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  • Orpheus (The Criterion Collection) [Blu-ray]
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Orpheus (The Criterion Collection) [Blu-ray]


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Product Details

  • Actors: Jean Marais, Francois Perier, Maria Casares, Marie Dea, Henri Cremieux
  • Directors: Jean Cocteau
  • Format: Multiple Formats, Blu-ray, Black & White, Full Screen, NTSC, Special Edition, Subtitled, Widescreen
  • Language: French
  • Subtitles: English
  • Region: Region A/1 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 1.77:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Criterion Collection
  • DVD Release Date: August 30, 2011
  • Run Time: 95 minutes
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (20 customer reviews)
  • ASIN: B005152CBE
  • Amazon Best Sellers Rank: #36,993 in Movies & TV (See Top 100 in Movies & TV)

Special Features

New high-definition digital restoration, with uncompressed monaural soundtrack

Audio commentary by French film scholar James Williams

Jean Cocteau: Autobiography of an Unknown, a 1984 feature-length documentary

Video piece from 2008 featuring assistant director Claude Pinoteau on the special effects in the film

40 Minutes with Jean Cocteau, an interview with the director from 1957

In Search of Jazz, a 1956 interview with Cocteau on the use of jazz in the film

La villa Santo-Sospir, a 16 mm color Cocteau film from 1951

Gallery of images by French film portrait photographer Roger Corbeau

Raw newsreel footage of the Saint-Cyr military academy ruins, a location used in the film

Theatrical trailer

PLUS: A booklet featuring an essay by author Mark Polizzotti, selected Cocteau writings on the film, and an essay on La villa Santo-Sospir by Williams


Editorial Reviews

This 1950 update of the Orphic myth by Jean Cocteau (Beauty and the Beast) depicts a famous poet (Jean Marais) scorned by the Left Bank youth, and his love for both his wife Eurydice (Marie Déa) and a mysterious princess (Maria Casarès). Seeking inspiration, the poet follows the princess from the world of the living to the land of the dead through Cocteau’s famous mirrored portal. Orpheus represents the legendary Cocteau at the height of his abilities for peerless visual poetry and dreamlike storytelling.

Customer Reviews

4.6 out of 5 stars
5 star
15
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See all 20 customer reviews
For as long as I remember, I watch this film every 5 years.
Gerard D. Launay
A film that remains poetic and influential for many artists today.
Dennis A. Amith (kndy)
I love all these movies, but Orphee is just my personal favorite.
Khriss Bliss

Most Helpful Customer Reviews

10 of 11 people found the following review helpful By Stephen C. Bird on September 7, 2011
Format: DVD Verified Purchase
I enjoy studying "Orpheus", my favorite of Cocteau's films for its sheer originality, cryptic whimsy, audio-visual conceptual risks, and superb musical score by Georges Auric. Each time I see it, more is revealed to me, thanks to the richness of the details and the underlying subtext. The picture switches effortlessly between "real-world life" and "dream world / underworld reality". This film features trick shots and special effects that are simple, yet state of the art for their time (as is also the case in "La Belle et La Bête"): rubber gloves, that grant one entrance to the Underworld, by means of walking through mirrors; mirrors with watery surfaces; broken mirrors reassembling; the Princess ("La Mort"--María Casares) disappearing and reappearing; mysterious sequences of numbers and abstract poetry fragments emanating from the Princess' car radio.

Although all the performances are excellent, María Casares is the star of this film, with her strong, take-charge, no-nonsense approach. Conversely, she is also vulnerable, and ultimately pays the price, for misusing the privileges of her power, by falling in love with Orpheus (Jean Marais). The Princess' assistant, Heurtebise (François Périer), is introduced as a vaguely sinister presence, but is soon revealed to be a sympathetic character; he falls in love with Orpheus' wife, Eurydice (Marie Déa). In the end, in an act of compassion, the Princess and Heurtebise are punished for returning Orpheus and Eurydice to the world of the living.
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5 of 5 people found the following review helpful By Dr. Morbius on April 15, 2012
Format: Blu-ray Verified Purchase
Jean Cocteau pulls out his usual bag of tricks to create a film that rivals his magnificent Beauty and the Beast (1946). Both films are masterpieces which deserve your undivided attention--especially on blu-ray where the blacks are black and the whites are white and mirrors are the doorways to unreality and back again in a gray-warp of unintentional mystery....Get it....
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17 of 22 people found the following review helpful By Dennis A. Amith (kndy) TOP 500 REVIEWERVINE VOICE on December 16, 2011
Format: Blu-ray
In French cinema, there are many filmmakers named Jean Renoir, Jean Vigo, Jean-Luc Godard, Jean-Pierre Melville, to name a few. But among these filmmakers who really never craved the spotlight was Jean Cocteau. A proud man with humility and creative talent that extends beyond cinema.

Before Cocteau was a playwright, a screenwriter, a director...he was one of the most prestigious, talented poets living in France.

At a young age, similar to Jean Vigo who suffered through pain throughout his childhood after the death of his father, Jean Cocteau lived a different life. Coming from a prominent family, like Vigo, at a young age, Jean Cocteau lost his father (who committed suicide).

Where a filmmaker like Vigo had cinema at a young age to escape reality, Cocteau had poetry.

In fact, his first volume of poems titled "Aladdin's Lamp" was created at the age of 19 and would eventually become popular through his poetry.

But it was World War I which changed Cocteau. He would meet poet Guillaume Apollinaire, artist Pablo Picasso and Amedeo Modigliani and would later collaborate with many talents which include Russian choreographer Sergei Diaghilev, who persuaded the poet to write a scenario for his ballet "Parade" in 1917.

As one of the great poets, the introduction to writing for a ballet would lead him to writing and directing plays but also novels. Among the novels he is known for are "Les Enfants Terribles" (1929), "The Blood of the Poet" (1930), "Les Parents Terribles" (1948), "Beauty and the Beast" (1946) and "Orpheus" (1949).
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3 of 3 people found the following review helpful By Fred on February 3, 2012
Format: Blu-ray Verified Purchase
I hadn't seen this in years, I have it on VHS but don't have use of a VHS player(too lazy to hook it up, plus no HDMI output etc)... so it's strange to watch this now. Cocteau used his typically novel film techniques to the point of humor sometimes, but this movie exhibits a couple of his most famous scenes that shouldn't be missed by those who love film history. I won't even go into the story/theme why spoil it completely? If you like "art" films then check it out. Ultimately this is a romantic film in nature with Cocteau once again weaving an otherworldly spell of sorts upon the world of cinema. 5 stars simply because it is unique for those who have patience.
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3 of 3 people found the following review helpful By john on March 9, 2013
Format: DVD Verified Purchase
Showed it to my 15 year old daughter who thought it was "really cool", so do I.The Criterion collection version is clear and the sound is probably the best it gets for monoaural. The interview special with Lacan gives insight into this creative genius. The special effects for a film made in 1950 are innovative and original. No one was doing movies like this back then.Orpheus is an excellent choice of subject. I was originally introduced and entranced 25 years ago on some midnight foriegn movie station. I was able to watch other French classics, Le Boucher & Breathless. For a kid from south Louisiana it opened up new vistas.
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