The Orphan's Tales: In the Cities of Coin and Spice (Paperback)

~ Catherynne Valente (Author)

Editorial Reviews

From Publishers Weekly

The second and concluding volume of Tiptree Award–winner Valente's Orphan's Tales (after 2006's In the Night Garden), structured as a series of nested stories, is a fairy tale lover's wildest dream come true. A mysterious orphan girl, whose eyelids are darkly tattooed with the closely packed words from a seemingly endless number of fantastical tales, lives secretly in a palace garden. The girl shares her stories with the enthralled young heir to the Sultanate, who returns again and again to hear incredible yarns about one-armed heroes, hunchbacked ferrymen, giants, voracious gem eaters, conniving hedgehogs, harpies, djinns and singing Manticores. But with the wedding of the prince's sister Dinarzad (a not-so-subtle homage to The Arabian Nights) quickly approaching and harsh reality encroaching on the surreal garden, the orphan girl's stories finally run out. Cleverly examining and reconstructing the conventions of the fairy tale, especially the traditional roles of men and women, Valente has created a thought-provoking storytelling tour de force. (Nov.)
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Review

“Astonishing work! Valente’s endless invention and mythic range are breathtaking. It’s as if she’s gone night-wandering, and plucked a hundred distant cultures out of the air to deliver their stories to us.”—Ellen Kushner, author of Thomas the Rhymer

“Weaves layer upon layer of marvels...a treat for all who love puzzle stories.”—Carol Berg, author of the Bridge of D’Arnath series

“A fairy tale lover’s wildest dream come true.... Valente has created a thought-provoking storytelling tour de force.”—Publishers Weekly


From the Trade Paperback edition. --This text refers to the Kindle Edition edition.

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Product Details

• Paperback: 528 pages
• Publisher: Spectra (October 30, 2007)
• Language: English
• ISBN-10: 055338404X
• ISBN-13: 978-0553384048
• Product Dimensions: 9.2 x 6.3 x 1.1 inches
• Shipping Weight: 1.6 pounds (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (9 customer reviews)
• Amazon.com Sales Rank: #319,101 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

5 of 6 people found the following review helpful:

5.0 out of 5 stars Original, delightful, gorgeous, February 21, 2008

By	Richard R. Horton (Webster Groves, MO United States) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

This is a book (or, with its predecessor, pair of books) written on an old model: The Thousand Nights and a Night. Yet I found it as original, and delightful, as any book I've read in years. It consists of fairy tales, yes, but not retold fairly tales. Rather, entirely new tales, abundantly imaginative, gorgeously written, and stunningly and intricately framed.

The outer frame is set in the garden of a Sultan's estate. The Sultan's daughter is about to be married. The Sultan's son has befriended the orphan girl who lives in the garden. She tells him stories written on the inside of her eyelids (and eventually he tells her the stories written on the outside). The Arabesque setting of this frame immediately suggests The Thousand Nights and a Night, and so too does the way the stories do not come to immediate conclusions. But Valente's design is more complex than Scheherazade's: instead of simply ending stories in the middle and completing them the next day, these stories encounter other stories in their midst. So the character in one story will meet a new character with their own story to tell, and the first story will pause as the subsequent tale is recounted ... and so on.

The book is divided in two main parts, "The Book of the Storm" and "The Book of the Scald"; each dominated, to an extent, by one story. "The Tale of the Crossing", in the first part, concerns a one armed boy crossing a lake in the company of a ferryman in search of the girl who has been his companion during a terrible childhood. The lake is clearly enough analogous to the Styx, and the ferryman to Charon ... but of course he has his own story. In the second part we read "The Tale of the Waste", about a Djinn imprisoned in a cage, and her story concerns her position as one of the Queens of the Djinni, and the attack she is ordered to lead on the city of Ajanabh.

As the subtitle suggests, much of the focus is on a couple of colorful cities, both in terrible decline. The city of coin is Marrow, and their coins are most horrifying created. The city of spice is Ajanabh, but, as we learn, the spices are all dead. Despite the current state of decline of these cities, The Orphan's Tales is packed with wonders. We read of living Stars, of mechanical women, of manticores, of a giant who is the gate of a city, of courteous kappas (and what happens when a kappa bows), of repentant sirens, of edible gems... Valente's imagination is prodigious, and she weaves lovely new patterns with existing mythical threads, and she finds gorgeous new fabric as well. And all knitted together with poetic prose.

The stories are not just intertwined structurally, but thematically as well. And characters from one story will sneakily pop up later from a different angle. Time is rather fluidly treated - the book seems to cover perhaps the entire history of its exotic world. (I can imagine an annotated version attempting to arrange the events chronologically.) One repeated theme is marriage, and for the most part (though not entirely) the marriages treated in the book are sad. (Which seems to bode ill for the Sultan's daughter's wedding.) But perhaps more central to the book's theme is Story - the way in which the stories change depending on the teller, or on the focus, or on the outcome, is fascinating. As too is the way Valente toys with our expectations for Story - the way in which familiar patterns are altered.

5.0 out of 5 stars Story after Story after Story -- and all excellent, May 7, 2008

By	J. Avellanet (Williamsburg, VA United States) - See all my reviews (REAL NAME)

This is another excellent set of stories - truly a modern Arabian nights - that you will read and treasure. Unlike her first book, which I greatly enjoyed and read in a few days, for this book, I took the time and treasured each story one by one.

I really love the way the stories all relate and turn in upon one another. And the locations and characters are so magnificently original. A real treasure.

5.0 out of 5 stars A satisfying conclusion, and a must-have fantasy..., February 27, 2008

By	S. S. White "Calico Reaction" - See all my reviews (REAL NAME)

There's actually not a whole lot I can say about the concluding volume of Valente's The Orphan's Tales. I loved it. I was satisfied. I didn't want to put it down, and thanks to a four-day weekend, I really didn't have to. I did find myself wishing that I'd had the chance to read this volume immediately after volume I because there's a lot of subtle detail and symbols and entangled storylines that I found myself straining to remember. But the good thing is I love these two books so much I look forward to reading them again in the future, back to back, just like I wanted.

The Orphan's Tales is the kind of story that rewards re-reading. I know that when I go back to volume I, I'll get far more out of it now that I know how the whole thing ends. There's a certain kind of joy in that knowledge, and I don't say that lightly, because I don't like re-reading stuff. But this, in its own way, it reminds me of The Lord of the Rings: something rich and developed enough to return to year after year. Granted, the two stories couldn't be more different: Valente's world is rich with diversity, symbolism, feminism, fairy tale, and magic. The way these stories weave themselves together is nothing short of beautiful, and I hear, again and again, that The Orphan's Tales are structured after The Arabian Nights, which I've never read, so I don't know how it really compares, only that Valente's work is a jewel and any fantasy reader's library is sorely lacking if these two volumes aren't a part of it.