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9 of 10 people found the following review helpful:
4.0 out of 5 stars
Somewhat better, somewhat worse, June 5, 2007
Looking at their latest work as a decade-long Iced Earth fan - and, I must boast, I managed to get this a few days before the official release date - I guess the first aspect to discuss is the vocal change from the trilogy's original form. (That was where my IE saga began - I picked up "Something Wicked" because the cover art looked cool.) Of course Tim Owens is an impressive singer but I really can't give him much more praise than that, except to say he was with them in Dallas when I saw them live for the first time. He was awesome on stage, maybe even better than his studio work because he could be a little more raw. But without any doubt, the band showed me for the second time that the sheer physical power and range and emotional fury of Matthew Barlow's voice have no equal. It's the same with "Overture," for there are times when Owens just sounds like he's not into what he's doing.
As for the music, it's much darker (less melodic) than the 1998 version of the band's first original epic. The rhythm guitar is down-tuned, and several of the lead harmonies are played at lower pitches to make the sound more ominous. Here we have a slightly extended remake - the trilogy clocks in at a minute or two shorter than the original - but the 4-minute "Ten Thousand Strong" kicks off the new edition as a prelude to the "Set vs. humanity" story. I don't want to give away much detail about the revisited material, so I'll mainly give a teaser about the opener. It's no big departure from most of their songs: it starts with an aggressive riff and pounding drums, eases up a bit between verses and during the chorus, and there's no guitar solo but Owens overlaps the background vocals with fragments of the chorus to create some interesting harmonies.
The drum work is particularly worth mentioning because Brent Smedley returns to execute stunning, machine-precision bass drum synchronization with Jon Schaffer's jackhammer-speed guitar riffs, very reminiscent of Fear Factory. This is done throughout the trilogy, whereas Smedley kept it simple in '98 with a steady (even monotonous) double-bass pattern of eighth notes. If you didn't check the liner notes, you'd think Richard Christy was still around for such perfect, beastly timekeeping. Also, the sound quality is much improved so the drums come through loud and clear this time.
The last thing to note is the addition of some exotic vocal lines (male and female) that give the final track a Middle-Eastern feel, replacing the Gregorian chant-style chorus that concludes the initial trilogy. This alteration certainly goes with the Egyptian artwork on the cover (Set's ankh), as well as that in the "Something Wicked" booklet (animal hieroglyphics, obelisks, pyramids, the Sphinx and so on).
Reflecting on the band's most advanced songwriting, "Dante's Inferno" condensed the literary masterpiece into 16 breathtaking minutes, with astonishing tempo and mood changes to signify the passage through each circle of Hell, not to mention vivid visual cues of a 185-page work (by my copy). I don't know if anything else they ever write can be as cool as that. "The Suffering" did a terrific job of scaling down the Spawn comic book a year before the movie was released, although "A Question of Heaven" is by far my favorite of that grouping. Then, after "Wicked," there was "Gettysburg," which, as an American and a major history buff, leaves me in stunned silence every time.
So while I await the completion of the two-part work Schaffer's been talking about, after hearing this three or four times I can't say I've been blown away, but (except vocally) it's leaner, meaner, tighter and pretty damn good - definitely something all IE fans should have to chart the band's evolution over the last 10 years.
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4 of 4 people found the following review helpful:
2.0 out of 5 stars
Ripper isn't the problem, June 8, 2007
I thought the mixing was horrible. The guitars in the 1st two parts of the trilogy were ok. Get to the Coming Curse and it's almost inaudible due to the kick drums. Also gone is the piano intro from the The Coming Curse.
I see only the most ardent IE fan being completely satisfied with this. Everyone else buy at your own risk.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Cant wait for the rest!!!, June 7, 2007
OK first I have listened to Iced Earth since their first album back in 91'. Still to this day Burnt offerings is my favorite album, not only for the introduction of one of the best singers in the field but I loved the music and lyrics too. Now to this dilemma of who's the best. I love Barlows voice I really like Owen's voice too. Its the same old argument from the 80's between Dickinson and Halford. Heres my take Barlow/Dickinson have great story telling voice's full of emotion/power and range. Halford/Owens have a great powerful anthem voice's. Now this was true for me until I heard (Tim not Tom)Owens sing the Gettysburg's Trilogy I was blown away by the blame felt in the end that Lee was feeling through Owens voice. Yes I am a Barlow fan but I think Owens was a very competent replacement that handles the job well not like Dickinsons replacement back in the 90's. Beside Shaffer could have done worse not close like he did. And Barlow is back although not with a heavy enough band to my ears but I will definitely give it a listen. OK just my thoughts dont freak out.
Now I really was not into The Something Wicked CD all that much, its good don't get me wrong, and it was great live. It just didn't grab me like Burnt Offerings/The Dark Saga. Now after listening to this remake I actually like it quite a bit more than the original. The music feels more intune to the lyrics. I also think Owens did a great job at singing it. Not knocking Barlow in anyway his voice would have fit very nicely with the new arrangement. I also like the whole new background singing and music its more fitting to the era. Now the new song is a little short and seems to slice in quick and begone then it's on to the trilogy. Its good and definitely makes you want to hear the rest of the songs. It just feels like a left over from the Gettysburg CD, but that's what I am used to hearing from the Owens/Shaffer Combo so its out of context until it is put into the whole in September. I am looking forward to the rest of the story.
Just a quick response to all the nay sayers if you don't like it listen to the original only. As I've said I like both for different reasons. Also after more listens to both I do miss the piano version too.
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by Iced Earth 
