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Our Nig: or, Sketches from the Life of a Free Black
 
 
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Our Nig: or, Sketches from the Life of a Free Black [Paperback]

Harriet E. Wilson (Author), Henry Louis Gates Jr. (Preface), Barbara A. White (Afterword)
4.5 out of 5 stars  See all reviews (6 customer reviews)

Price: $14.00 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Book Description

April 16, 2002
With a New Preface, Introduction, and Notes by Henry Louis Gates, Jr.
New Afterword by Barbara White


A fascinating fusion of two literary models of the nineteenth century, the sentimental novel and the slave narrative, Our Nig, apart from its historical significance, is a deeply ironic and highly readable work, tracing the trials and tribulations of Frado, a mulatto girl abandoned by her white mother after the death of the child's black father, who grows up as an indentured servant to a white family in nineteenth-century Massachusetts.

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Editorial Reviews

Review

"I sat up most of the night reading and pondering the enormous significance of Harriet Wilson's novel, Our Nig. It is as if we'd just discovered Phillis Wheatley—or Langston Hughes.... She represents a similar vastness of heretofore unexamined experience, a whole new layer of time and existence in American life and literature." —Alice Walker

"The story of Henry Louis Gates' discovery of this extraordinary book and his persistent search for the true identity of the author is a notable and lasting contribution to the literary history of black Americans." —Ann Petry 

"Our Nig is a fascinating and revealing historical document that transmogrifies the rhetorical devices of the sentimental 'woman's novel' into an early Afro-American commentary on race, class, and poverty in mid-nineteenth-century America. Professor Gates' introduction and critical apparatus describe the detective work that established Harriet E. Wilson's authorship; Professor Gates also places the book within the widest literary and historical context." —David Brion Davis, Sterling Professor of History, Yale University 

"Harriet Wilson's use of the conventions of sentimental fiction demonstrates conclusively that fictional forms were at least as important in determining how we write what we write as were the slave narratives. Professor Gates' discovery confirms my suspicion that there was more 'free-floating' literacy available to Negroes than has been assumed." —Ralph Ellison 

From the Inside Flap

Our Nig is a classic of African American Literature that has proven to be an enduring contribution to our understanding of free blacks in the nineteenth century. Originally published in 1859, it was neglected for over a hundred years and is now the subject of renewed scholarly interest. A fascinating fusion of two literary modes of the nineteenth century?the sentimental novel and the slave narrative?Our Nig traces the trials and tribulations of Frado, a mulatto girl who grows up as an indentured servant to a white Massachusetts family. And now, as new scholarship sheds light on the author's life, our appreciation for Our Nig is enhanced.

With a new afterword by Barbara A. White.

Product Details

  • Paperback: 304 pages
  • Publisher: Vintage (April 16, 2002)
  • Language: English
  • ISBN-10: 1400031206
  • ISBN-13: 978-1400031207
  • Product Dimensions: 5.2 x 0.6 x 8 inches
  • Shipping Weight: 9.9 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #48,093 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
4.5 out of 5 stars (6 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

21 of 21 people found the following review helpful:
5.0 out of 5 stars buy it with the Foreman & Pitts introduction, May 7, 2005
Though I currently have the 1983 edition with the introduction by Henry Louis Gates, Jr (whose name is in the introduction for almost every important Af-Am text in circulation, it seems), I plan on getting this latest edition.

Until recently, biographical details on Wilson were limited. Indeed, they seemed to trail off soon after the publication of her book (a death certificate for her son six months after its printing has suggested to some that her call for support went unheard). This introduciton offers new and happier information, showing that Wilson lived a long life--in part as a successful lecturer on the Spiritualist circuit.

In any edition this is a great book. Really, "great" isn't superlative enough to cover how important and interesting it is. But if you're going to buy it, get this edition.
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15 of 16 people found the following review helpful:
5.0 out of 5 stars Slave of Northern Abolitionist but free, May 7, 2007
By 
Tony Thomas (SUNNY ISLES BEACH, FL USA) - See all my reviews
This book was written by a woman who was supposed to be a free Black woman. In fact she was treated like a slave, a Black wage slave. She was oppressed by a family of who were Northern Abolitionists. Yet, she was treated like a slave. Succeeding generations of whites studying the book denied her and her class the ability to write such a book: they claimed the book had to have been written by a white person and that it was a novel, not real.

Millions of Black women who have slaved in white kitchens and cleaning white homes during and since slavery have a spokesperson in Harriet E. Wilson. This book helps us understand not just to pity them, but to understanding their ability to fight back with their minds.
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33 of 41 people found the following review helpful:
3.0 out of 5 stars The North Wasn't Much Better, September 15, 2000
The female child of a white female outcast and a black freeman, the author gives a detailed account of what it was like being raised by a white family in the pre-Civil War North of the United States (a household where she was abandoned by her mother at 3). This biography gives a general idea of what a Negro's life in the North was like -- and it was not much different from that life of a slave in the South. The mistress of the house was brutal beyond measure, but many of the other family members were reasonably kind (though not kind of enough to put a stop to the abuse), and it makes one shudder to think of what could have happened in a family who had nothing but Negro-haters in it. Still, she recounts how she got a small measure of schooling, and how she eventually became a Christian (something which the lady of the house -- a Christian herself -- opposed) and her eventual marriage. An upsetting story, it is nevertheless of much more value than "Uncle Tom's Cabin" as it was told from the point of view of the victim and not a sympathetic white.
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