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The Oxford Dictionary of Art (Oxford Reference)
 
 
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The Oxford Dictionary of Art (Oxford Reference) [Paperback]

Ian Chilvers (Editor), the late Harold Osborne (Editor), Denis Farr (Editor)
4.7 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

Oxford Reference December 22, 1994
Whether you are interested in Junk Art or Byzantine Art, the Ash-Can School or the Antipodeans, Praxiteles and Phidias or Gilbert and George, The Oxford Dictionary of Art is the first place to turn for accurate information about artists, schools, periods, techniques, critical terms, major museums, art historians, philosophers, and much much more. Compiled from three highly acclaimed Oxford Companions --The Oxford Companion to Art, to Twentieth-Century Art, and to the Decorative Arts--and with hundreds of new entries added, this authoritative, one-volume reference offers over three thousand entries on almost every aspect of Western art, as well as the most essential features of Asian art.
Here you will find the answer to almost any question pertaining to the world of art. In what museum is Parmigianino's Self-Portrait in a Convex Mirror exhibited today? Who coined the term "happening"? What are color field painting, hard edge painting, and op art, who are the most representative artists of these schools, and what are their best works? How does camaieu differ from grisaille? What is the most richly endowed museum in the world? As a further aid the Dictionary offers an extensive system of cross references, guiding readers to a wealth of additional information on almost any topic of interest.
Covering the entire history of art, this wide-ranging and up-to-date guide is an indispensable reference for scholars, for students, and for art enthusiasts of every kind. It is also a browser's delight, filled with fascinating facts about the personalities who people the world of art.


Editorial Reviews

From School Library Journal

Grade 9 Up–Chilvers provides more than 3000 concise, lucid entries in this second revision of Harold Osborne's one-volume dictionary, which first appeared in 1988. A preface explains the scope: "…Western and Western-inspired painting, sculpture, printmaking, and drawing from ancient times to the present day," with the qualification that no artists born after 1965 have their own headings. An introductory list of entries, organized geographically and chronologically for artists, and then thematically (terms, techniques, academies, etc.) reveals the Anglocentric focus. Randolph Caldecott, Kate Greenaway, and Arthur Rackham mingle with Henry Moore and John Constable in the English lineup. Major African-American artists such as Romare Bearden, Augusta Savage, and Jacob Lawrence are absent. Chilvers fails to include the infamous Guerilla Girls, and he misstates the relationship between the National Gallery and the Smithsonian. Nancy Frazier's The Penguin Concise Dictionary of Art History (Penguin, 2001), with its interdisciplinary approach, quotes from each artist, and more inclusive scope, offers an alternative, although with fewer entries. Neither source has any pictures, a situation requiring the additional use of monographs or online resources for most questions.–Wendy Lukehart, Washington DC Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

A handy work based on earlier Oxford Companions and revised from previous editions, this single-volume reference contains 3000 entries that discuss Western and Western-inspired art from antiquity on. It considers paintings, graphics, sculpture, and architecture in terms of artistic figures, periods, schools, techniques, critical terms, and museums; lesser artists are treated more concisely than major ones. Despite editorial claims that the dictionary is "up to date," coverage of recent activities is uneven, with Neo-expressionism and other contemporary movements and artists omitted. An easy format, accurate facts, and good cross-referencing make this a useful lexicon for the layperson or for general and public collections. Robin Kaplan, The Information Group, Los Angeles
Copyright 1988 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 560 pages
  • Publisher: Oxford University Press, USA (December 22, 1994)
  • Language: English
  • ISBN-10: 0192800221
  • ISBN-13: 978-0192800220
  • Product Dimensions: 8.9 x 5.9 x 1.2 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #3,028,904 in Books (See Top 100 in Books)

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Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

10 of 10 people found the following review helpful:
4.0 out of 5 stars Handy and useful articles on art terms and artist bios, October 6, 2004
This is a very handy and informative dictionary of terms you will likely encounter in reading about painting and sculpture. If you think of the definitions as short articles on a topic you will be closer to the mark. There are also many short biographies of important historical artists. One of the nice conventions is an asterisk before terms used in the articles that are also themselves the subject of articles.

There are no illustrations, plates, or diagrams in the book. However, there is a short foreword and an introduction.

All in all, this is quite a useful handbook and I use it with some frequency.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Excellent guide to the field, April 19, 2007
Over the past few years, Oxford University Press has continued to develop its line of excellent reference works, revising older volumes and adding new subjects. The latest edition of "The Oxford Dictionary of Art" carries on that tradition.

The guide offers to the general reader an excellent grounding in the facts and philosophies that underlie the media. The entries cover artists, movements, museums (with addresses and websites), materials and, in the back, a chronology listing key works and when they were completed.

While it sometimes falls into the thicket of scholarly jibber-jabber -- and one should recognize the possibility exists while trying to describe visual art using only words, in a book which contains no pictures -- the dictionary is even-handed in describing the critical reaction to a work. With its wide range of descriptions, both geographically and chronologically, this revised guide allows armchair art appreciators to brush up on their learning.
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5.0 out of 5 stars A MUST HAVE, December 30, 2008
This is a must have for any art history person or anyone in sales for art. It's a complete who's who and what's what of art. It has useful information and is a great resource.
I highly recommend this book.
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