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Organic Chemistry of Museum Objects, The, Second Edition (Butterworth-Heinemann Series in Conservation and Museology)
 
 
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Organic Chemistry of Museum Objects, The, Second Edition (Butterworth-Heinemann Series in Conservation and Museology) [Hardcover]

John Mills (Author), Raymond White (Author)

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Book Description

0750616938 978-0750616935 February 15, 1994 2
This book makes available in a single volume, a survey of the chemical composition, properties and analysis of the whole range of organic materials incorporated into objects and artworks found in museum collections.


The authors cover the fundamental chemistry of the bulk materials such as wood, paper, natural fibres and skin products, as well as that of the relatively minor components incorporated as paint, media, varnishes, adhesives and dyes. This expanded second edition follows the structure of the first, though it has been extensively updated. In addition to chapters on basic organic chemistry, analytical methods, analytical findings and fundamental aspects of deterioration, the subject matter is grouped as far as possible by broad chemical class - oils and fats, waxes, bitumens, carbohydrates, proteins, natural resins, dyestuffs and synthetic polymers. Since the first edition, significant advances have been made in some fields - the red insect dyestuffs, synthetic varnish resins, and the use of antioxidants, for example - and are given more extended discussion, while some other topics, such as the synthetic resin parylene, are newly introduced.


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Editorial Reviews

Review

Review of the first edition:

'Much of the book has been needed in the fields of conservation science and technical studies for some time. A sound and accurate basic introduction to the chemistry of a number of widely occurring materials is presented, together with enough summarized data to give the work value as a reference tool.'
John Winter, Studies in Conservation, 1988.

Reviews of the second edition:

'The book will serve the needs of restorers and conservators, museum scientists, students of conservation and curators as well as organic chemists faced with the challenging task of analysing small samples of complex and degraded natural products.'
CONSERVATION NEWS, November 1994.

'While it is primarily aimed at the conservator and museum scientists, I recommend this book to anybody who is interested in the properties and use of natural materials in artefacts.'
V. Daniels, Chemistry in Britain, January 1995.


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Inside This Book (learn more)
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First Sentence:
Atoms of carbon form strong bonds with other carbon atoms and with those of hydrogen, oxygen, and nitrogen, and the majority of the materials dealt with in this book are made up of compounds formed from these elements. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
jalaric acid, labdane compounds, amber polymer, other coloured materials, sandaracopimaric acid, communic acid, methyl dehydroabietate, stearin wax, paint media, lac resin, insect dyes, conifer resins, picture varnishes, bleached shellac, capillary gas chromatogram, copper resinate, binding media, varnish films, birch tar, dammar resin, red dyestuffs, tempera medium, dehydroabietic acid, lake pigments, varnish resins
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, National Gallery, Academic Press, Protein Chem, Oil Chem, Ulu Burun, Edward Arnold, Modern Organic Materials, Central Asian, Scottish Soc, George Stubbs, South American, Sublime Indigo, Archaeological Chemistry, Institute of Archaeology, Mary Rose, Pigment Blue, The Getty Conservation Institute, Applied Science Publishers, Canadian Group, Ketone Resin, Marina del Rey, Materials Issues, North American, Plenum Press
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