P.D.Q. Bach - Abduction of Figaro / Peter Schickele, Minnesota Opera
 
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P.D.Q. Bach - Abduction of Figaro / Peter Schickele, Minnesota Opera

Marilyn Brustadt , Michael Burt  |  NR |  DVD
4.9 out of 5 stars  See all reviews (16 customer reviews)

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Product Details

  • Actors: Marilyn Brustadt, Michael Burt, John Ferrante, Bruce Ford, Dana Krueger
  • Writers: Peter Schickele
  • Producers: Stephen Schmidt
  • Format: Classical, Color, DVD, NTSC
  • Language: English
  • Region: All Regions
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Video Artists Int'l
  • DVD Release Date: February 10, 2004
  • Run Time: 144 minutes
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (16 customer reviews)
  • ASIN: B00018D58A
  • Amazon Best Sellers Rank: #60,330 in Movies & TV (See Top 100 in Movies & TV)
  • For more information about "P.D.Q. Bach - Abduction of Figaro / Peter Schickele, Minnesota Opera" visit the Internet Movie Database (IMDb)

Editorial Reviews

No Description Available.
Genre: Performing Arts - Opera
Rating: NR
Release Date: 10-FEB-2004
Media Type: DVD

 

Customer Reviews

16 Reviews
5 star:
 (15)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.9 out of 5 stars (16 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

56 of 57 people found the following review helpful:
5.0 out of 5 stars PDQ Bach's Operatic Masterpiece!, November 12, 2000
By 
L. Mountford (Bellingham, WA United States) - See all my reviews
(TOP 500 REVIEWER)    (VINE VOICE)    (REAL NAME)   
Amazon Verified Purchase(What's this?)
You already know going in that this will be funny. PDQ Bach (Peter Schickele) has a long history of very clever musical satire. I mean, who else can write music in the style of Bach, Mozart, and Handel, and call it something like "Fanfare for the Common Cold," "The Seasonings," "Chorale Prelude On An American Hymn For The Last Sunday Before The Fourth Day Of The Seventh Month After New Year's Eve," and dedicate a piece to "A nobleman, Count Pointercount"?

At last, we have one of Schickele's major works on video, in a fully staged production by The Minnesota Opera. The principals are quite good, and the chorus is excellent.

Peter Schickele clearly loves Mozart's operas. There are numerous "jokes" based on Don Giovanni, Le Nozze di Figaro, Cosi fan Tutte, Abduction from the Seraglio, and The Magic Flute.

Like Mozart's operas, Abduction has a convoluted plot: Susanna Susannadanna's husband, Figaro, is dying ("Stay With Me"). However, before he can die, he is abducted by Captain Kadd ("My Name is Captain Kadd, and I Am Very Very Very Very Very Very Bad"). Well, actually before he is abducted, Susanna is visited by Dona Donna who is searching for Donald Giovanni ("Perfidy, Thy Name is Donald, Although They Call Thee Don for Short"), who loved her and left her (Donna, that is, not Susanna). There is a rescue attempted by the men (Donald and his mute companion, Schleporello), who are shipwrecked, who are then followed by the ladies who end up in the Pasha Shaboom's harem. Well, you get the picture.

There are subtle and not-so-subtle parodies of specific Mozart arias ("Batti, batti" becomes "Macho, macho, That's How All Men Are," and is followed immediately by "You Can Beat Me," for example), but you don't need to know the Mozart works to appreciate the humor. While some of the bits are perhaps a tad too broad, the clever lyrics and well-written music more than compensate. One of the funniest bits in the entire work is the "Caribbean Ballet" in the style of Swan Lake, complete with pineapple headdresses in place of the usual feathers for the "corps de ballet," and a "Carmen Miranda"-style Odile.

This is definitely worth seeing if you're already a fan of PDQ Bach. It's definitely worth seeing even if you're not yet a fan.

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30 of 30 people found the following review helpful:
5.0 out of 5 stars An Example of Deranged Genius, April 13, 2002
By A Customer
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We first saw "The Abduction of Figaro" on PBS at least ten years ago, and vowed that someday we'd own a copy. This is Peter Schickele's humor at its best. (For those unfamiliar with Professor Schickele's works, he is a musician who possesses genuine talent and a warped sense of the bizarre.) Over two hours long, this is not a tape for the squeamish or those with a short attention span, and it helps to have some classical music background. Even so, don't worry; most people will appreciate the juxtaposition of honest-to-goodness opera with snatches of popular songs. The things this man blends together are just plain wrong and yet somehow they fit. Schickele also spoofs all of the cliches of opera itself, from the pompous hero to the drippy heroine, with a cast of superb musicians who have the ability to sing wrongfully on command. The scenery is cheap and gaudy, the staging awkward and painfully funny, and the result is an evening of pomposity skewered by a sick mind. One of the best parts is the PBS-style host wearing a flannel shirt and workboots. Highly recommended for serious and not-so-serious musicians, and for anyone who finds opera annoying. Enjoy with a glass of really cheap wine or, better yet, a can of beer.
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23 of 24 people found the following review helpful:
5.0 out of 5 stars Fun at (the expense of) the opera, July 30, 2003
By 
Michael H. Pressman (Coconut Creek, FL United States) - See all my reviews
(REAL NAME)   
This is a melange of the various aspects of the PDQ genre. It includes silly biographic information, a "terrible" overture and lots of arias, some humorous, some satirical, some parodistic, and some just plain beautiful. Also included are some ballet seqences that cannot be described without laughing (such as the "Dance of the Seven Pails"!)

The voices are excellent, as well as the acting, by singers who are really enjoying themselves. The announcer (a familiar voice to listeners of the Met radio braodcasts) is serious tongue-in-cheek. Listen carefully to both the music and the words, because this opera is replete with humor.

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