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Original Pirate Material Enhanced, Explicit Lyrics

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Audio CD, Enhanced, Explicit Lyrics, October 22, 2002
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Product Details

  • Audio CD (October 22, 2002)
  • Original Release Date: 2002
  • Number of Discs: 1
  • Format: Enhanced, Explicit Lyrics
  • Label: Vice/Atlantic
  • ASIN: B00006L88F
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (200 customer reviews)
  • Amazon Best Sellers Rank: #23,599 in Music (See Top 100 in Music)

1. Turn the Page
2. Has It Come to This?
3. Let's Push Things Forward
4. Sharp darts
5. Same Old Thing
6. Geezers Need Excitement
7. It's Too Late
8. Too Much Brandy
9. Don't Mug Yourself
10. Who Got the Funk?
11. The Irony of It All
12. Weak Becomes Heroes
13. Who Dares Wins
14. Stay Positive

Editorial Reviews

Product Description

This stunning debut by The Streets, a.k.a. Mike Skinner, melds hip-hop, dub, ska, and dance beats with lyrics that flip from humorous to dark to introspective and back again. "Original Pirate Material" is nominated for this year's Mercury Prize, alongside luminaries David Bowie and Doves, and was certified gold in the UK. Enhanced CD contains videos of "Weak Become Heroes" and "Let's Push Things Forward". "Not since `Never Mind The Bollocks'"has there been a record that has said as much about being young"--BBC. Parental Advisory.


In a thrilling UK Garage scene, blighted only by a reliance on drippy soul cliché and tiresome braggadocio, The Streets' eminently quotable Mike Skinner may just be the voice to take it to the next level with Original Pirate Material. This debut is a staggeringly eloquent and fearlessly honest snapshot of gritty street-level existence, as experienced by an ordinary bloke. At first listen, the Birmingham-born Skinner's cheeky cockney affectations grate slightly. But for every line that makes you squirm, there are 20 that drop your jaw. "Has It Come to This?" is "A day in the life of a geezer," a seductive encapsulation of London lifestyle, presented raw as a bootleg, but bulging with sharp wit and feverish detail. "Stay Positive" weaves a fearful tale of heroin addiction, while "The Irony of It All" makes a beguiling case for legalization, presenting a fictional exchange between a beered-up, self-righteous lager lout and a fey student weed enthusiast. Original Pirate Material is a milestone, the real voice of British youth set down on record. Don't miss it. --Louis Pattison

Customer Reviews

A must have for any music lover.
I just got this cd and I have listened to it countless times in the past couple days.
I love this album, it's nothing like anything you'll find in america.

Most Helpful Customer Reviews

32 of 32 people found the following review helpful By Mr. M. C. Hood on December 6, 2004
Format: Audio CD
I know the Streets have many fans the world over but I feel I must address some of the negative reviews expressed by the American market. I am not saying people are wrong to criticise the album, if you don't like it you don't like it, fair enough, but some of the negative remarks levelled at it seem to show a lack of understanding. This, however, is not the American record buying public's fault. Unless you are actually British there are aspects of the Streets that you just wont get. References to American culture often leave English listeners cold and I presume the same can be said for the reverse. Typical cockney slang and references to mundane day to day British institutions create a sense of unity the uninitiated just wont get. There is also many gripes about the monotonousness of Mike Skinner's voice. This is a reasonable complaint unless you have worked dead end jobs in London, gone to work in industrial Sheffield with a chronic hang over or been clubbing in some seedy nightclub in Southend. Only after experiencing the uniquely British working class way of life can you begin to appreciate that monotone is the only style plausible. It isn't exciting, it isn't glamorous, it isn't `ghetto' or `pimpin' its day to day boring British life. It rains, its cold, the food is processed and nasty, and our jobs are dull. We live for the weekend We moan about it but that's how it is.

In celebrating this brain crushingly lifeless existence Mike Skinner is giving a depressing beauty to the humdrum activities of the disenchanted British Youth. Like the musical equivalent of a Lowry painting.
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25 of 25 people found the following review helpful By Scott Woods on April 7, 2003
Format: Audio CD
Was so far under the radar that it's a crime. This record is the best hip-hop record of 2002 you never heard.
Well, calling it a hip-hop record is a little disengenuous. The vocal stylings of this one-man show (UK layabout Mike Skinner) come off like rap, but the vocal rhythm is all over the place and it ends up coming off like spoken word more than rap. Thing is, the second you think he's going in one direction, it flips into others and we're left with a record that almost defies every category but trip-hop comfortably. Even the beats are all over the place in context: dance, hip-hop, drum-n-bass...the kid's got a mad record collection at home.
It's catchy stuff, with sung choruses and VERY funny stories if you can decipher the UK dialect ("roight? Sod off, blud'y bastard!"). He's got smart, great takes on the music industry ("Let's Push Things Forward"), the legalization of weed, youth rebellion and Playstation, especially on a super-witty self-duet entitled "The Irony of it All" about how off it is that alcohol is legal and weed isn't, especially in light of the (here) frequently comicly violent outcome of alcholics when weighed against the puff-puff-live philosophies of your average weedhead. This track is a instant classic.
The beats are almost straight old school, but fresh, bootleg-like takes on the genre. "Sharp Darts" and "Geezers Need Excitement" could just as easily have ended up on a dozen hip-hop records that came out last week. The more dance-oriented fare even manages to keep the attention of the electronic illiterate on tracks like "Has It Come To This?
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31 of 33 people found the following review helpful By Kurt Lennon on August 16, 2003
Format: Audio CD
Don't listen to the righteous hip-hop "martyrs" who claim this album is a droll monotone Brit rhyming over a bedrock of crappy Casio beats. It's those close-minded fans who have stagnated hip-hop into the bling-bling and b*tches joke that it is today. Hip-hop was never supposed to be exclusive to anyone: whoever could tell a story had every right to. Go through a list of rappers selling albums today and 90% of them are an absolute joke.
It's about time a breath of fresh air came from ANYwhere in the world, even if its from the United Kingdom, which has been entertaining garage and hip-hop for years behind the US's back. Mike Skinner, producer-writer-rapper extraordinaire behind the Streets, has crafted an album many rappers would kill to call their own: at 48 minutes long, it doesn't overstay its welcome; it's free of filler and worthless skits; and it actually says something. In between smart stories about everyday life for burned-out British kids wasting life on Playstation and in "greasy spoon cafetarias" are sharp social commentaries on the irony of legal alcohol and illegal weed, and the hopelessness of the drug culture many kids fall victim to.
Turn the Page: apocalyptic, his statement of intent. A+
Has it Come to This?: devastating description of his surroundings. A banging track. A+
Let's Push Thing's Forward: a call of arms for originality to slay "pop formulas". Ska-influenced. A
Sharp Darts: a little bragadoccio. B
Same Old Thing: bangs like a couple of prom night. A
Geezers Need Excitment: a strange beat, great story of hoping to see fights in bars. A-
It's Too Late: a love lament, inspired. A
Too Much Brandy: been drinking again? A-
Don't Mug Yourself: no, that girl doesn't like you, stop being so whipped. A
Who Got the Funk?
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