From Publishers Weekly
As ambitious and imaginative as any of Helprin's past works (
Memoir from Antproof Case;
Winter's Tale; etc.), the 16 stories collected in the author's first book in nearly a decade are gloriously rich and varied. In "Perfection," Helprin's fabulist skills glitter as a Hasidic boy from 1958 Brooklyn makes a pilgrimage to "the house of Ruth" in the Bronx, believing that he must save Mickey Mantle and the "New York
Yenkiss." Other tales explore loss, regret, retribution and time's passage, their exotic locations—Italy, France, Israel, the orange grove–era Pacific coast—imbuing them with exuberant life. In "
Il Colore Ritrovato," a bookkeeper-turned-impresario, who years ago discovered one of the world's greatest (and unhappiest) opera singers, happens upon another untrained but perfect soprano and wrestles with his conscience about introducing her to the professional world. In "Monday," an honorable contractor willing to sacrifice other contracts and his own reputation to renovate the home of a woman whose husband was killed on September 11 learns "the power of those who had done right." "Passchendaele," a story of unrequited passion between a Canadian rancher and his neighbor's mute wife, is tender and moving, as are "Last Tea with the Armorers" and "Prelude," each demonstrating immense faith in the power of love. These are sturdy, rewarding stories from a master of the form.
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Helprin, author of
Ellis Island and
A Winters Tale, brings to this collection his usual deep look into life, love, and war in prose as "glassy and smooth as amber" (
Los Angeles Times). Yet, written over two decades, these stories befuddled a few critics. Some praised Helprins wise themes, character studies, dazzling prose, and detailed descriptions of how things, like baseball, work. Most agreed, however, that Helprin paints overly broad generalizations when it comes to people: honorable, brave men and beautiful women. "Jacob Byer and the Telephone," for example, has a fresh plot and protagonist, but a simple, emotionally unsatisfying moral at the end. Yet, even with faults, Helprins world still "takes on a kind of fairy-tale luster" (
Washington Post). Its just a matter of if you want it displayed in technicolor, or simplified in black and white.
Copyright © 2004 Phillips & Nelson Media, Inc.
--This text refers to an out of print or unavailable edition of this title.