1 of 2 people found the following review helpful:
4.0 out of 5 stars
When they give it a 9-12 age range, they aren't kidding., January 21, 2010
This review is from: The Other Mozart: The Life of the Famous Chevalier de Saint-George (Hardcover)
Given that it was a picture book, I decided to take a gamble and get it anyway, even though my nieces aren't in the age range. 6 and a half is ALMOST 9, after all, right...?
Wrong, definitely. This is NOT a read-aloud book, nor a good book for a kid who just recently learned to read. It has pages of long, advanced text, with insets providing more detail about, say, the French Revolution, or Slavery in French Colonies, or Marie Antoinette. And the illustrations are carefully captioned.
The end effect is a lot more like reading a history textbook, albeit a well-written one, than a story.
This book would be a real find for anybody looking for somebody new for Black History Month (or any other time of year when you expect children to write their book reports on biographies). Joseph Boulogne had a fairly interesting life on his own merits. This book doesn't suit my purposes as a read-aloud for my young nieces, but I'm keeping it until they're older and giving it four stars on the theory that, for the right age range, it's a really awesome book. If I change my mind when my nieces hit that age I'll come back and edit this review.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Move Over, Pushkin and Dumas!, July 21, 2008
This review is from: The Other Mozart: The Life of the Famous Chevalier de Saint-George (Hardcover)
Pushkin and Dumas weren't the only famous European artists partially of African descent. According to this book, France had a biracial musician dubbed "the Black Mozart."
When I think of a biracial man who has accomplished a lot in many areas, I free-associate and think, "Obama!" I think the same parents who want their Black or biracial sons to know about Obama and aim high would want their sons to know about this man. Young music learners may really make use of this book for Black History month reports, or things like that.
This book speaks of conflicting trends and thus, it is very real and significant. On the one hand, the Chevalier was the son of a rich man and he was treated as a man of high standing; the complete opposite of how he would have been treated in the United States in the 1700s. So in Europe there was a Black man who had access in ways that wouldn't have been possible stateside. However, he did face racial discrimination. Some performers didn't want him to be a lead director of an opera; another person refused to duel with him because he was biracial. So the book never tries to lie and say this high-born brother didn't face racism. Further, it speaks of him having contact with Toussaint L'Ouverture, the Black Haitian revolutionary.
The illustrations are lush here and show 1700s France in that frilly, ornate way that you see in many films. Some young readers may love the book for the illustrations alone. Often, the book spends many pages on other people: Mozart, Marie Antoinette, Haydn, for examples. On the one hand, it lessens the amount of pages on the Chevalier himself and begs the question of why so little info on him exists. On the other hand, it helps to contextualize the times in which he lived. This is important as many young readers will not know about the French Revolution.
In the illustrations, the Chevalier is not painted as especially light-skinned. I wonder if they painted him as if he had two Black parents so that readers from INTRAracial families would be persuaded to see the book. He is not painted the same complexion as Obama, Shemar Moore, Terrence Howard, etc.
I didn't know about this brother and I was pleased to learn about him in a quick, accessible fashion. I hope others can learn of this artist's existence and prominence.
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