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The Overlook (Harry Bosch) Mass Market Paperback – January 1, 2008

4.1 out of 5 stars 629 customer reviews
Book 13 of 18 in the A Harry Bosch Novel Series

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Editorial Reviews

From Publishers Weekly

Starred Review. Reviewers were somewhat abrupt about perennial bestseller Connelly's 13th Harry Bosch novel: a quick read, almost half the length of Connelly's previous novels, said one; a tasty hors d'oeuvre quipped another. How smart and fortunate for listeners that Hachette Audio has turned to veteran Connelly reader Len Cariou for some added weight. Cariou catches all the strength and sadness behind Bosch's minimal dialogue and is also perfect as Harry's LAPD colleagues, female and male. He is especially good at bringing to frightening life the real villains: the federal investigators, headed by a former Bosch lover, FBI agent Rachel Walling. The Feds are trying to take over the case of a body found on an overlook near Mulholland Drive—a doctor who turns out to have had access to radioactive materials stored at hospitals throughout L.A. All praise to Hachette for getting Cariou to help us through it. The production boasts original music by Frank Morgan.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Bookmarks Magazine

Michael Connelly originally published The Overlook as a serialized novella in the New York Times Magazine; the 16 sections contained 3,000 words each. Although expanded to novel form, The Overlook weighs in as a good, if slim (and perhaps, as a few critics claim, slight), addition to the Harry Bosch series. For the most part, the novel succeeds in maintaining Connelly's trademark fast-paced action, plot twists, suspense, and spare, humorous writing-all over the course of 12 hours. Some reviewers cited tired characters, dull romance, a bizarre time frame, and plotting missteps, but for followers of Harry Bosch, The Overlook is a worthy addition.
Copyright © 2004 Phillips & Nelson Media, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Mass Market Paperback: 304 pages
  • Publisher: Vision; Reissue edition (January 1, 2008)
  • Language: English
  • ISBN-10: 0446401307
  • ISBN-13: 978-0446401302
  • Product Dimensions: 4.1 x 1 x 6.8 inches
  • Shipping Weight: 3.2 ounces
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (629 customer reviews)
  • Amazon Best Sellers Rank: #442,188 in Books (See Top 100 in Books)

More About the Author

Michael Connelly was born in Philadelphia, PA on July 21, 1956. He moved to Florida with his family when he was 12 years old. Michael decided to become a writer after discovering the books of Raymond Chandler while attending the University of Florida. Once he decided on this direction he chose a major in journalism and a minor in creative writing -- a curriculum in which one of his teachers was novelist Harry Crews.

After graduating in 1980, Connelly worked at newspapers in Daytona Beach and Fort Lauderdale, Florida, primarily specializing in the crime beat. In Fort Lauderdale he wrote about police and crime during the height of the murder and violence wave that rolled over South Florida during the so-called cocaine wars. In 1986, he and two other reporters spent several months interviewing survivors of a major airline crash. They wrote a magazine story on the crash and the survivors which was later short-listed for the Pulitzer Prize for feature writing. The magazine story also moved Connelly into the upper levels of journalism, landing him a job as a crime reporter for the Los Angeles Times, one of the largest papers in the country, and bringing him to the city of which his literary hero, Chandler, had written.

After three years on the crime beat in L.A., Connelly began writing his first novel to feature LAPD Detective Hieronymus Bosch. The novel, The Black Echo, based in part on a true crime that had occurred in Los Angeles, was published in 1992 and won the Edgar Award for Best First Novel by the Mystery Writers of America. Connelly followed up with three more Bosch books, The Black Ice, The Concrete Blonde, and The Last Coyote, before publishing The Poet in 1996--a thriller with a newspaper reporter as a protagonist. In 1997, he went back to Bosch with Trunk Music, and in 1998 another non-series thriller, Blood Work, was published. It was inspired in part by a friend's receiving a heart transplant and the attendant "survivor's guilt" the friend experienced, knowing that someone died in order that he have the chance to live. Connelly had been interested and fascinated by those same feelings as expressed by the survivors of the plane crash he wrote about years before. The movie adaptation of Blood Work was released in 2002, directed by and starring Clint Eastwood.

Connelly's next book, Angels Flight, was released in 1999 and was another entry in the Harry Bosch series. The non-series novel Void Moon was released in 2000 and introduced a new character, Cassie Black, a high-stakes Las Vegas thief. His 2001 release, A Darkness More Than Night, united Harry Bosch with Terry McCaleb from Blood Work, and was named one of the Best Books of the Year by the Los Angeles Times.

In 2002, Connelly released two novels. The first, the Harry Bosch book City Of Bones, was named a Notable Book of the Year by the New York Times. The second release was a stand-alone thriller, Chasing The Dime, which was named one of the Best Books of the Year by the Los Angeles Times.

Lost Light was published in 2003 and named one of the Best Books of 2003 by the Los Angeles Times. It is another in the Harry Bosch series but the first written in first person.
Connelly's 2004 novel, The Narrows, is the sequel to The Poet. It was named one of the Best Books of 2004 by the Los Angeles Times. His 11th Harry Bosch novel, The Closers, was published in 2005, and debuted at #1 on the New York Times bestseller list. The Lincoln Lawyer, Connelly's first-ever legal thriller and his 16th novel, was published in 2005 and also debuted at #1 on the New York Times bestseller list. This book introduced Mickey Haller, a Los Angeles defense attorney who works out of the back seat of his Lincoln Town Car. The movie adaptation, starring Matthew McConaughey as Haller, was released in 2011. This is the second film adapted from a Connelly novel.

Crime Beat, a non-fiction collection of crime stories from Michael's days as a journalist, was released in 2006, as was the Harry Bosch novel, Echo Park. The Overlook, Michael's 18th novel, was originally serialized in the New York Times Magazine. This Harry Bosch story was published as a book with additional material in 2007.

Michael's 19th novel, The Brass Verdict, was released in 2008, and debuted at #1 on the New York Times bestseller list. It introduces Lincoln lawyer Mickey Haller to LAPD Detective Harry Bosch in a fast-paced legal thriller. Michael's 20th novel, The Scarecrow, was released in 2009, and reunites reporter Jack McEvoy and FBI Agent Rachel Walling for the first time since The Poet. It too debuted at #1 on the New York Times bestseller list. Michael released a second book in 2009, the 15th Harry Bosch novel, Nine Dragons. In this story, Bosch goes to Hong Kong to find his missing daughter.

In 2010, The Reversal was released and debuted at #1 on the New York Times bestseller list. This book has Mickey Haller and Harry Bosch working together on the high-profile retrial of a brutal child murder. The Fifth Witness, a Mickey Haller novel, was released in 2011 and also debuted at #1. Michael's 2011 novel, The Drop, a Harry Bosch novel, debuted at #1. Another #1 ranked book, The Black Box, focuses on Harry Bosch once again and is Michael's 25th novel. Its release came in Michael's 20th year in publishing, 2012. The Gods of Guilt , a Mickey Haller novel, was released in 2013, and debuted at #1 on the New York Times bestseller list. The Burning Room, a Harry Bosch novel, was released in 2014 and debuted at #1 on the New York Times bestseller list.

Fifty-eight million copies of Connelly's books have sold worldwide and he has been translated into thirty-nine foreign languages. He has won the Edgar Award, Anthony Award, Macavity Award, Los Angeles Times Best Mystery/Thriller Award, Shamus Award, Dilys Award, Nero Award, Barry Award, Audie Award, Ridley Award, Maltese Falcon Award (Japan), .38 Caliber Award (France), Grand Prix Award (France), Premio Bancarella Award (Italy), and the Pepe Carvalho award (Spain) .

In addition to his literary work, Michael is one of the producers and writers of the TV show, "Bosch," which is streaming on Amazon Prime Instant Video now. All 10 episodes can be watched here: http://amzn.to/1A1czNc

Michael lives with his family in Florida.

Customer Reviews

Top Customer Reviews

Format: Mass Market Paperback
The Overlook is classic Michael Connelly. Featuring Detective Harry Bosch, late of the LAPD's Homicide Special Squad, and his new partner Ignacio (Call me Iggy) Ferras it offers a mystery that contains all the excellent police procedural murder investigation elements that bears Connelly's signature coupled with an in depth look at the nasty little war that goes on between local and Federal government agencies when they are involved in the same case.

It seems that the murder victim in this case is tied to the disappearance of radioactive material suitable for making a dirty bomb, so of course the FBI and Department of Homeland Security come into the picture and proceed to play a nasty little game of hide and seek with a couple of witnesses thereby reeking havoc on Harry's investigation and thwarting him at every turn.

Harry, of course, is not to be deterred in this cat and mouse game and author Connelly succeeds in providing his readers with yet another story that is intricately plotted, filled with clever clues and misdirection and offers a read that is satisfying down to the very last page. 3 1/2 stars for this one
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Format: Hardcover Verified Purchase
This felt like exactly what it was: An expanded serial. Not that there's anything wrong with that, it just felt like it should be the first part of a larger set of stories regarding Bosch. Actually by the time I had finished the book, which takes place over twelve hours, I felt more like I was reading an episode of the television show '24' complete with the terrorist angle to seal the deal. For Bosch fans this is fine to pass a couple of hours until the next big case comes along, but like having a sundae and only getting a scoop of ice cream, it left me wanting more. On a side note, and one that's completely fun, Harry leaves his phone number for another character in the book,and you can actually call it and hear his message machine.
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Format: Hardcover
THE OVERLOOK is the latest Harry Bosch novel released by Michael Connelly. This book, previously released in serial form, is about half as long as a regular Bosch novel. I'm a fan of Connelly and I've only read 5 or 6 of his books but have to admit I'm disappointed in this book. First, considering it's length, you are getting half the novel you usually get from Connelly. Knowing that, the content of the novel has to be judged even more critically, ie. quality, not quantity. In the Bosch books I've read, they've always been short on twists and turns. They've been more like straight forward procedurals that slowly grow on you as the novel moves on. In The Overlook, the novel doesn't have a chance to build up steam, it has to capture you right away. And I don't beleive it does.

Harry is awake, at home around midnight, when he recieves a call. He's a homicide detective now and there's been a murder. Harry calls his new partner Iggy to meet him there. Stanley Kent was murdered at the Overlook, a scenic spot in Hollywood that looks out over the city. Rachel Walling, an FBI agent that Bosch has a history with, also shows up at the scene. The FBI is also highly interested in Stanley Kent. Kent worked in the medical profession with cesium, a highly radioactive material used to treat cancer. Because of the cesium, the FBI believes there may be a possible terrorist angle to the case. Bosch goes to the Kent house and finds his wife, Alicia, naked and hog-tied in the bed.

We learn all that in the opening, and the middle part of the book is what disappointed me. First, since this book is so short, there isn't much room for plot twists and turns. In this book there isn't any. Connelly details the investigation in extreme detail, and unfortunately, none of the details are very interesting.
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This book is satisfying on every level and deeply so; besides that, I haven't had as fun a read in a very long time. It is an outstanding work by an author who makes good prose and the creation of better characters seem effortless. In essence, a guy gets shot and Detective Bosch goes after the murderer--he goes after nothing else. Set aside about three hours and take the phone off the hook. And please, don't ruin the book for anyone else by giving away the ending.

Readers of Mr. Connelly are familiar with Connelly's protagonist Harry Bosch to a degree that by now we know the good detective, we know what he is about, we know what drives him and we have learned to trust his instincts. Indeed, Detective Hieronymus "Harry" Bosch is among the most well-developed characters in literature of any genre. His creator has placed Bosch into so many different situations that I was curious as to whether he could continue to keep the character compelling--he can and does. Convincingly so.

The Overlook is driven by plot; it takes place inside a day. Detective Bosch is now at the height of his powers and is no longer given to doubts--he is about the truth, he knows how important it is and what is best about Connelly's writing, the truth is not ambiguous but absolute. It is illuminating to witness Bosch as a mentor with a new partner, a young and gifted detective who has yet to appreciate the clarity of Bosch's vision. In fact, I suspect that new readers will identify quite well with some of Detective Ferras' concerns. But the true depth of this work is in its portrayal of the fact that Bosch's grasp of essential truths is so strong that he cannot be intimidated or distracted by even the most serious of potential threats and consequences.
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