Product Details

• Actors: Alec Guinness, Maureen O'Hara, Burl Ives, Ernie Kovacs, Noel Coward
• Directors: Carol Reed
• Writers: Graham Greene
• Producers: Carol Reed, Raymond Anzarut
• Format: Black & White, NTSC, Subtitled, Widescreen
• Language: English
• Subtitles: English
• Subtitles for the Hearing Impaired: English
• Region: Region 1 encoding (US and Canada only)
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• Aspect Ratio: 2.35:1
• Number of discs: 1
• Rated: Unrated
• Studio: Sony Pictures Home Entertainment
• DVD Release Date: February 3, 2009
• Run Time: 111 minutes
• Average Customer Review: 4.3 out of 5 stars  See all reviews (51 customer reviews)
• ASIN: B001LMAK6A
• Amazon Best Sellers Rank: #11,468 in Movies & TV (See Top 100 in Movies & TV)
• Learn more about "Our Man in Havana" on IMDb

Editorial Reviews

Amazon.com

Carol Reed's 1960 adaptation of Graham Greene's satiric Cold War novel (Greene also wrote the screenplay) is simultaneously funny and scary, a microcosm of profiteering under the shadow of nuclear war and a grim comedy about the lengths to which men will go to uphold a useful ruse. Alec Guinness plays Jim Wormold, a low-key, English expatriate and vacuum cleaner salesman living in pre-revolutionary Havana, Cuba, with his daughter, Milly (Jo Morrow). Short on funds, Wormold accepts an offer from a British spy recruiter (Noel Coward) to keep a clandestine eye on Cuban activities, a job for which Wormold has no experience. Anxious to keep the home office happy, Wormold sends schematics of vacuum cleaners he declares are blueprints of secret weapons, and creates fictional agents who appear to send in field reports suggesting something is amiss on the island. Espionage head "C" (Ralph Richardson) is pleased with Wormold's progress, but when the former sends out a beautiful handler (Maureen O'Hara) and a possible assassin turns up at a sales convention, Our Man's faux hero has to think fast to keep up his charade--and stay alive. Ernie Kovacs is excellent as a corrupt police chief trying to win Milly's heart by appealing to her father, and Burl Ives has never been better than as a German expat with a mysterious background. Reed has a superb grasp of the tone and pacing of this spy comedy, with its surges of genuine darkness--he did, after all, give the world the much-less-funny The Third Man. --Tom Keogh




Stills from Our Man in Havana (Click for larger image)

Product Description

A vacuum cleaner salesman (Alec Guinness) is recruited by the British secret service to act as a spy in Havana. When Guinness sends off phony reports, "recruits" mysterious agents and "discovers" mysterious installations, the home office decides to send him some help in the form of an agent named Beatrice.

Most Helpful Customer Reviews

53 of 54 people found the following review helpful

4.0 out of 5 stars Slow-building, surprisingly subtle comedy of spying February 6, 2002

By Stephen O. Murray VINE™ VOICE

Sir Carol Reed's 1960 film of Graham Greene's "Our Man in Havana" gets off to a slow start. The expatriate British widower Jim Wormold (Alec Guinness) is having difficulty making enough money to support the expensive tastes of his cherished teenaged daughter Milly (Jo Morrow), who has caught the idea of a Batista torturer and equestrian, Capt. Segura (Ernie Kovacs). The British spymaster for the Caribbean (Noël Coward) insists that Wormold become a British secret agent, and Wormold decides to take the money and when pressed for results, concocts nonsense "intelligence."

His ludicrous inventions, including a military installation he invents out of vacuum cleaner parts, are taken very seriously. As in Greene's "The Third Man" (also filmed by Reed) and "The Quiet American" (filmed by Joseph Mankiewicz), ignorance ("innocence") proves to be extremely dangerous to others. This film is not as great as those other two, but has a very strong cast (including Burl Ives as a German doctor, Maureen O'Hara as a plucky M16 professional sent to assist Wormold, and Ralph Richardson as the agency head back in London) and splendid black-and-white cinematography of Havana almost as good as that of Vienna and Hanoi in the other two films. The camerawork is by Oswald Morris, John Huston's cinematographer on another, broader 1950s spy spoof (Beat the Devil) and other films (including the 1952 Moulin Rouge, Moby Dick, The Roots of Heaven, The Man who Would be King, and Heaven Knows, Mr. Allison) plus Kubrick's "Lolita" and Reed's "Oliver!"

Guinness (who had a career in spying movies ahead of him!) delivers a subtle performance. More unexpectedly, so does Ernie Kovacs, who was generally a very broad and antic comic. A thuggish police officer in a Latin American dictatorship is an easy target, but Kovacs draws on the tradition of cortesia and is considerably more professional than the M16 establishment that turns out to be at least as devoted as he is to keeping up appearances. Burl Ives (who long outlived Kovacs, but stopped getting roles like those in which he was so memorable in the late 1950s) also delivers a subtle performance as he is dragged into the madness Wormold's fantasies unleash.

32 of 32 people found the following review helpful

5.0 out of 5 stars Vacuum cleaners, Cuba and death: Another great movie from director Carol Reed and writer Graham Greene January 10, 2009

By C. O. DeRiemer TOP 1000 REVIEWER

Format:DVD|Amazon Verified Purchase

Our Man in Havana is an excellent, sly black comedy with a screenplay by Graham Greene and directed by Carol Reed. James Wormold (Alec Guinness) is a vacuum cleaner salesman in Havana. He's getting by but needs more money to take care of his teen-aged daughter. He's recruited as a spy for Britain by Noel Coward. He doesn't really know what's wanted, but he can use the money. Since he doesn't know anything of value, he begins making up stories and inventing plans, and mentioning the names of people supposedly involved. The names, of course, are just names he picked at random. His masterpiece is his "discovery" of a giant military complex, the plans of which he gets to his controller (Coward), who sends them on to London. The plans are actually the diagrams of one of his vacuum cleaners. This first part of the movie is a funny, sharp-edged parody of British pomposity and the thick headedness of "intelligence."

But then people begin to die.

It seems there may be more than British spies in Havana, spies who also believe the plans are genuine, and who are a lot more ruthless than the British. The second half of the film is darker, less funny and much more sardonic.

The cast is a strange grouping of disparate acting styles, but somehow they all work very well together. In addition to Guinness and Coward, there is Burl Ives, Ernie Kovacs, Maureen O'Hara and Ralph Richardson. Coward is priceless as a mannered, fatuous, obliviously incompetent spy. Kovacs for once is less Kovacs and more the part. He plays the Cuban police's main man in catching spies. He's amusing, and so are his lines. Among them, "There are two classes of people: those who can be tortured and those who can't." He and Guinness share a great scene where Guinness, who has to get away from Kovacs, challenges him to a checkers match with the pieces being miniature liquor bottles. Each time a piece is taken, the victor has to drink it. Guinness manages to lose regularly. Kovacs preens on his victories and only gradually, and increasingly incoherently, begins to suspect.

For Reed, who directed The Third Man, Odd Man Out, The Fallen Idol and other classic films, this is, in my opinion, the last of his first-rate movies. For years it has needed a Region 1 DVD release. There is a fine Region 2 DVD which I have. I'll add to this review if there are any significant differences or extras.

30 of 30 people found the following review helpful

5.0 out of 5 stars Hilarious and Vintage Guinness March 30, 2004

By JMB1014

Alec Guinness gives a terrifically funny performance as Wormold, a reluctant, middle-aged British resident of Havana who is approached by his country's desperate, and ridiculously credulous, "intelligence service" to do his patriotic duty and become a part-time spy. Wormold is also the lonely father of a nubile daughter and he needs extra money to answer her increasingly expensive wishes. The government will pay well. One day, rather hopelessly and absently, he sketches the interior of a vacuum cleaner he is supposed to be selling at his modest business, pretending his sketch pertains to some dangerous, real-life strategic device. His secret agent employers are elated. They send Wormold money. Unfortunately, they also become desperate for more "intelligence" from the now equally desperate Wormold. As he invents ever more outrageous fictions, the spy masters grow ever more fascinated. Then comes the kicker: Wormold's elaborate fantasies begin to come true. He has created a monster, in effect. The complexities of his imaginary spy world begin to envelope him. The outcome is terrible - and terribly funny. The subtle comic genius of Guinness may be lost on some American audiences, or it may be just your cup of tea. I laughed till I cried. I have never forgotten this movie since I saw it when I was an English major, studying Graham Greene, among others. I eagerly await its issuance in DVD.