From Publishers Weekly
Brink's latest novel—essentially a collection of three novellas—is a vividly imagined if claustrophobic chronicle of the lives of three subtly connected men living in contemporary South Africa. The first story is the dreamlike tale of a white painter named David le Roux who one day returns to his studio and finds a black woman named Sarah and her two children waiting for him. He quickly surmises that the woman believes he is her husband and the father of the children, but he has never seen any of them before. The second story revolves around a white architect (and acquaintance of David) named Steve, who looks into the mirror one day and discovers he is black. The third story is that of Derek Hugo, a celebrated pianist infatuated with singer Nina Rousseau. Despite years of womanizing (including an affair with Steve's wife), Derek cannot bring himself to touch Nina, and the night he finally makes his move, their date is violently interrupted. An enervating awkwardness suffuses the pieces, though the conceit is a little too thin to carry a whole book. (Sept.)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
White architect David looks in the bathroom mirror one morning in Cape Town and discovers he is black. Unsettling as this revelation is, David, always the opportunist, sees that his new skin color could be an advantage in the new South Africa. Afrikaner artist Steve cannot get home to his sweet wife, but he finds he has a beautiful Xhosa wife and two lovely kids. Is this a guilty throwback to a mixed-race woman he once deserted? Then there’s frustrated white musician Derek, forced to work as an accompanist and teacher, who has sex with a gorgeous pianist and, nearly, with David’s wife. The three stories come together in a violent restaurant holdup, as eminent South African writer Brink fuses the racist past with contemporary upheaval, evoking Magritte-type scenarios of dreams, wishes, and unrealizable desires. Rooted in the post-apartheid reality, the haunting connections raise elemental issues, disquieting and passionate. Do we always want to get home? --Hazel Rochman

