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Our Lady of Late Import

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Audio CD, Import, July 17, 1997
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$14.70 $10.23

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
listen  1. Prologue 2:29$0.99  Buy MP3 
listen  2. Unison 4:36$0.99  Buy MP3 
listen  3. Knee 1:26$0.99  Buy MP3 
listen  4. Hey Rhythm 2:44$0.99  Buy MP3 
listen  5. Cow Song 2:19$0.99  Buy MP3 
listen  6. Sigh 2:34$0.99  Buy MP3 
listen  7. Morning 1:35$0.99  Buy MP3 
listen  8. Slide 3:01$0.99  Buy MP3 
listen  9. Waltz 1:33$0.99  Buy MP3 
listen10. Prophecy 3:11$0.99  Buy MP3 
listen11. Dumb 2:22$0.99  Buy MP3 
listen12. Conversation 2:57$0.99  Buy MP3 
listen13. Low Ring 3:06$0.99  Buy MP3 
listen14. High Ring 1:49$0.99  Buy MP3 
listen15. Free 2:31$0.99  Buy MP3 
listen16. Edge 1:33$0.99  Buy MP3 
listen17. Scale Down 2:53$0.99  Buy MP3 
listen18. Epilogue0:55$0.99  Buy MP3 

Product Details

  • Audio CD (July 17, 1997)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Format: Import
  • Label: Wergo Germany
  • ASIN: B00000704X
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #262,897 in Music (See Top 100 in Music)

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Most Helpful Customer Reviews

38 of 41 people found the following review helpful By "waldglyde" on April 2, 2001
Format: Audio CD
Meredith Monk is one of those artists difficult to classify. Her music is insperable from her voice to such an extent that the one transmutes into the other. Like Nico and Ono in rock, Cathy Berberian in her chamber music collaborations with Luciano Berio, or Karin Krog in Jazz, Monk is a vocalist with such a complex range of inflexions and nuances as to comprise a sonic palette. This parallel with painting is no mere conceit, either. She can segue effortlessly from the stark restraint of a Morandi still life to the jagged slash of a Picasso scream. She has realised that music began with the voice and, by God, she is going to bring it a kind of end with the voice as well.
In her lengthy career, Monk has combined the roles of performance artist, composer, choreographer and vocal stylist. She has absorbed a range of vocal traditions, from folk, opera, rock in the West, to Asian and Middle-Eastern styles. Her work is not world-music, nor classical, nor is ambient or New Age, either. She was tesmed on one compilation with the work of a mediaeval composer, Hildegarde von Bingan, as 'The Abbess and the Monk', which was a cute idea, but tells only half the story. Certainly she could, as a minimalist Diamanda Galas, become a Goth pin-up because of the wind-through-stonehenge quality of her voice, but she remains too austere, and far too unknown, for this fate. The mediaevalism of much of her work is too close to what it was actually like in the Mediaeval period for the typical Bauhausfrau.
Having suggested that Monk is difficult, I should add that this is probably the most difficult of Monk's albums, though the only one currently available, it would seem.
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