About the Author
Hugh Whitemore studied for the stage at the Royal Academy of Dramatic Art. He began his career in British television, writing many original plays and dramatizations (ranging from Kafka to Daphne du Maurier), twice receiving the Writers' Guild Awards. He has also written for American TV, including a four-hour film about the Alger Hiss case, Concealed Enemies, which won an Emmy Award for the best mini-series. Film credits include The Return of the Soldier (an adaptation of the novel by Rebecca West), Mel BrooksÂEproduction of 84 Charing Cross Road, Utz, (an adaptation of Bruce Chatwin's novel, which won 3 prizes at 1992 Berlin film festival) and Franco Zeffirelli's Jane Eyre. His stage plays include Stevie, Pack of Lies, Breaking the Code, The Best of Friends, It's Ralph, A Letter of Resignation, Disposing of the Body and God Only Knows. These plays have been translated into many languages and produced throughout the world. Hugh Whitemore's work has twice been named Best Single TV drama by the Broadcasting Press Guild, he has received the Scripter Prize in Hollywood, the Script Prize at the 1998 Monte Carlo Festival and a special Communications Award from the American Mathematical Society. He is a Fellow of the Royal Society of Literature and the 2003/4 Visiting Professor in broadcast media at Oxford University. His most recent work, The Gathering Storm, starring Albert Finney and Vanessa Redgrave, won the 2002 Emmy Award for outstanding writing, two Golden Globes, the Writers Guild of America Award, and a Peabody Award. My House in Umbria, a film adaptation of the novella by William Trevor, with Maggie Smith in the leading role, was released in 2003.
The ordinariness of a London suburb during the Cold War is shattered when a husband and wife are asked to shelter police investigators who are monitoring the double lives of a nearby couple who have befriended them and their adolescent daughter. The co-opted couple and the developing drama are chillingly and ominously portrayed through excellent performances by Rosalind Ayres, Martin Jarvis, and Julian Sands. The skillfully written plot lodges itself in the consciousness of the listener, creating the terrible pull between a treasured friendship and the possibility the couple are traitors to the United Kingdom. Introductory music with subtly dark overtones deepens the strained atmosphere, demanding that the listener pay close attention as the plot unfolds. L.C. © AudioFile 2005, Portland, Maine--
Copyright © AudioFile, Portland, Maine