5.0 out of 5 stars
Or, the evils of Iago, July 18, 2011
This review is from: Othello (Wordsworth Classics) (Wadworth Collection) (Paperback)
"Othello" is sort of a companion piece to "Macbeth" -- both are about noble, upstanding men who are destroyed by their own weaknesses. But where Macbeth was ruined by ambition, Othello's destruction comes from his jealousy and gullibility. And the play is really ruled by the nastiest, cruelest, most devious villain Shakespeare ever wrote.
That villain is Iago, a high-ranking soldier who has a grudge against the noble Moorish soldier Othello, who has just eloped with the beautiful Desdemona. Using a nobleman as his pawn, Iago first turns Desdemona's father against Othello, but the new soldier defends himself agains claims of witchcraft.
But Iago's true plan is far more devious, as he disgraces Othello's lieutenant Cassion and plants Desdemona's handkerchief in Cassio's room. Othello finds himself confronted by a chess game of lies, deceit and suspected infidelity, and his jealousy reaches a fever pitch that can only end in death.
Yeah, the real star of this play is undoubtedly Iago. This is the most repellent mixture of absolute malicious evil and crazy-smart intellect that anyone could write -- he is the person you love to hate, even as you admire how devilishly perfect he is at playing the chessmaster who whispers poison into your ear while playing your "friend." He doesn't quite think of EVERYTHING, but he comes close enough that you would NEVER want to deal with someone like this.
But this tragedy is also underscored by the depiction of Othello, a truly noble and loyal soldier who is turned into a deranged homicidal mess. It's somehow even more disturbing to see him deteriorate than it was to see Macbeth, because this guy was on top of the world in every way -- he was smart, eloquent, a brilliant soldier and a newlywed. And look what happens to him.
And Shakespeare deftly builds up this tragedy with a subtle, interconnecting web of lies and misdirections, with the tension building slowly until something has to blow. His writing is typically powerful, generating some quotable phrases ("It is the green-ey'd monster") and lots of cynical, dark dialogue ("Who would not make her husband a cuckold to make him a monarch?").
"Othello" is a strangely fascinating tragedy, with Shakespeare absorbing us again in the tale of a good man corrupted. Definitely a good, if harrowing play.
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