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The Oxford Book of Sonnets [Hardcover]

John Fuller (Editor)
3.7 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

0192142674 978-0192142672 December 14, 2000
Alive and well after 450 years in English, the 14-line sonnet is perhaps the best-loved and most versatile of poetic forms. Poets ranging from Shakespeare to Alice Oswald have found it the perfect choice for the expression of intense but controlled feelings. Beginning with Wyatt and ending in the present day,The Oxford Book of Sonnets is a unique treasury of memorable sonnet reflections on love and life.
In a beautiful one-poem-per-page design, Shakespeare's marriage of true minds rubs shoulders with John Davies of Herefrod's the late ABC of love, Keats' stout Cortez with Darley's Manrique. Women poets who revived the sonnet in eighteenth century are restored to prominence, and modern poets as diverse as Seamus Heaney, Carol Ann Duffy, and Simon Armitage are well represented. After an expository introduction that traces the sonnet in English from its appearance in the Tudor Court of the sixteenth century through its various historical reinterpretations and eras of popularity, 328 sonnets are arranged in order of the birth date of the poets. Thus, readers have a formidable guide to both the evolution of sonnet writing in English and the distinct voices of major and minor poets that have accepted the form's challenges and expressive power. This book also includes examples of the sonnet sequence as well as more unusual experimentation with form such as Sylvester's quadruple acrostic sonnets to his patron and Leigh Hunt's Iterating Sonnet.
In addition to the aforementioned poets, this collection includes sterling works by Sir Philip Sidney, George Chapman, John Donne, Lady Mary Wroth, George Herbert, John Milton, Aphra Behn, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Alfred, Lord Tennyson, Robert Browning, Matthew Arnold, Dante Gabriel Rossetti, Christina Rossetti, Thomas Hardy, Gerard Manley Hopkins, Oscar Wilde, William Butler Yeats, Robert Frost, Siegrfried Sassoon, Edna St Vincent Millay, Aldous Huxley, Dylan Thomas, Derek Walcott, Seamus Heaney, and many more.

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Editorial Reviews

From Booklist

The word new is missing from the title of Oxford's latest anthology, and perhaps this is the venerable publisher's first survey of the sonnet in English. It seems a companionable reader rather than a teaching text, which is only right, in view of the 14-line poetic form's reputation for intimacy and personality. Fuller doesn't neglect the sonnet's historical variations in mode and prosodic practice. The early sonnet's amorousness; the political and religious intents of the sonnets of Milton and those he inspired, most notably Wordsworth; the satire of the numerically rare eighteenth-century sonnet; the celebration of nature in the sonnets of the Romantic period; the Victorians' propensity for compact sonnet sequences; and Hopkins' radical experimentation with the form--all these and their subsequent influences are evident in Fuller's selection. Indisputable masterpieces appear plentifully, but Fuller's determination to present a large number of distinguished practitioners assures that there are also many superb poems by virtual unknowns. And Fuller's introduction is a sharp-witted miracle of concise comprehensiveness. Ray Olson
Copyright © American Library Association. All rights reserved

Review

`this book is a must for anyoone who loves sonnets' Kitty Barnette Poetry UK Newsletter 10/09/2000

Product Details

  • Hardcover: 400 pages
  • Publisher: Oxford University Press, USA (December 14, 2000)
  • Language: English
  • ISBN-10: 0192142674
  • ISBN-13: 978-0192142672
  • Product Dimensions: 7 x 5 x 1.2 inches
  • Shipping Weight: 15.7 ounces
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #2,018,522 in Books (See Top 100 in Books)

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10 of 11 people found the following review helpful:
4.0 out of 5 stars Alive and Well, April 6, 2002
By A Customer
This review is from: The Oxford Book of Sonnets (Hardcover)
Although most people would probably argue that the sonnet is "dead," this anthology proves that it is alive and well and thriving. Yes, the sonnet is more than 450 years old now, but, as a poetic form, it's definitely a survivor.

"The Oxford Book of Sonnets" contains only 328 sonnets, so cannot be said to be a comprehensive study. In his introduction, John Fuller tells us that considerations of expense limited him to including only one sonnet per represented poet still under copyright, with the exception of three (Robinson, Millay and Auden). This fact alone is definitely going to detract from the book, for I certainly would have liked to have had more of Robert Graves, Dylan Thomas, Richard Wilbur, and others.

On the other hand, Fuller does give us eight of Shakespeare's sonnets, eight of Wordsworth's, seven of Milton's, five of Donne's and five of Keat's, three of Yeat's, though only two of George Herbert's.

Female writers, usually forgotten or neglected, are well represented in this book, in particular, the wonderful Christina Rossetti. "The Oxford Book of Sonnets" contains the full text (14 sonnets) of Rossetti's, Monna Innominata, A Sonnet of Sonnets as well it should. This is a gorgeous work.

I'm something of a purist; I like octets, sestets, quatrains and couplets, so I was a little dismayed at some of the more "modern" selections included here, but that's my problem, not Fuller's and not this book's. Some of the works included did seem a little fanciful though. Take Leigh Hunt's Iterating Sonnet. Each of its 14 lines ends with the words, "United States." It was a little too much for me, at least.

What I liked most about "The Oxford Book of Sonnets" was its history of the sonnet as a poetic form. No foreign language sonnets have been included in this book; Fuller sticks to English sonnets here. And he traces the sonnets from the 16th century to the present day.

Purist though I am, I did enjoy Richard Murphy's, Beehive Cell and Jamie McKendrick's, A Shortened History in Pictures. In the latter work, each of the 14 lines evokes a famous painting...very inventive.

This is an anthology and, like all anthologies it cannot be all-inclusive. I am sure other readers will miss some of their favorite sonnets, just as I did. But, we can always buy a volume of our favorite poet to remedy that. Overall, I found this little volume to be quite instructive and informative and I liked the small size as well. It's easy to slip into my purse to read on the bus, on the train, on a plane, anywhere, really.

Those who can't bear anything but Shakespeare would best skip this book; they'll only come away annoyed. But those who are looking for something enjoyable and informative may find what they're looking for in "The Oxford Book of Sonnets." I did.

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4.0 out of 5 stars Good Historical Overview, April 5, 2010
John Fuller is a good judge of words, also see his Auden volume. He captures depth and sequence in the sonnet genre like no one else can. From the first sonnet to the last, this volume is a quality compilation - each one stands on its own, and often they illuminate each other. For instance, the newer sonnets, Seamus Heaney and WH Auden, offer a sort of counterpoint to Davies and Donne. But this collection of sonnets feels archaic. It looks backwards, and lacks audacity or freshness. That said, for what it is, it's great.
4/5
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2 of 4 people found the following review helpful:
3.0 out of 5 stars Working within the (Oxford) Form, April 21, 2001
By 
James Hercules Sutton (Des Moines, IA (USA)) - See all my reviews
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This review is from: The Oxford Book of Sonnets (Hardcover)
A good one-volume introduction to sonnets in English. John Fuller's strategies for selection are rational, given limitations imposed by his publisher; I'd have prefered inclusion of modern sonnet sequences and more selections by American poets. Perhaps John Fuller will publish a second volume of North American poets; the Oxford "Companions" follow this pattern. Solid, but, oddly for the Oxford Press, neither a comprehensive anthology for scholars nor a compendium for the general reader.
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Inside This Book (learn more)
First Sentence:
WHOSO list to hunt, I know where is an hind, But as for me, alas, I may no more. Read the first page
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