From School Library Journal
Grade 10 Up–Life is complicated for poor Yaya. Her alter ego, Nana, is taking over more frequently and the resulting blackouts worry her. Moriyama knows the situation and tries to play down Yaya's fears even as he scolds Nana for making appearances. Shingyooji, Moriyama's musical mentor, takes a proprietary interest in Nana as a vocalist and potential conquest. And last but far from least, Moriyama's devoted fan Megumi enlists Yaya's help against Nana. Ikezawa treads a fine line with her protagonist(s). Moriyama knows about Nana and helps deflect attention when people seem to be figuring it out. Yaya's gothic friends just think she chooses to be shy some days. Shingyooji writes off any evidence he sees as Nana playing games–she's the primary personality as far as he's concerned. The central conceit has yet to become wholly unbelievable–or boring. Ikezawa's art is consistently gorgeous and differentiates between Yaya and Nana.
Othello is a fun romance, with the drama lightened by comedic moments, many of which are provided by Elisabeth, Shingyooji's pet crocodile, and her tendency to bite.
–Susan Salpini, TASIS–The American School in England Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Paperback
edition.