for a unique unifying theme and alas he did not quite find it on "Orange" which is a collection of nice but fairly straightforward lost love tunes in the singer songwriter confessional style that was so much in vogue in the early `70's (Joni Mitchell, Elton John). Stewart, with his new band in tow including Tim Renwick and Brinsley Schwarz on guitars and Rick Wakemen on keyboards, appropriately recorded an upbeat cover of Bob Dylan's kiss off love lost tune, "I Don't Believe You" to jump-start the "Orange" studio sessions. Although Stewart conveys a genuine hurt over his breakup with Mandy, he wisely avoids wallowing in self pity by keeping the melodies light and bouncy and by focusing his lyrics on documenting the sometimes touching, occasionally sad, and other times funny events of the doomed relationship. With his keen eye for factual detail, Stewart in a journalistic style, depicts the joys and travails of young Brits in love in the post-1967 hippie era, where a certain innocence is revealed in going to a Hendrix concert, traveling to Holland, staying in and making love, getting into a fight at a party and even in infidelity (it wasn't called `swinging' London for nothing). Stewart, who is quoted in the liner notes again said that these songs were `cathartic'. Only on "Songs Out of Clay and "Night of the 4th of May" does Stewart explore some darker moods and imagery that must have been present during the stormy parts of the breakup. Stewart's moral is that free love has personal and emotional consequences, and while not an entirely novel idea, it is a reasonably accurate assessment of romantic relationships that go sour in any "era". Stewart acknowledges all of these events of his past love relationship and then moves on, clearing the deck so he could fully tap into his creative muse two years later for "Past, Present and Future".

Available only as a UK import, it's nice to see "Orange" finally available on CD in the US. The bonus tracks, since they are NOT out takes from the "Orange" sessions, are rather superfluous with the only interesting song being Stewart's sprightly cover of Paul Anka's, "It Doesn't Matter Anymore". "Orange" is highly recommended for Al Stewart fans, as it shows the artist in transition from lovelorn folk singer to progressive folk rocker. "Orange is also recommended to any fans of the 70's singer songwriter style of light rock. 4 Stars

This is the first Al Stewart album to gain popularity. It is short (less than 40 min) and has a cover of a Dylan song, but still has some very nice early Stewart sounds. I would not recomend it for someone new to Stewart's music, but for the die hard fan, it might just be what you are looking for.

Orange was always a personal favorite of mine. I remember hearing it for the first time at a party while in college in the 70s. While not nearly as well known as "Past, Present and Future," "Year of the Cat" or "Time Passages," "Orange" has some fabulous tracks. "Songs Out of Clay," "Amsterdam" and "You Don't Even Know Me" could be heard well into the 80s at eateries such as Bennigan's ot TGIF so obviously other people had taken notice of this album. Unfortunately Al Stewart never achieved the fame that I thought he deserved but his music has aged very well. I highly recommend this CD if you like Al Stewart at all in the 70s.

This is the first Al Stewart LP I ever heard. My cousin in Madrid had it and I listened to it on my trip to Spain in 1975. Then I bought in 1977 a used copy of it in "Cheapo Cheapo" in London, so it's all memories and many hours I spent in my adolescence hearing Stewart's difficulties with women, instead of dating them. "And it was no sense at all/ or too much sense/ that brought me to the bridge of impotence".

I think this is a classic, and songs like "News from spain", "Amsterdam", "songs out of clay" and all the others are hard to forget. This is folk, british folk at its best, and besides his voice he's different here than n his more famous songs from Year of the cat and the 80's. The sound of the cd is very good, and for once I can say it is very close to the vinyl.

The lyrics are in the booklet, good move. Now, it's your turn, buy it.

Here we find Al in 1972. He's almost to that point of really really great songwriting all the way around (He took brief moments in earlier albums on songs like "Clifton In The Rain" and "A Small Fruit Song"). On ORANGE, his songs are still mostly love confessions, but still well worth hearing as he is beefing up his sound. Highlight songs "Songs Out of Clay", "The News From Spain" and "Amsterdam".

This is still one of my favourite Al Stewart albums: a classic singer/songwriter collection of sensitive, magical, lyrically powerful songs about love and loss, and the difficulty of communication. From the bitter-sweet lyrics of 'You don't even know me', to the doom-laden epic grandeur of 'News from Spain', Stewart presents the trials and tribulations caused by our fickle hearts, and the many deceptions we practise. 'I'm falling' is a love song par excellence, capturing the very simple, almost mundane reasons for which we fall in love, as we come to discover the small but important things which attract us, or seem imbude with meaning somehow. 'Once an orange' is a great sparkly guitar instrumental, but the haunting lyrics of 'Songs out of clay', and its deceptively simple production (exquisite Spanish guitar work from Tim Renwick), makes this the outstanding piece, in my eyes. It's really pure poetry: "And the golden rays of the sun divide/In the slanting mists of the rain", and the rest is equally good. If you're a sensitive being, you'll love this album, especially if you swim against the tide and prefer his earlier work, before 'year of the cat', as lyrically and emotionally his work somehow rings the more true, than the blander, more commercial stuff. There's nothing to lose by checking out this little masterpiece.

Because of its transitional nature, Orange is a fascinating album for the true fan of Al Stewart's work. And while Stewart, himself, would probably say it wasn't quite there, over half of this album is quite good and really worth a honest listen. I was particularly impressed with the cover of Bob Dylan's I Don't Believe You.

But if pinned down and forced to pick a favorite, I would have to go with the instrumental Once An Orange, Always An Orange. Its acoustic guitar virtuosity and lush string arrangement just edge out other strong contenders like the dueling Spanish guitars on Songs Out Of Clay and even the lead single You Don't Even Know Me.

The folk landmark Past, Present and Future would be where Stewart really caught his stride, but this preceeding release is a very worthy companion. Rick Wakeman's contributions on piano and keyboards turned out to be the most pleasant surprise to my ears when I first heard I Don't Believe You.