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| Song Title | Time | Price | ||
|---|---|---|---|---|
| Play | 1. Falling In Love With Love | 6:15 | $0.99 | |
| Play | 2. How About You | 5:53 | $0.99 | |
| Play | 3. Flamingo | 4:59 | $0.99 | |
| Play | 4. Swinging On A Star | 5:33 | $0.99 | |
| Play | 5. Noreen's Nocturne | 5:31 | $0.99 | |
| Play | 6. Gypsy In My Soul | 6:23 | $0.99 | |
| Play | 7. Nuages | 5:05 | $0.99 | |
| Play | 8. How High Is The Moon | 9:44 | Album Only | |
| Play | 9. Love You Madly | 8:01 | Album Only | |
| Play | 10. 52nd Street Theme | 4:13 | $0.99 | |
| Play | 11. Daisy's Dream | 13:26 | Album Only |
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Most Helpful Customer Reviews
21 of 21 people found the following review helpful:
5.0 out of 5 stars
Back to the basics.,
By Samuel Chell (Kenosha,, WI United States) - See all my reviews (TOP 100 REVIEWER) (HALL OF FAME REVIEWER) (REAL NAME)
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This review is from: The Oscar Peterson Trio at the Stratford Shakespearean Festival (Audio CD)
I've just read the results of the 50th Annual Downbeat Critics' Poll and can scarce believe my eyes. Not only no mention of Oscar (let alone consummate contemporaries like Ahmad Jamal, Monty Alexander, and Dave Brubeck) but of his brightest proteges (Benny Green, Geof Keezer, David Hazeltine). Apparently the elitist members of the "church of what's happening now" who call themselves "critics" cannot distinguish between true originality and mere difference, between authentic invention and pretentious creativity.Oscar is a true original, a pianist who has attained classic status through his mastery of the formidable--even overwhelming and frightening--heritage and language of his predecessors. "Creativity" can easily become a ruse--the self-deceptions of a sequestered new-age mentality rather than the re-inventions that are the hallmark of artistic genius. The genuinely creative artist requires no tricks or cover-ups--his gift is always on full display. Oscar's genius is no more apparent than on the "At Stratford" and "At the Concertgebouw" albums. The former has a slight edge in audio fidelity and program variety, as Oscar's crescendoing power playing on slow tempos clearly comes through on "Blues for Big Scotia" and his more delicate sensibilities are in evidence on his own "Noreen's Nocturne." The latter album, on the other hand, is the more breathtaking, a pyrotechnical work-out on standards and bebop classics that amounts to an exhausting experience for any listener. Either album represents an awesome legacy, a reason to run for cover. Possession of both albums is not recommended for the faint of heart.
13 of 13 people found the following review helpful:
5.0 out of 5 stars
A Midsummer Night's Dream Concert With The Oscar Peterson Trio At The Stratford Shakespearean Festival,
By
This review is from: The Oscar Peterson Trio at the Stratford Shakespearean Festival (Audio CD)
"I have never felt more relaxed and at ease at a recording session than I have at this one, and I feel that it shows in my playing. I hope that on hearing this album, the listeners agree with me." ~ Oscar Peterson ~
"This is a hit, a very palpable hit that will forever fit the dream concert given at the Shakespearean Festival one midsummer night in 1956." ~ James Isaacs ~ On August 8, 1956, fifty-one years ago today - August 8, 2007, Norman Granz of Verve Records, whom Oscar Peterson admired as a person for his bravery, recorded a live concert by the genius of jazz piano Oscar Peterson, guitarist Herb Ellis and bassist Ray Brown, collectively known as The Oscar Peterson Trio given at the Stratford Shakespearean Festival in Ontario, Canada. As always, the trio impressed the enthusiastic audiences with their gleaming and engaging numbers. The album was released on the same year and in 1993, it was digitally remastered and restored to a CD format. According to commentator Alan Zappert in Jazz On Record 1917-1967, "the original LP was the group's finest, a live performance often seeming to bring out the trio's creative best." Out of the 11 tracks, two are previously unreleased and these are Django Reinhardt's "Nuages" and an original composition by Peterson as a tribute to his sister, "Daisy's Dream." Also an original tune is "Noreen's Nocturne," a piece that showcases Mr. Peterson's composing skills. The trio gives a very impressive and delightful interplay with harmonic groove that makes all their performances stand out. Peterson's pianistic command is all what it takes to make this album one of the finest jazz recordings of all-time. My highlights include "Gypsy In My Soul," "Falling In Love With Love," "How About You," "Swinging On A Star" and "How High The Moon," one of the most famous jazz staples and a favorite among jazz artists and jazz enthusiasts as well. Herb Ellis once told Gene Lees in an interview and I quote: "The Stratford album comes about as close as any to what we sounded like." That's true. You should listen to this CD on a midsummer night such as this and truly appreciate the artistry of the trio in some of their best performances. Wholeheartedly recommended!
10 of 11 people found the following review helpful:
5.0 out of 5 stars
THIS ALBUM NEEDS A REVIEW,
By
This review is from: The Oscar Peterson Trio at the Stratford Shakespearean Festival (Audio CD)
I can't believe no one has reviewed this! Along with "At the Concertgebauw", it is one of the two classic Peterson-Brown-Ellis live recordings. Delicacy and rich harmonic invention on "Flamingo". Infectious, toe-tapping swing of "Falling in Love with Love". And the gut-wrenching intensities of "Love You Madly"! But all the tunes swing, rock, or are sensitive (sometimes, all three)! Buy it.
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