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16 of 20 people found the following review helpful:
4.0 out of 5 stars Essential reading for students of critical theory
While it concerns baroque Trauerspiel (literally, "mourning play" or "lamentation play," not "tragic drama") this book is necessary reading for students of critical theory who don't have literature as a primary field of interest. In it, Benjamin develops his critique of allegory (which he later amended in his work on Baudelaire and would...
Published on August 12, 2002 by hoopsandjazz

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11 of 13 people found the following review helpful:
2.0 out of 5 stars Excellent book/poor edition
Benjamin has written a highly valuable book here. My concern is with Verso's treatment of it. The binding is horrible -- my edition literally fell apart on the first read. There are no annotations which, in a book as wide-ranging and dense as this, is a gross oversight. In short, a horrible edition of a great book. Find another version.
Published on February 21, 2006 by Wade Lode


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11 of 13 people found the following review helpful:
2.0 out of 5 stars Excellent book/poor edition, February 21, 2006
Benjamin has written a highly valuable book here. My concern is with Verso's treatment of it. The binding is horrible -- my edition literally fell apart on the first read. There are no annotations which, in a book as wide-ranging and dense as this, is a gross oversight. In short, a horrible edition of a great book. Find another version.
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16 of 20 people found the following review helpful:
4.0 out of 5 stars Essential reading for students of critical theory, August 12, 2002
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"hoopsandjazz" (Northeastern United States) - See all my reviews
While it concerns baroque Trauerspiel (literally, "mourning play" or "lamentation play," not "tragic drama") this book is necessary reading for students of critical theory who don't have literature as a primary field of interest. In it, Benjamin develops his critique of allegory (which he later amended in his work on Baudelaire and would play a major role in The Arcades Project) as well as his method of philosphical history, which would decisively influence Theodor Adorno (see, for example, Adorno's book on Kierkegaard and his lecture "The Idea of Natural History"). Don't let the notoriously opaque prologue dissuade you from reading beyond the opening pages--the rest of the book has more stylistic and conceptual clarity (which doesn't mean it's easy!). In fact, you may want to skip the prologue and return to it after reading the body of the text. In any case, this book will give you a solid grounding for understanding the foundations of Benjamin's work--it should not be slighted. I deduct a star not because of Benjamin but because of the translation (less than sterling) and Steiner's introduction which, despite correcting the title's translation, restricts itself to literary concerns.
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6 of 7 people found the following review helpful:
3.0 out of 5 stars Mine too, bad glue, June 20, 2007
I found this book interesting. But my book, like that of a previous reviewer, completely fell apart upon the first reading. Frustrating to have to treat my NEW book like some loose sheaf of sibylline leaves bound together with rubber bands.
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5.0 out of 5 stars binding issue, July 29, 2010
By 
Grisha "Grisha" (Goriukhino, Russia) - See all my reviews
This review is from: The Origin of German Tragic Drama (Radical Thinkers) (Paperback)
Does anybody know if Verso bothered to improve the binding on the 2009 reprint edition? My first copy started falling apart the day I bought it too--annoying, although I suppose you could say it's rather fitting as well...
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The Origin of German Tragic Drama (Radical Thinkers)
The Origin of German Tragic Drama (Radical Thinkers) by Walter Benjamin (Paperback - June 9, 2009)
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