Customer Reviews

The Oxford Book of American Detective Stories

5 star:		(1)
4 star:		(2)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

I am taking a class this semester, Mysteries, and this book is the required text. I have always enjoyed mysteries, but this book has added to that pleasure immensely. Hillerman and Herbert have done an extraordinary job of piecing together a good representative slice of American detective/mystery writers past and present. The books begins with Poe's "The Murders in the Rue Morgue." The editors wrap the selection up with Marcia Muller's "Benny's Space," published in 1991. The book spans the evolution of the American detective story throughout its entire history.

I highly recommend this anthology to anyone who enjoys reading the short story. With few exceptions, the stories in this book are very enjoyable mysteries.

Critics have observed that the widely popular detective story is essentially a literary game, and have speculated that readers might tire of its structured formula, thereby leading to the eventual disappearance of this genre. Nonetheless, after more than 150 years, the mystery story remains vibrant. Why is this so? The Oxford Book of American Detective Stories provides an answer.

Tony Hillerman and Rosemary Herbert have assembled stories that trace the evolution of the American detective short story. Their contention, amply supported by their selections, is that American authors have stretched, modified, and violated the rules and structural form of the detective story, thereby continuously enriching this genre, and ensuring its longevity. Each story is preceded with an interesting, one-page discussion on topics like the emergence of credible female detectives, the growth of regionalism, and the development of authentic, psychologically complex characters.

This literary theme is interesting in itself, but the primary attraction is the stories. I especially liked I'll Be Waiting (Raymond Chandler), Small Homicide (Ed McBain), Guilt-Edged Blonde (Ross MacDonald), Christmas Party (Rex Stout), Words Do Not A Book Make (Bill Pronzini), Benny's Space (Marcia Muller) and Chee's Witch (Tony Hillerman).

Some were titles that I have encountered elsewhere: Rear Window (Cornell Woolrich), The Problem of Cell 13 (Jacques Futrelle), The Doomdorf Mystery (Melville Davisson Post), The Parker Shotgun (Sue Grafton), An Error in Chemistry (Faulkner) and The Murders in the Rue Morgue (Poe). Others were by early masters of this genre: Erle Stanley Gardner, John Dickson Carr, Ellery Queen, Anthony Boucher, and Edward Hoch.

All in all, the thirty-three stories selected by Hillerman and Herbert create a satisfying, enjoyable anthology, one that will appeal to avid readers of detective fiction.

There are a good mix of stories here. They range over a broad time period, early to present. I like the fact that there were some authors I haven't read yet, or others that I never associated with mysteries. The reason I didn't give it five stars is that there were quite a few stories that I had already read in other anthologies. Nice introductions to each story, with background info on the author.