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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Best Writing Book I've Ever Read, November 9, 2003
This review is from: Outwitting Writers' Block: And Other Problems of the Pen (Paperback)
This author makes you feel like she's known you forever. She seems to pick up on amazing universal truths about writers that I didn't realize were universal truths until I read the book. For example, she writes about professional jealousy and how she would work herself into a tizzy when another writer-friend "trumped" her, or when a writer who wasn't very talented got a big break. I had been feeling so guilty for having these feelings about my own writing-friends, but now I realize that even more experienced writers still feel that way and it's normal. But better than that, she offers such a wide array of "tricks" and tips for beating writer's block that something HAS to work! If the first method doesn't work, try a different method. She doesn't advocate just one thing, which is the problem I had with a different book about writer's block (the writer just offered one systematic solution. It didn't work for me, so the book was useless). With this one, I had to keep putting it down every few pages to scribble down new ideas it gave me. That was amazing. I had been feeling uninspired and like I was running out of new ideas, but this book made me realize how to open my "writer's eyes" and find ideas in everyday circumstances. It energized me, like jumpstarting a battery, so I felt compelled to actually write down my ideas and start drafting them instead of letting them sit in my brain until I forgot them. It's such a personal book and manages to weave effortlessly between humor and serious issues, even making me laugh when the author is discussing a very painful experience. I think the biggest strength of this book is that it teaches writers to let go of all the guilt and burdens they have placed on themselves, or let others place on them. I can't write every day, and I haven't been published much yet, so I was afraid to call myself a "writer," but the author made me feel like that was okay, and in doing so, I got less anxious and self-conscious about the act of writing itself. I have written more in the past two weeks than I have all year, just because I feel better about it and less worried about making everything "perfect." I knew from the author's website that I was going to like her style, but this just went so far beyond my expectations. I now feel like I have a brilliant teacher sitting on my bookshelf whenever I need her. At this rate, that won't be too often, because I can't imagine ever running out of ideas again! It's brilliant. Buy it.
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9 of 10 people found the following review helpful:
5.0 out of 5 stars
Superb nuts n' bolts book, November 16, 2003
By A Customer
This review is from: Outwitting Writers' Block: And Other Problems of the Pen (Paperback)
I gave myself two days to read through Jenna Glatzer's "Outwitting Writer's Block" and found myself on the last page within a few hours. This book deals with the nuts and bolts, get-your-hands-greasy-changing-the-flat-`cause-you-didn't-renew-the-AAA-membership approach to overcoming the creative block and also gives insight into the likely deep seated psychological basis from which the block may stem e.g. it just may be your defense mechanism for self-preservation. Don't go to a shrink next time - plunk down the money for this book and Jenna will be beside your couch, gently guiding you through the emotional hurdles that lie between you and your creative potential. It's a kind way to put your harsh inner critic to rest and let the blank page be a "blank canvas" on which you are being invited to play. The fear of writing might just be your friend trying to warn you about something from the past - and it's about time that this fear is addressed and turned into creative fuel. Her suggestion to form a mental literary triumvirate of a critic, an advocate, and a pragmatist is a very useful tool to balance the left brain, the right brain, and the checking account. Power of positive thinking and visualization are some additional aids to keep the critic at bay. The basic message is simple: ultimately, writing is an end in itself and is its own reward; the writer needs to move towards self-validation rather than external validation. It is a well researched book and I would recommend either highlighting the websites and books recommended or jotting it down in your "dirty notebook" (see, you just did it! You wrote down something!). One idea I found quite intriguing is to give a free outlet to your subconscious while writing without lifting your pen up from the paper (so as to not let the critic have any time to creep in). Of course, if you type, then come up with a creative solution of your own (short of splashing crazy glue on the keyboard). If nothing else, buy the book for the Prompts - these are the gems strewn across that are fun and practical exercises to help unleash your creativity. I believe that creativity is spiral - something done in one seemingly disparate area feeds into one's writing skills when one least expects it. Jenna exploits this principle to its fullest in this book. Merely reading Jenna's book gave me two new screenplay ideas! And I wasn't even warmed up to do the exercises. One of the most fundamental suggestions that this book makes is to change one's method of thinking. Although it sounds trite, the suggestion is to think like a writer. How often do we look at the mundane, banal items around us and try to put our thoughts about them into words, into strong nouns and strong verbs? I know I will make a conscious effort now on. She also addresses what I like to call the "tyranny of should(s)" - a bunch of rules that have outlived their usefulness and float around in writer-speak as the Ten Commandments. However, then, she recommends that you should (oops!) have some rules of your own to bring some discipline to your writing and then, consciously break them if you feel you are getting boxed in e.g. cross genres or discard the self-imposed labels to see if you can have more fun writing - `cause that's what it's all about, ain't it? Stephen King was asked once where he got his ideas from and he replied, "Cleveland." Jenna makes some specific suggestions on how to reach Cleveland, some of them quite interesting e.g. listening to country lyrics for stories and coming up with character/story ideas based on magazine ads. Throughout the book, Jenna's love of writing and her passion for the craft shines through even as her lively (and zany) sense of humor guides you through the various ways of conquering writer's block. Even if you are not creatively blocked (and what species do you belong to?), the methods described in the book will jog your creative muscles.
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11 of 13 people found the following review helpful:
5.0 out of 5 stars
Web Guru Shares Experience, Research with Writers, January 3, 2004
This review is from: Outwitting Writers' Block: And Other Problems of the Pen (Paperback)
Glatzer has an exceptional talent. She has writing experience that smacks you in the face with its authenticity. She says, "Writers block is really more a case of opportunity knocking and you having your radio tuned up too loudly to hear it." (p. 10) and then goes on to explain how you might benefit from the big WB. Glatzers's book sets an example for writers because it is fresh, carefully crafted, and entertaining. There are, to be sure, other books that address writer's block but this one is far more fun and less dogmatic than most. These are the fraternal twins that let this volume fill a much-needed niche in advice books for writers. ---------------------------- Reviewed by Carolyn Howard-Johnson. ...
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