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Our Town: A Heartland Lynching, a Haunted Town, and the Hidden History of White America
 
 
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Our Town: A Heartland Lynching, a Haunted Town, and the Hidden History of White America [Hardcover]

Cynthia Carr (Author)
4.4 out of 5 stars  See all reviews (21 customer reviews)


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Book Description

March 21, 2006
The brutal lynching of two young black men in Marion, Indiana, on August 7, 1930, cast a shadow over the town that still lingers. It is only one event in the long and complicated history of race relations in Marion, a history much ignored and considered by many to be best forgotten. But the lynching cannot be forgotten. It is too much a part of the fabric of Marion, too much ingrained even now in the minds of those who live there. In Our Town journalist Cynthia Carr explores the issues of race, loyalty, and memory in America through the lens of a specific hate crime that occurred in Marion but could have happened anywhere.

Marion is our town, America’s town, and its legacy is our legacy.

Like everyone in Marion, Carr knew the basic details of the lynching even as a child: three black men were arrested for attempted murder and rape, and two of them were hanged in the courthouse square, a fate the third miraculously escaped. Meeting James Cameron–the man who’d survived–led her to examine how the quiet Midwestern town she loved could harbor such dark secrets. Spurred by the realization that, like her, millions of white Americans are intimately connected to this hidden history, Carr began an investigation into the events of that night, racism in Marion, the presence of the Ku Klux Klan–past and present–in Indiana, and her own grandfather’s involvement. She uncovered a pattern of white guilt and indifference, of black anger and fear that are the hallmark of race relations across the country.

In a sweeping narrative that takes her from the angry energy of a white supremacist rally to the peaceful fields of Weaver–once an all-black settlement neighboring Marion–in search of the good and the bad in the story of race in America, Carr returns to her roots to seek out the fascinating people and places that have shaped the town. Her intensely compelling account of the Marion lynching and of her own family’s secrets offers a fresh examination of the complex legacy of whiteness in America. Part mystery, part history, part true crime saga, Our Town is a riveting read that lays bare a raw and little-chronicled facet of our national memory and provides a starting point toward reconciliation with the past.


On August 7, 1930, three black teenagers were dragged from their jail cells in Marion, Indiana, and beaten before a howling mob. Two of them were hanged; by fate the third escaped. A photo taken that night shows the bodies hanging from the tree but focuses on the faces in the crowd—some enraged, some laughing, and some subdued, perhaps already feeling the first pangs of regret.

Sixty-three years later, journalist Cynthia Carr began searching the photo for her grandfather’s face.

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Editorial Reviews

From Publishers Weekly

Starred Review. Former Village Voice arts writer Carr has crafted a searing look at race in America that combines investigative journalism with an intensely personal family history. She uses the 1930 lynching of two African-American men in Marion, Ind., where her father and grandfather grew up, as a prism to examine not only the psychology of the lynch mob members but the thousands of bystanders, some of whom were immortalized in a revolting and haunting photograph, which shows townspeople gathering to stare at the mutilated corpses, still dangling from their nooses. Carr's discovery that her beloved grandfather belonged to the Ku Klux Klan and may have been involved in the hate crime leads her to return to Marion and ask questions that many on both sides of the racial divide find uncomfortable. Carr's sense that she bears—that we all bear—a burden of guilt allows her an empathy that enables her to gain access to present-day Klan members, who talk freely about their ideology; her refusal to view herself as morally superior to them lends power to her observations, and her lack of self-righteousness is refreshing. This outstanding narrative is an excellent companion to last year's Blood Done Sign My Name and Arc of Justice, which also used a crime as an entry point into the struggle for civil rights. With the Hurricane Katrina catastrophe reviving the debate on the state of race relations in this country, this book will have an extra topicality in addition to its narrative power that should deservedly attract a wide audience. 8 pages of b&w photos not seen by PW.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Marion, Indiana, was the site of a lynching in 1930 that was immortalized in photos of white townsfolk--men, women, and children--looking on, reflecting a complex range of responses from festive to shock. Carr, a journalist, was raised in Marion, and as a child she heard discussions that piqued her interest. Later, she discovered that her grandfather had been an active member of the Klan during the period of the lynching. She uncovers secrets, both familial and national, surrounding troubled race relations. Those she was able to interview include James Cameron, who survived the lynching and later created the Black Holocaust Museum; Cameron's nephew, a Marion police detective, who sought to investigate the lynching; and the former mayor, now 90 years old. Carr also found a black community not as oppressed as the lynching would seem to indicate. Carr's Marion, with its family and racial secrets, provides a glimpse at a complex America, not so distant in our past that its ghosts aren't capable of haunting us today. Vernon Ford
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 512 pages
  • Publisher: Crown; 1St Edition edition (March 21, 2006)
  • Language: English
  • ISBN-10: 0517705060
  • ISBN-13: 978-0517705063
  • Product Dimensions: 9.5 x 6.3 x 1.8 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Best Sellers Rank: #928,005 in Books (See Top 100 in Books)

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10 of 11 people found the following review helpful:
5.0 out of 5 stars Truth and Reconciliation, June 5, 2006
This review is from: Our Town: A Heartland Lynching, a Haunted Town, and the Hidden History of White America (Hardcover)
Our Town: A Heartland Lynching, A Haunted Town, and the Hidden History of White America is an honest, though painful look at race relations in America. C. Carr sees parallels between her quest in Our Town and that of South Africa's "truth and reconciliation" hearings. The work bears witness to the searing history of lynching in towns all across America in the first half the last century. Carr captures white hatred, fear, denial, and guilt and black anger, bitterness, fear, and pain. She quotes Chilean legal philosopher and activist Jose Zalaquett, a member of the commission that investigated atrocities under the Pinochet regime: "If you have a choice between truth and justice, choose truth. Truth doesn't bring back the dead, but it does release them from silence." That's just what Carr does in this book.

Carr was 17 when she learned her beloved grandfather was a Klansman. Not until she was in her 20s did she see the infamous photo taken in her home town on the sweltering summer night of August 7, 1930--a black and white picture of two black men hanging from a tree as smiling townsfolk looked on. Like so many of us white liberals she felt guilty about our country's racist history. But Carr also felt a special shame about her town's history and her grandfather's membership in the Klan. That shame ultimately led her to write Our Town. Her story is an effort to examine the truth as a means of healing and opening a dialogue.

Carr pursues the truth like a bloodhound. It doesn't matter that she often loses the scent while on the trail because she refuses to give up and just keeps circling Marion and the small towns surrounding it until she gets the next whiff. Early on in her research she decides to go back home and ends up living in Marion, Indiana for an entire year. During that time she interviewed those who witnessed the lynching and were still alive. She also went to Detroit several times to interview the third victim of the lynching - James Cameron - who, though spared death, was marked by the experience for the rest of his life. And to gain insight into the psychology of hatred and fear, Carr interviewed the figurative descendents of the Ku Klux Klan: the hodge podge group of Kluxers, white Supremacists, and skin heads all who still espouse racial hatred. Reading about them made me think of Hannah Arendt's now famous characterization of the Nazis and the Third Reich--"the banality of evil." Not surprisingly, many of the Kluxers and their brethren see Hitler as a man of vision.

In "An American Secret" a personal reminiscence that appeared in the New York Times Magazine before the release of Our Town, Carr relates that the inspiration for her work was in part a conversation with a friend Robbie McCauley, an African-American theatre artist whose performances often emphasize the importance of black-white dialogue. Carr confessed her guilty truth to her friend and was surprised by Robbie's relief. She recalls Robbie told her ". . . white silence is often just a refusal to acknowledge what black people have been through." So she told Robbie about searching the lynching photo for her grandfather's face, and recalled her friend telling her "those are stories we need to hear."

So Carr set herself the mission of telling these stories, of uncovering the truth. She removes the veil of white guilt and liberal superiority so that she can listen to today's Kluxers. She captures them in all their complexity with the same skill that helped her to understand the performance artists whose work she had followed while writing reviews for the Village Voice.

Carr is a gifted writer. Interspersed throughout this 400+ page book are poetic moments of personal insight. While living in Marion, Carr and her sister visit their grandparents' graves. Later she reflects: "[r]eally we were visiting the mysteries, as if the graves could tell us something." The night she leaves Marion, she can't resist one last visit to her grandmother's house. Looking at the house from her car, Carr observes: [I was] almost too numb with exhaustion to feel anything but a sort of inchoate yearning. So much had eluded me here, or else seemed to crumble in my hand." The truth lay in the grave with many of the Marion residents who had witnessed the lynching in August 1930. The truth was still choked back on tongues both black and white that felt safer with silence. Carr concludes "we couldn't make up for what the ancestors had done, we could only acknowledge the pain it had caused." Carr's story takes us into the dark wood with eyes wide open and we are the better for having taken the journey with her.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars Important book, hard to follow, July 1, 2006
This review is from: Our Town: A Heartland Lynching, a Haunted Town, and the Hidden History of White America (Hardcover)
I am from small town Indiana and black. Raised in southeastern Indiana during the 1960's and 70's, I was not aware of this lynching until I first saw the photograph in my early 20's. I thought it took place in the south and found out only later it was Marion.

Carr's book is an important one and this country should appreciate her hard work researching this incident. The book itself was hard to follow. Much of the time I was going in circles. The book is probably to long, especially the parts with the recent klan members. I had little to fear from the klan growing up, possibly because they were so pitiful. I can't understand why she made them so important in the book. The real story was the early klan in Indiana.

When she wrote about the Sheriff, Archey, I did enjoy that since it seemed he had solid facts and dates on his rise and triumph. Overall an important subject, but could be streamlined and organized better.
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7 of 8 people found the following review helpful:
5.0 out of 5 stars Haunting and Heartfelt, May 22, 2006
This review is from: Our Town: A Heartland Lynching, a Haunted Town, and the Hidden History of White America (Hardcover)
I grew up 1/2 block from the Marion city limits. I spent 21 years there and wanted to leave from the time I was an adolescent. Although I have been gone over 30 years, I visit several times a year as I still have family there.

The lynching was not something I knew about until I was in high school. (I am white and went to all white county schools. My parents moved to Marion in the fifties.)

I also have to address the review by the man from TN. He objects to the characterization of the viewers in the lynching photo as gleeful. It is the single most harrowing aspect of the photo. Just look on the back of the dust jacket and decide for yourself.

His apologia is that the viewers may have been on a voyage of discovery and not have known how to react because who could enjoy looking at such a sight. How does the reviewer then explain the photo becoming a local bestseller?

The reviewer also suggests that the survivor of the lynch mob (James Cameron) may have fabricated his presence there. Cameron's surviving the lynch mob is not in question. There are numerous witnesses. The reviewer further tries to cast doubt by saying he doesn't recall what felony Cameron went to jail for. Cameron was imprisoned for his part in the killing of Deeter - the crime that led to the lynching - and was later pardoned by the Governor of Indiana. The teenaged Cameron had initially agreed to participate in the robbery but ran away when he recognized Deeter as a man who had been kind to him.

You will meet many like the reviewer from TN in Carr's book. A theme of the book is the continuing denial of the lynching and the racism in Marion by the white community. Marion has been crumbling and shrinking as long as I have known it. Now I know why. The town was diseased long before I was born.

But you do not need to be from Grant County or Indiana to relate to this story of a town gone wrong. It is a brave person who knocks on doors to talk about race as Ms. Carr has done. That courage comes through and is what makes this book an intriguing read for those who have never stood on the courthouse square or had a picnic in Matter Park.
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