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Oscar Micheaux: The Great and Only: The Life of America's First Black Filmmaker
 
 
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Oscar Micheaux: The Great and Only: The Life of America's First Black Filmmaker [Paperback]

Patrick McGilligan (Author)
4.7 out of 5 stars  See all reviews (6 customer reviews)

Price: $16.95 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Book Description

June 17, 2008

Oscar Micheaux was the Jackie Robinson of film, the black D. W. Griffith—a bigger-than-life American folk hero whose important life story has been nearly forgotten today. The son of freed slaves, he roamed America as a Pullman porter before making his first mark as a homesteader in South Dakota—and going on from there to become the king of the "race cinema" industry, producing and/or directing nearly forty films during a time of Jim Crow segregation when African-American artists were not welcome in Hollywood.

In this groundbreaking new biography, award-winning film historian Patrick McGilligan offers a vivid and fascinating portrait of a true pioneer of American culture who was equal parts visionary, hustler, huckster, innovator, and raffish Barnum-like showman—and the first great African-American filmmaker.


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Oscar Micheaux: The Great and Only: The Life of America's First Black Filmmaker + Writing Himself into History : Oscar Micheaux, His Silent Films, and His Audiences + D.W. Griffith's the Birth of a Nation: A History of the Most Controversial Motion Picture of All Time
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Editorial Reviews

From Publishers Weekly

At a time when Hollywood was so white that conditions would have had to be improved one hundredfold before it could even qualify as Jim Crow, Micheaux (1884–1951) was forced to pursue his creative ambitions as an independent filmmaker in the race picture market. McGilligan, the author of several acclaimed biographies of film directors (George Cukor: A Double Life), returns again and again to the image of Micheaux as a lone wolf, churning out two or three pictures a year at his peak while barely managing to stay ahead of creditors. And it wasn't just the all-black casts that put his films outside the mainstream; the stories often ran afoul of censors and critics for their uncompromising portrayals of contemporary African-American society. McGilligan sketches a crucial portrait of his subject's life before motion pictures, including an attempt to work a South Dakota homestead and a failed marriage that would provide the impulse for much of his creative output. The story isn't always as detailed as readers might like, but that's due to the limited available historical record. McGilligan does a fine job of reaffirming Micheaux's significance beyond the appreciation of cineastes.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Booklist

The author of George Cukor (1991) and Alfred Hitchcock (2003) here limns a far less renowned but equally compelling figure: Oscar Micheaux, foremost director of race films, featuring all-black casts and aimed at black audiences during the era of segregation. After stints as a Pullman porter and homestead farmer, Micheaux, the son of freed slaves, penned autobiographical novels. When Hollywood wouldn't buy his stories, he took up filmmaking in 1919. The quality of his efforts was restricted by financial constraints and the limitations of his talents (McGilligan implies he was more skilled at marketing movies than at making them), yet they shed valuable light on the harsh realities of African American life. Despite thorough research, gaps remain in McGilligan's account. But then, two-thirds of Micheaux's 40-plus films are lost, and the rest survive only as truncated by censorship. Micheaux's career began to fizzle, along with race films, in the late 1930s, and he died in obscurity in 1951. Rediscovered decades later, he is now considered, as McGilligan puts it, the Jackie Robinson of American film. Flagg, Gordon --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 432 pages
  • Publisher: Harper Perennial (June 17, 2008)
  • Language: English
  • ISBN-10: 0060731400
  • ISBN-13: 978-0060731403
  • Product Dimensions: 8.9 x 5.9 x 1.1 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #501,338 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
4.7 out of 5 stars (6 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
5.0 out of 5 stars McGilligan does it again!, June 20, 2007
By 
BMT (Brooklyn, New York) - See all my reviews
Having successfully chronicled such outsiders behind the camera as Cukor and Lang, celebs with secrets like Eastwood and Nicholson, and iconic geniuses like Hitchcock, I must say that I was surprised when I picked up this latest from the master film historian becuase I knew absolutetly nothing about the book's subject, a deficiency I am afraid that I share with the vast majority of American film-goers.

Now thanks to McGilligan's mastery I a aware of the "great and only" Oscar Micheaux who seems to have gotten the short shrift of American History in much the same manner as Crispus Attucks and Danile Hale Williams.

McGilligan charts the almost unchartable as this self-made man moves from porter to homesteader to author to film-maker, mixing the economics and art of the early film industry in an effort to supply entertainment and Art to an audience neglected by the major studios.

Filled with documentation, numerous name walk-ons, and insightful criticisms one is left with only one question after reading this book : how could Oscar Micheaux have been so neglected by both the public eye and history? ... and the fact that that question is raised is all to the credit of McGilligan's work.

BRAVO Patrick McGilligan - you've done it again!

Please try to write faster.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars A great book about a great man, June 23, 2007
By 
Martin J. Keenan (Great Bend, KS USA) - See all my reviews
(REAL NAME)   
McGilligen's "deep background" research pays off as his prose brings life to the mysterious life of Oscar Micheaux. McGilligen's knowledge of film history and movie directors brings historical context and makes Micheaux's accomplishments seem all the more amazing. Paced like a novel, the book is sprinkled liberally with Micheaux's own words, and really seems to capture the man. I certainly hope this book introduces Micheaux to a new generation of readers.
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2 of 3 people found the following review helpful:
5.0 out of 5 stars a Great Book on a Great Black Pioneer Film-maker, June 24, 2007
Oscar Micheaux was a Ground-breaking Film-Maker who paved the way for the Likes of Melvoin Van Peoples,Ossie Davis Jr, Gordon Parks,Spike Lee, John Singleton and other Highly Creative African-American film-Makers that carried on the tradition that was set by Micheaux. Patrick Mcgilligan does a Great job at speaking on the Independence of Oscar Micheaux's creativity. a great job of talking and speaking on Micheaux's Creativity. this Book is a Great introduction for a New Generation just discovering the Great works of Oscar Micheaux. a Must read and have.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
lying lips, wind from nowhere, race pictures, house behind the cedars, black show business, sepia pictures, white theaters, bright mulatto
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, The Homesteader, South Dakota, The Conquest, Chicago Defender, The House Behind the Cedars, Tripp County, Black Belt, Lafayette Players, Martin Eden, God's Stepchildren, Gregory County, Evelyn Preer, The Exile, Jean Baptiste, The Brute, Lorenzo Tucker, Lawrence Chenault, Sidney Wyeth, Sioux City, Jim Crow, United States, Fort Lee, World War, The Forged Note
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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