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Most Helpful Customer Reviews
8 of 8 people found the following review helpful:
5.0 out of 5 stars
A stunning performance,
By
This review is from: Paganini: Guitar Music (Audio CD)
This is an absolutely stunning performance of some of the very greatest music ever written for guitar. Paganini was a virtuoso guitarist but is best remembered for his performances on and compositions for violin. I can't figure out why his guitar music and reputation did not survive equally well. Cuban guitarist Marco Tamayo gives a flawless performance here. I've listened to this disc many times and used most of it on my radio program on WHRO in Norfolk. Top of the line addition to any classical guitar afficianado's collection.
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Complete correct track listing,
By
This review is from: Paganini: Guitar Music (Audio CD)
Amazon's track listing is incomplete and inaccurate. This CD has 15 tracks:
Grand Sonata in A major 1. Allegro risoluto 2. Romanze 3. Andantino variato Sonata No. 4 in D major 4. Minuetto - Rondoncino Ghiribizzi 5. No. 15: Allegro 6. No. 16: In cor piu non mi sento: Larghetto 7. No. 37: Adagietto 8. No. 38: Vivace 9. No. 22: Larghetto Sonata No. 30 in A major 10. Minuetto - Allegro Sonata No. 6 in F major 11. Minuetto - Allegretto Sonata No. 14 in F major 12. Minuetto - Valtz (Allegretto) Three Caprices (originally for solo violin) 13. Caprice No. 11 14. Caprice No. 5 15. Caprice No. 24
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Stunning,
Amazon Verified Purchase(What's this?)
This review is from: Paganini: Guitar Music (Audio CD)
Marco Tamayo is a splendid guitarist. I have his Guitar Music of Cuba album, which I enjoy as well as this Paganini CD. The music here is altogether winning. Tamayo plays the Grand Sonata with elegance and fluid technique. It's the sort of work that benefits from a performer who can match sensitivity with grandeur, and Tamayo has that knack. Most of the shorter works on this CD are salon music of varying types. They require a sense of style more than spellbinding finger work, and in Tamayo's hands they pass very sweetly. The last two Caprices, from the famous set for the violin, are finger breakers on the guitar. Listening to Tamayo, you wonder how it is possible for anyone to play them on the guitar, let alone this well. The sound engineering is good, too. All in all, a welcome CD of often unusual repertoire that deserves a hearing.
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