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Granted, by the time the Big Secret is revealed, readers have a pretty good idea of what it is--but there are others to take its place. In The Pagoda Patricia Powell creates a world thick with sex and secrets and tropical smells, in prose that is by turns lyrical and claustrophobic. "The secrets inside that glimmering white house and in that village had been so tightly hemmed in that sometime soon they'd all be choking," she writes, and the reader may sometimes feel the same way. Worse, it's hard to warm up to Lowe, a man so detached from his emotions and the people around him that for years he has lived as if "through some kind of veil."
But The Pagoda succeeds in another, more difficult task: dramatizing the fundamental ambivalence of human relations corrupted by power. Nothing is black and white in Powell's third novel, least of all the relationship between victim and victimizer, or between savior and torturer. Lowe ends up forgiving even the man who burns down his shop, "for he saw clearly how they were all thrown in and piled up on top of one another and vying for power and trying to carve out niches." For Lowe and for all those whom his secret touches, hatred and love mix in equal measure--a volatile mixture, and one that may leave readers feeling somewhat stunned. The Pagoda is a fine novel, but not easy on anyone involved. --Mary Park --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
4 of 5 people found the following review helpful:
5.0 out of 5 stars
Complicated, but intriguing storytelling.,
By A Customer
This review is from: The Pagoda (Paperback)
This is a serious story of desperate connections, the kind of unconventional connections or couplings that happen between people when a life has been hard or traumatic. The challenge here is for the reader to stretch a little and trust the author to tell a difficult and compelling story, a story definitely beyond our usual mainstream, quick-fix way of thinking. Yes, Lowe has a distant and remote way of loving those around him, but he cares about his world, past and present, and it is the twisted and difficult integrating of those worlds that Patricia Powell attempts here. For this reader, her story is a huge success. This psychologically intense story might not be light enough for the beach, but for a stormy weekend inside, it's perfect.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
A haunting and provocative read. Don't miss it!,
By A Customer
This review is from: The Pagoda (Hardcover)
This powerful and evocative novel uses the metaphors of hiding and disguise to explore themes of trauma, uprootedness and loss. Against the riveting backdrop of a turn-of-the-century Jamaica wracked by political and racial upheaval, the main character, Lowe, struggles mightily with the legacy of a cache of secrets that have left him lonely and emotionally straitjacketed. The story, like Lowe, unfolds like a lotus flower, revealing layer upon layer of buried hopes, fears and memories as it tracks Lowe's lurching progress toward his elusive twin goals: to express love and to be seen. Ultimately, Powell captures the unquenchable will of the human spirit to reach toward wholeness and connection. The prose is spectacular - as dense and tactile as the island's tropical heat.
2 of 3 people found the following review helpful:
2.0 out of 5 stars
A Confusing and Mostly Depressing Read,
By A Customer
This review is from: The Pagoda (Hardcover)
I picked up this book because the author is local (Boston), it is set in an intriguing context (Chinese community in Jamaica), and the main character deals with gender identity issues. I found the gradual revealing of character stories & history unnecessarily and painfully slow. Some of the writing was disjointed and repetitive (both particular words and phrases) and the constant teasing of the unknown parts of the folks in the book became almost grating. Once stories were revealed, I found I liked none of the main characters--including Lowe the "hero". He had huge walls keeping others out and seemed utterly unsatisfied with his life; I was unconvinced by his sudden passion for the pagoda of the title. I felt pulled into the disconnection, lack of relationships between people, and the general hopelessness the author seems to feel about the possibility of building community among people of different backgrounds. There are some glimmers of hope toward the end regarding forgiveness and possibilities of love, but they are indeed only glimmers and remain mostly in this reader's imagination rather than the text. I had not known of the Chinese community in Jamaica and know little more having finished this story. I bought the book as a possible gift for a friend, read it first, and doubt I will actually give it--it is not an uplifting book at all. Hate to give a local woman a bad review, but there it is.
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