From Publishers Weekly
As a brilliant, gorgeous, hypertalented 15-year-old in the '70s, Phoebe Allen fell under the spell of 31-year-old movie director Whitney Traynor. By 18, she's living with him and coauthoring his screenplay for no credit; at 19 she's pregnant and married to musician Mitchell Gentry; a few years later she's a widow. Flash forward to 1996, where the book actually opens, and Phoebe's blossoming love affair with a local artist on Owl Island in the Pacific Northwest is interrupted by Whitney's arrival. Phoebe's 21-year-old daughter, Laurienne, learns for the first time about her mother's relationship with the now-famous director, who may be her real father. Coburn (
Remembering Jody) mishandles the mother-daughter conflict by attempting to equate it with Phoebe's own mother keeping secret the family's history at Auschwitz, but the comparison doesn't ever line up. The familiar melodrama is further marred by overwrought prose ("When she slammed the door, Phoebe heard the crash of shattered trust"), driving Coburn's story into camp territory.
(June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Hardcover
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Comfortably settled in the idyllic Pacific Northwest enclave of Owl Island, widow Phoebe Allen finally has her life under control. She has a thriving business supplying nets to local fishermen, a lovely adult daughter, a circle of compassionate friends, and a budding romance with a talented local artist. But when her first love, Whitney Traynor, buys a home in town, Phoebe is forced to confront long-stifled secrets from her past. Some 25 years earlier, Phoebe and Whitney, now an independent filmmaker, collaborated on a movie about Kiki de Montparnasse, a real-life doyenne of the Paris demimonde. The work won Whitney critical acclaim, but his unchecked ego and libido lost him the love of his life. Among his moral transgressions: refusing to acknowledge Phoebe's pivotal role in bringing
Kiki to the big screen. Coburn's plot shifts haphazardly from present to past and is often painfully predictable (Whitney gets a dramatic dose of karma at novel's end), but her depictions of the Pacific Northwest--with its windswept beaches and cedar-scented air--are evocative and rich.
Allison BlockCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.