The Oresteia: Agamemnon; The Libation Bearers; The Eumenides [Mass Market Paperback]

Aeschylus (Author), W. B. Stanford (Editor, Introduction), Robert Fagles (Translator)

Book Description

ISBN-10: 0140443339 | ISBN-13: 978-0140443332 | Publication Date: April 29, 2003

In the "Oresteia" - the only trilogy in Greek drama which survives from antiquity - Aeschylus took as his subject the bloody chain of murder and revenge within the royal family of Argos. Moving from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, its spirit of struggle and regeneration is eternal.

Editorial Reviews

Language Notes

Text: English, Greek (translation)

About the Author

Aeschylus was born of noble family near Athens in 525 BC. He took part in the Persian Wars, adn his epitahp represents him as fighting at Marathon. He wrote more than seventy plays, of which only seven have survived.

Product Details

• Reading level: Ages 18 and up
  
• Mass Market Paperback: 336 pages
• Publisher: Penguin Classics (April 29, 2003)
• Language: English
• ISBN-10: 0140443339
• ISBN-13: 978-0140443332
• Product Dimensions: 8 x 6.5 x 0.6 inches
• Shipping Weight: 10.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (37 customer reviews)
• Amazon Best Sellers Rank: #4,071 in Books (See Top 100 in Books)
  • #4 in Books > Literature & Fiction > Drama > Classical & Early
  • #6 in Books > Literature & Fiction > Drama > Greek & Roman

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Customer Reviews

Most Helpful Customer Reviews

66 of 70 people found the following review helpful:

5.0 out of 5 stars Murder, Punishment, Redemption, April 2, 2000

By 

frumiousb "frumiousb" (Amsterdam, the Netherlands) - See all my reviews
(VINE VOICE)    (TOP 500 REVIEWER)   

This review is from: The Oresteia: Agamemnon; The Libation Bearers; The Eumenides (Mass Market Paperback)

The Oresteia (the only extant complete Greek trilogy) consists of three plays: Agamemnon, The Libation Bearers, and the Eumenides. It begins with Agamemnon returning home triumphant from the Trojan war only to be struck down (together with the tragic Cassandra) by his wife Clytaemnestra. Her motives while just (he sacrificed their daughter Iphigeneia to calm the winds) are impure because of her adultery with Aegisthus.

The second play is the vehicle for Clytaemnestra's punishment, as her son Orestes returns to kill both her and Aegisthus with the help of his sister Electra.

Finally, the Eumenides has the trial of Orestes by Athena, as she stops the furies from taking him in return for the blood-guilt he incurred for killing his mother. The Eumenides provides the way to end the cycle of revenge by banishing the furies from active participation in the world of men.

The cycle can be read in any number of ways. The introduction to the Penguin/Fagles translation contains a summary of the various readings. I kept wondering what Proteus, the missing fourth satyr-play would have provided. We read it so clearly as a trilogy and the Eumenides has such a harmonious ending that I can't help but wonder if the circle closed in the third play reopens in the fourth or if it was something else entirely.

My only complaint about the book is that in the Fagles translation the notes are at the back of the book rather than assigned per page, and I find that a cumbersome style to read.

54 of 59 people found the following review helpful:

5.0 out of 5 stars A Worthy Translation, February 24, 2002

By 

Bay Gibbons (Salt Lake City, USA) - See all my reviews
(VINE VOICE)   

This review is from: The Oresteia: Agamemnon; The Libation Bearers; The Eumenides (Mass Market Paperback)

With his recent translations of Aeschylus, Sophocles and especially Homer, Robert Fagles assumes the status of the finest Greek translator of the age. The grandeur, excitement and triumph of this beautiful translation cannot be overstated. The Oresteia is truly one the most monumental and enduring legacies from the Golden Age. Here is a translation which befits the greatness of the subject.

Some additional random musings:

1. This is one of the many books I was "forced" to read in graded courses at the University, but only really first discovered when I was long graduated and freed from all compulsory studies. In the meantime I have also had the time and passion to study -- very slowly and with great delight -- the originals.

2. As with other "great" works of literature, my advice is to ignore what the "experts" have to say about the work and go straight to the work itself. Thus, skip the intimidating intro and dive right into the text, doubling back later only if the muse strikes you.

3. After reading and then rereading Fagles' new translation of the Agamemnon, Libation Bearers and Eumenides I am struck by the similarities of the Oresteia in both tone, theme and mien to the greatest Shakespearean tragedies, especially Hamlet. My dogeared copy of this Aeschylus is now bristling with notes and crossreferences to the Bard.

37 of 40 people found the following review helpful:

5.0 out of 5 stars Gen X: READ THIS!, January 27, 1998

By 

Adam Rubinson ([e-mail]) (Washington, DC) - See all my reviews

This review is from: The Oresteia: Agamemnon; The Libation Bearers; The Eumenides (Mass Market Paperback)

Professor Fagles' translation of the Oresteia trilogy is the most powerful, moving, intense, bloody, achingly sad and beautiful drama I have ever read. As a typical member of the late Baby Boomer/early Gen X generation, I was never assigned such texts in school, and had the misconception that anything written by an ancient Greek must be boring, stale, and irrelevant. Fagles' Oresteia translation shows how misguided we are, and (along with his Illiad, Odyssey, and Three Theban Plays) opens up an incredible world to so many of us who have been in the dark.

Do not read this simply for your intellectual, moral, and spiritual improvement -- experience this because it is so enjoyable. "Pulp Fiction," "The Terminator," "The Titanic," Stephen King, or the latest Martin Scorcese film cannot compare for plot, intrigue, sex, violence, gore, intensity, entertainment, or cutting edge creativity.

From the plays' depiction of horrendous and unspeakable crimes to its climactic courtroom drama, you'll see why so many ancient playgoers fainted in the audience -- some women even having spontaneous miscarriages -- and why modern readers are so shocked and on the edge of their armchairs. Even if you've never read a "classic" or a "great book," read this.