Swartz artfully achieves his purpose of showing "that the infiltration of the
Wizard of Oz story into our cultural bloodstream was not an overnight process" by tracking the influences and popularity of the many stage and screen productions of the story that preceded the 1939 Judy Garland film. And a big body of work those productions are. There were many Oz musicals staged between 1902 and 1918, and a raft of silent Oz films produced between 1908 and 1925. Swartz briefly profiles Oz creator L. Frank Baum but focuses his spirited account on the variety of those stage and film adaptations. He vividly describes specific performances, compares and contrasts them with others, and shows how each influenced the ones that followed, up to the 1939 movie and beyond to contemporary stage adaptations. Swartz's scholarship is evident in his many citations of primary source material, which, together with the book's profuse illustration in both black-and-white and color, makes the book irresistible to dedicated Oz buffs.
Sally EstesCopyright © American Library Association. All rights reserved
--This text refers to an out of print or unavailable edition of this title.
"Invaluable. It is well illustrated and is the first major book to show how much of our favorite American fairyland was informed by the early Oz stage shows and films... This book is essential for any Baum scholar's shelf and, indeed, should be informative and enjoyable for those interested in the MGM film, too." -- David Maxine, The Baum Bugle
"Swartz artfully achieves his purpose of showing 'that the infiltration of the Wizard of Oz story into our cultural bloodstream was not an overnight process' by tracking the influences and popularity of the many stage and screen productions of the story that preceded the 1939 Judy Garland film. Swartz's scholarship is evident in his many citations of primary source material, which, together with the book's profuse illustrations in both black-and-white and color, makes this book irresistible to dedicated Oz buffs." -- Booklist
"Like Walt Disney, Baum was ahead of his time with his interest in imaginative visual productions, and this book revisits them in detail, proving that his impact on popular culture is almost unequaled." -- Anne Morris, Austin American-Statesman
"A pleasantly scholarly account of the various stage and screen versions that were made of Baum's story before Judy Garland came along." -- Herbert Kupferberg, Parade Magazine
"Attractively produced, this book fills a gap in the literature." -- Choice
"Fascinating and timely..Swartz has compiled early stage show photographs, posters, movie stills, actors' costume shots and artists' impressions of the story generously enough to make Oz Before the Rainbowa book of lustrous appeal." -- The Age (Melbourne)
"Swartz has painstakingly researched the history of L. Frank Baum's 1900 best seller, The Wonderful Wizard of Oz, from publication to the ultimate film version, the MGM 1939 Technicolor musical... The author examines the nature of popular culture and mass media while showing how changes made in the stage and film versions that followed the initial productions affected later versions and the 1939 film... This unique study is highly recommended." -- Library Journal
"Thorough and fascinating... A significant achievement and addition to Oz scholarship. It provides interesting and new directions for other researchers to follow, and adds to the cultural, mythical, and historical richness that the Oz tradition encompasses for so many people... Scholars and researchers -- and perhaps those readers who are more than casual fans of the books and/or the 1939 film -- will find themselves returning to this book repeatedly. It is a worthy addition to an Oz lover's library." -- Diana Dominguez, Cercles: Revue pluridisciplinaire du monde anglophone
"Swartz reminds us that Oz, from the turn of the 20th century on, has continued to live in America's consciousness." -- Andrew Karp, Utopian Studies
"The book reprints a wealth of rare illustrations--photos from the various productions, advertisements and posters, program covers, photos and drawings of Baum's collaborators, sheet music, etc." -- Ruth Berman, Science Fiction Studies