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Othello (Dover Thrift Editions) Paperback – June 7, 1996

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Editorial Reviews

From the Back Cover

One of the greatest of Shakespeare's tragedies, Othello tells the story of a Moorish general in command of the armed forces of Venice who earns the enmity of his ensign Iago by passing him over for a promotion. Partly for revenge and partly out of pure evil, Iago plots to convince Othello that Desdemona, his wife, has been unfaithful to him.
Iago succeeds in his evil aims only too well, for the enraged Othello murders Desdemona. When Othello later learns of her innocence, he takes his own life. Bleak and unsparing, this play offers a stunning portrait of an arch-villain and an astute psychological study of the nature of evil.

About the Author

"He was not of an age, but for all time," declared Ben Jonson of his contemporary William Shakespeare (1564–1616). Jonson's praise is especially prescient, since at the turn of the 17th century Shakespeare was but one of many popular London playwrights and none of his dramas were printed in his lifetime. The reason so many of his works survive is because two of his actor friends, with the assistance of Jonson, assembled and published the First Folio edition of 1623.


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Product Details

  • Series: Dover Thrift Editions
  • Paperback: 112 pages
  • Publisher: Dover Publications; 1 edition (June 7, 1996)
  • Language: English
  • ISBN-10: 0486290972
  • ISBN-13: 978-0486290973
  • Product Dimensions: 8 x 5.1 x 0.3 inches
  • Shipping Weight: 1.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (186 customer reviews)
  • Amazon Best Sellers Rank: #139,971 in Books (See Top 100 in Books)

Customer Reviews

4.4 out of 5 stars

Most Helpful Customer Reviews

148 of 154 people found the following review helpful By Matthew Stelly on December 16, 2000
Format: Paperback
The Souls of Black Folks, as other reviewers have pointed out, is a masterpiece of African-American thought. But it is even more than that when we consider the context and time in which the book was written. Most of what DuBois discusses is still relevant today, and this is a tribute to the man, not only as a scholar, but as someone who was continually adapting his views in the best image and interests of black people.
Some reviewers refer to DuBois as "the Black Emerson" and, as a university instructor, I heard similar references made: 'the Black Dewey" or "the Black Park," referring to the Chicago School scholars. Du Bois was brilliant; indeed, these white men should be being called "the white Du Bois"! Du Bois literally created the scientific method of observation and qualitative research. With the junk being put out today in the name of "dissertations," simply re-read Du Bois' work on the Suppression of the African Slave Trade and his work on the Philadelphia Negro and it is clear that he needs not be compared to any white man of his time or any other: he was a renaissance man who cared about his people and, unlike too many of the scholars of day, he didn't just talk the talk or write the trite; he walked the walk and organized the unorganizable.
White racism suffered because Du Bois raised the consciousness of the black masses. But he did more than that; by renouncing his American citizenship and moving to Ghana, he proved that Pan Africanism is not just something to preach or write about (ala Molefi Asante, Tony Martin, Jeffries and other Africanists); it is a way of life, both a means and an end.
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27 of 27 people found the following review helpful By "neeterskeeter27" on October 4, 2000
Format: Paperback
"Herein lie buried many things which if read with patience may show the strange meaning of beling black here in the dawning of the Twentieth Century." -W.E.B. DuBois, in the Forethought
This book contains essays written by W.E.B. DuBois. Some of them are very historical and recount the African American events and progess, and some of them are very personal, in which DuBois tells about his own life. I learned a lot from reading this book. For instance, I had always thought of what an awful thing slavery was- a horrible part of America's history- and that is was such a good thing that it was finally stopped. However, I never thought about the implications of life for the ex-slave after it was ended. Here were many African Americans, free, yes, but with what? Nothing. How would they get anywhere without money, education, jobs, etc.? And after freeing them leaders imposed unfair segragation and Jim Crow laws upon African Americans, so they were not really free at all.
Another thing that interested me about this book was the evolution of the slave's religion. It is very interesting to me how DuBois discusses their original religion of magic/ancestor and earth worship,etc and their gradual progression to the Christian religion of their masters, and then back to the beginning in an almost cyclical pattern. I don't think the African-American culture would be the same at all today if it were not for this mix of religious belief, although some would argue about how good it was for a religion to be forced about them and I would tend to agree.
W.E.B. DuBois was a pioneer of African American literature and thought. This book of essays will make you rethink the progress and status of African Americans throughout America's history, and will help you understand and sympathesize much more.
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37 of 41 people found the following review helpful By Jonathan Lechter on October 19, 1999
Format: Paperback
I can remeber reading this book in my liberal high school for our American lit class and thinking that they just stuck it in for diversity's sake--that black history and American history are separate entities. But as I began to study more history in college I began to realize that American history could not exist without black history and experience--that Dubois' insights into double identity and how racism affects both the reciever and promulgator of racism in insidious ways are crucial to understanding of how America continues to wrestle with the implications of hundreds of years of slavery, Jim Crow and now, more subtle racism.
I haven't read the book in 8 years, but Dubois description of the moment when a black child realizes achieves enough self awarenesss to undersstand that he is "black" and what that means to one's sense of self (at least in the 1910's south) is absolutely heartbreaking.
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26 of 28 people found the following review helpful By Herbert L Calhoun on April 22, 2008
Format: Mass Market Paperback
These essays, actually sketches and ruminations of DuBois', remain an enduring backdrop for the picture in which race in America is framed. At the end of each decade, they seem to continue emitting new pregnant meanings:

During the decade of the 60s, when I first read the book, it seemed to be an open message to white America about the Negro: an appeal, as it were, that "the Negro was on the march," and that his main instrument of entering the American mainstream (his only secure dream) was his spiritual cadence and his deep and abiding faith in religion, and equally deep faith in the meaning of the American revolution, and in the American dream and its misapplied ideals. A warning was issued in the "parable of the Coming of John": a reckoning of this fractured meaning and it's implied promises inevitably had to occur.

When I read it during the 70s, it seemed more like an interior dialogue between "Blacks," about "being constantly on the struggle against racism." It was especially a dialogue between the "uneducated and unsophisticated" on the one hand, and "the educated and sophisticated" (the "so-called "talented tenth"), on the other. But also it was a dialogue between the conservative forces of "compromise" that wanted to win by "turning the other cheek," and the more progressive and revolutionary forces who wanted to do so "by any means necessary." Yes, Martin and Malcolm were summoned up through DuBois' words in the same debate that had occurred two generations before between DuBois and Booker T. Washington. The words, but not the structure of the arguments, had changed. They were issued with the same degree of passion, and with the same unfortunate results: more promises, but powerful little "real progress," and then the murders of both Martin and Malcolm.
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