Orlando (Modern Classics) [Abridged, Audiobook] [Audio Cassette]

Virginia Woolf (Author), Laura Paton (Narrator)

Book Description

Series: Modern Classics | Publication Date: March 1994

A young man emerges at the court of Queen Elizabeth I and progresses, with breathtaking ease, through three centuries until, by now a woman; arrives in the bustle of the 1920s.

Editorial Reviews

Language Notes

Text: Spanish, English (translation) --This text refers to an out of print or unavailable edition of this title.

From AudioFile

Originally written in the late 1920's, Orlando is the fascinating and fantastic tale of an aristocratic writer and observer whose life spans several centuries. This complex story of androgyny is marvelously narrated by Laura Paton. Her velvet voice lusciously conveys Woolf's lavish and sensual prose. This audiobook is performed with unusual clarity due to Paton's unhurried delivery. Her measured, careful pace makes each word stand out. She's an excellent storyteller and her well-crafted performance makes this an outstanding listening experience. Selections from Vivaldi, Bach, Beethoven and Ravel add to the enjoyment. A.A.B. (c)AudioFile, Portland, Maine

Product Details

• Audio Cassette
• Publisher: Naxos Audiobooks; Abridged edition (March 1994)
• Language: English
• ISBN-10: 9626345047
• ISBN-13: 978-9626345047
• Product Dimensions: 5.5 x 4.2 x 0.7 inches
• Shipping Weight: 4.2 ounces (View shipping rates and policies)
• Average Customer Review: 4.3 out of 5 stars  See all reviews (64 customer reviews)
• Amazon Best Sellers Rank: #5,715,206 in Books (See Top 100 in Books)
  • #24 in Books > Books on Cassette > Authors, A-Z > ( W ) > Woolf, Virginia

Customer Reviews

Most Helpful Customer Reviews

43 of 45 people found the following review helpful:

5.0 out of 5 stars Part man, part woman, all good, February 4, 2001

By 

"ionadh" (Texas, USA) - See all my reviews

This review is from: Orlando (DVD)

This is an amazing, ironic film, based upon Virginia Woolf's whimsically mock-serious epic about an immortal English lord, who experiences 400 years of history, changes his sex to that of a woman after refusing to participate in warfare (a feminist point that is subtly made), and never bores or condescends to us. What surprised me when I first saw it is how dry, boring and pompous it isn't; the film has a nice lightness and dry humor that make it digestible. The photography is beautiful and the film never drags, and the performances, which a lot of critics have suggested are somewhat two-dimensional, are that way for a reason: Orlando's adventure is too awesome to be rendered realistically; the people and adventures she experiences are meant, I think, to be represented symbolically---each character is actually a rough composite of perhaps hundreds of such types she meets in her journey from 1600 to 2000. Billy Zane, who is seen in the movie's poster, plays an American adventurer who romances the female Orlando, but to all of his "Titanic" fans, a word of caution: he's in the film for roughly twenty-five minutes, if that much. The real star of the show is the ethereally lovely, brilliant, and mysterious Tilda Swinton, whose male Orlando is unnervingly convincing; so much so that "he" almost seems to be doing a drag bit once the sex change happens---and because Swinton is so eye-pleasing and delightful, this is not a bad thing. Her intelligence and talent radiate from her face, which is so expressive that many shots consist simply of gigantic closeups of it---she can say more with a gaze than many lesser performers do with a page of dialogue. I first saw this film in 1993, as an exchange student living in London, and it gave me an appreciation for British history and for Woolf's books that I had never had before. It's really quite a smart, funny, cool, hip movie, but with no explosions, car chases, or hot-button themes, it's by no means a populist-type entertainment. If you like period films, or anything English, you'll dig this a lot: Orlando isn't just English, he/she *is* England, and the country should be so lucky as to be compared with Tilda Swinton's long-suffering (centuries of it, in fact, what a burden) poetry-spouting nobleman/woman. Very cool.

15 of 15 people found the following review helpful:

5.0 out of 5 stars One of my favorites., March 13, 2003

By 

Collin Kelley (Atlanta, Georgia United States) - See all my reviews
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Amazon Verified Purchase

This review is from: Orlando (DVD)

Finally got this one on DVD after nearly wearing out my VHS copy. Sally Potter is one of the best directors and of course Tilda Swinton in the title role is mesmerizing in every way. Although a sharp departure from Virginia Woolf's source material, it retains the spirit and scope of the novel. Orlando's tranformation from man to woman half way through is a beautiful moment. Swinton proudly naked and observing herself in the mirror looks directly into the camera and says "no difference really, just a different sex" it brilliantly blurs the line between what it means to be a man and woman. And when I say blur, I mean it in a good way. The gender, sexual orientation and race lines all need to be blurred until they disappear. Orland is a good salvo in that war.

13 of 13 people found the following review helpful:

4.0 out of 5 stars A charming farce of androgynous exploration...., December 17, 2000

By 

"raspberry-swirl" (Australia) - See all my reviews

This review is from: Orlando [VHS] (VHS Tape)

First let it be said that while I love the film Orlando it is simply impossible to get all the themes and events of the novel into one movie, so I strongly urge all viewers, whether they loved or hated this movie, to read the book, Virginia Woolf's unique love letter to Vita Sackville-West.

The inevitable failings involved in translating a book into a film aside, 'Orlando' is visually exsquisite, the costumes and locations sumptuous and splendid, fully evoking the decadance and contrasting squalor of the centuries in which Orlando lives his/her life. The score perfectly compliments the surroundings, the atmosphere and the themes of each scene, and is beautifully composed and performed.

Though some have expressed doubts over Tilda Swinton's ability to play Orlando, the aristocrat born as man who turns into a woman half way through his/her life, I thought she was the perfect choice. I believe knowing she is a woman initially taints people's ability to find her convincing as a man; to me she played the part with great charm, amiability and empathy, and became even more charming as a woman - the character of Orlando at this stage in 'her' life becoming more rounded, more sympathetic, more knowledgable and Swinton captures that well.

This film does not follow the 'rules' of the 'real' world - besides changing genders, Orlando lives for 400 years and does not age a day. It is the story of a pursuit for life, for meaning, by one individual determined to discover what that means. Accept it, and enjoy.

In its attempt to capture the most important of the book's events the film does have a slight recurring bump in continuity, it seems, and will no doubt be pretentious and boring to some, if not many. Nonetheless, Orlando is a sometimes humorous, sometimes haunting movie, thought provoking and richly realised.