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Ovid's Art and the Wife of Bath: The Ethics of Erotic Violence
 
 
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Ovid's Art and the Wife of Bath: The Ethics of Erotic Violence [Paperback]

Marilynn Desmond (Author)

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Book Description

0801473179 978-0801473173 May 4, 2006 1
Ovid’s Art and the Wife of Bath examines how Ovid’s Ars amatoria shaped the erotic discourses of the medieval West. The Ars amatoria circulated in medieval France and England as an authoritative treatise on desire; consequently, the sexualities of the medieval West are haunted by the imperial Roman constructions of desire that emerge from Ovid’s text. The Ars amatoria ironically proposes the erotic potential of violence, and this aspect of the Ars proved to be enormously influential. Ovid’s discourse on erotic violence provides a script for Heloise’s epistolary expression of desire for Abelard. The Roman de la Rose extends the directives of the Ars with a rhetorical flourish and poetic excess that tests the limits of Ovidian irony. While Christine de Pizan critiqued the representations of erotic violence in the Rose, Chaucer appropriates the Ovidian discourse from the Roman de la Rose to construct the Wife of Bath—a female figure that today's readers find uncannily familiar. Well written and provocative, this book will interest scholars of premodern literature, especially those who work on Medieval English and French, as well as classical, texts. Marilynn Desmond draws on feminist and queer theory, which places Ovid’s Art and the Wife of Bath at the cutting edge of debates in gender and sexuality.
--This text refers to the Hardcover edition.

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Editorial Reviews

From the Back Cover

"Ovid's Art and the Wife of Bath is one of the most exciting books I've read in my thirty-year career as a medievalist. The depth and range of Marilynn Desmond's scholarship is extremely impressive. Desmond makes the theoretical framework she is using clear, compelling, and accessible. This book should appeal to a very wide readership from classicists to medievalists to feminist scholars, for whom it will provide an exciting and sophisticated alternative to flat and reductive ideas about medieval misogyny and courtly love."-Sherron E. Knopp, Williams College --This text refers to the Hardcover edition.

About the Author

Marilynn Desmond is Professor of English and Comparative Literature at Binghamton University. She is the author of Reading Dido: Gender, Textuality, and the Medieval Aeneid; coauthor of Myth, Montage, and Visuality in Late Medieval Manuscript Culture; and editor of Christine de Pizan and the Categories of Difference. --This text refers to the Hardcover edition.

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Inside This Book (learn more)
First Sentence:
In Totality and Infinity, His seminal work on ethics and violence, Emmanuel Levinas employs the most traditional of het-eronormative categories when he invokes the domicile or dwelling as the place of the feminine.1 Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
tote enclose, ovidian discourse, erotic violence, epistolary rhetoric, wikked wyves, erotic agency, heterosexual performance, conjugal debt, rhetorical violence, erotic value, ars dictaminis, marital affection
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Roman de la Rose, Wife of Bath, Ovid's Ars, Jean de Meun, Pierre Col, Universitat de Valčncia, Gontier Col, Biblioteca Histórica, God of Love, Ovid's Latin, Golden Age, Christine de Pizan, Maistre Elie, Ovides Art, Guillaume de Tignonville, Jean de Mean, Helen Solterer, Ovid's Heroides, General Prologue, Pierpont Morgan Library, Roman de la Rost, New York, Valerius Maximus, Bel Acueil
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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