From Publishers Weekly
The media coverage of the war in Iraq is almost as much of an upheaval as the war itself in this engrossing memoir.
New York Times reporter Feuer is yanked from the Bronx bureau and dropped into the Middle East just as the bombs start to fall on Baghdad. At the mercy both of events and high-handed editors, he struggles to make his way into Iraq and gain some perspective on the unfolding chaos that he can communicate to readers. Feuer's is a perceptive insider's account of the making of the news, filled with vivid sketches of fellow journalists and with the nuts-and-bolts details of stalking and seducing sources and piecing stories together from illegible notes in the face of near-impossible deadlines. It's also a trenchant, at times self-lacerating, critique of the media itself and its shallowness and isolation, its swarming of shell-shocked Iraqis, its drive to reduce human tragedy to poignant sound bites. Written in the third person, with a novelistic density and introspection, Feuer's muscular prose interrogates his own class anxieties and his longing for manhood and authentic experience, using them as a window into the dynamics that led America to war. The result is a fresh, personal take on the Iraqi adventure.
(June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
*Starred Review* In spring 2003,
New York Times reporter Feuer was bustled off to the Middle East to cover the invasion of Iraq. There will likely be dozens, if not hundreds, of memoirs written by reporters who covered the war in Iraq. It's a safe bet, though, that this one will stand apart from most of the rest. To begin with, the author writes about himself in the third person, as This Reporter (or T.R.). The device suggests that the author is a mere observer, but make no mistake: T.R. is center stage; everything else--war, poverty, death, greed, ambition--is filtered through his own sensibilities and preconceptions. Feuer's prose sparkles; he is a nimble writer, witty and sharp-eyed (if S. J. Perelman were a contemporary war correspondent, he might sound a bit like Feuer). He is an admirer of the reportage of Hemingway and Mailer, and it shows: he focuses on the small details of his big story, on the people at least as much as on events. It's a down-and-dirty book, too, with plenty of grit and rough language, but that, of course, is part of the story, too. This is one war memoir that demands to be read.
David PittCopyright © American Library Association. All rights reserved