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| Song Title | Time | Price | ||
|---|---|---|---|---|
| 1. 57 Octaves Below Middle C | 7:17 | Not Available | ||
| 2. Always Yesterday | 4:22 | Not Available | ||
| 3. Canyon Odyssey | 3:20 | Not Available | ||
| 4. Everyday(inst) | 2:30 | Not Available | ||
| 5. Fields of Flowers | 3:23 | Not Available | ||
| 6. Firelight | 3:28 | Not Available | ||
| 7. Hemorrhage | 3:51 | Not Available | ||
| 8. Just Wishing | 2:56 | Not Available | ||
| 9. Light and Shadows | 3:10 | Not Available | ||
| 10. My Winding Road | 3:39 | Not Available | ||
| 11. Peaceful Waterfall | 4:00 | Not Available | ||
| 12. Stain Glass Window | 3:44 | Not Available | ||
| 13. Stormy Summer Night | 3:35 | Not Available | ||
| 14. Unwrapped | 3:00 | Not Available | ||
| 15. Valley of Eden | 3:37 | Not Available |
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Most Helpful Customer Reviews
1 of 1 people found the following review helpful:
5.0 out of 5 stars
AWSOME LISTENING,
By Virginia J. Tourse "GIN" (CA.USA) - See all my reviews
This review is from: Outer Nights (MP3 Download)
SMOOTH,UPLIFTING MELODIES.KEITH IS A 1 MAN BAND BUT YOU WOULD NEVER KNOW IT.HE CONTINUES TO COME OUT WITH SOMETHING NEW.I'VE BEEN A LISTENER FOR 40+ YEARS NOW AND HIS CREATIVITY CONTINUES TO KEEP ME LISTENING.GREAT JOB!
5.0 out of 5 stars
This music escapes defintion,
This review is from: Outer Nights (MP3 Download)
"This music really escapes definition except to mention
that it runs on beer not acid and Keith's middle name refers to Mars where Acidalia is a place not a state of mind. That addition to his signature became necessary because there is at least one other Keith Phillips issuing music on the Net, but comparisons remain odious as they ever were. Keith's music is comprised of trance inducing performances that cannot be repeated or so he claims, having never been written as scores, but are instantly identifiable as his work, no matter what instrument he chooses to perform with or on. Keith is a multi-talented artist whose work has not so far received the acclaim that his chart positions would suggest. The nearest comparison would be Dylan's compositions for the film Billy the Kid, but as we said, comparisons are odious." by A. Austin author of "The Mother Shipton Prophecies"
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