Series: John Grisham | Publication Date: February 6, 2001
Eight cassettes, approx. 13 hrs. performance by David Lansbury
The hill people and the Mexicans arrived on the same day. It was a Wednesday, early in September 1952. The Cardinals were five games behind the Dodgers with three weeks to go, and the season looked hopeless. The cotton, however, was waist-high to my father, over my head, and he and my grandfather could be heard before supper whispering words that were seldom heard. It could be a "good crop."
Thus begins the new novel from John Grisham, a story inspired by his own childhood in rural Arkansas. The narrator is a farm boy named Luke Chandler, age seven, who lives in the cotton fields with his parents and grandparents in a little house that's never been painted. The Chandlers farm eighty acres that they rent, not own, and when the cotton is ready they hire a truckload of Mexicans and a family from the Ozarks to help harvest it.
For six weeks they pick cotton, battling the heat, the rain, and fatigue, and, sometimes, each other. As the weeks pass Luke sees and hears things no seven-year-old could possibly be prepared for, and finds himself keeping secrets that not only threaten the crop but will change the lives of the Chandlers forever.
A PAINTED HOUSE is a moving story of one boy's journey from innocence to experience.
Ever since he published The Firm in 1991, John Grisham has remained the undisputed champ of the legal thriller. With A Painted House, however, he strikes out in a new direction. As the author is quick to note, this novel includes "not a single lawyer, dead or alive," and readers will search in vain for the kind of lowlife machinations that have been his stock-in-trade. Instead, Grisham has delivered a quieter, more contemplative story, set in rural Arkansas in 1952. It's harvest time on the Chandler farm, and the family has hired a crew of migrant Mexicans and "hill people" to pick 80 acres of cotton. A certain camaraderie pervades this bucolic dream team. But it's backbreaking work, particularly for the 7-year-old narrator, Luke: "I would pick cotton, tearing the fluffy bolls from the stalks at a steady pace, stuffing them into the heavy sack, afraid to look down the row and be reminded of how endless it was, afraid to slow down because someone would notice."
What's more, tensions begin to simmer between the Mexicans and the hill people, one of whom has a penchant for bare-knuckles brawling. This leads to a brutal murder, which young Luke has the bad luck to witness. At this point--with secrets, lies, and at least one knife fight in the offing--the plot begins to take on that familiar, Grisham-style momentum. Still, such matters ultimately take a back seat in A Painted House to the author's evocation of time and place. This is, after all, the scene of his boyhood, and Grisham waxes nostalgic without ever succumbing to deep-fried sentimentality. Meanwhile, his account of Luke's Baptist upbringing occasions some sly (and telling) humor:
I'd been taught in Sunday school from the day I could walk that lying would send you straight to hell. No detours. No second chances. Straight into the fiery pit, where Satan was waiting with the likes of Hitler and Judas Iscariot and General Grant. Thou shalt not bear false witness, which, of course, didn't sound exactly like a strict prohibition against lying, but that was the way the Baptists interpreted it.
Whether Grisham will continue along these lines, or revert to the judicial shark tank for his next book, is anybody's guess. But A Painted House suggests that he's perfectly capable of telling an involving story with nary a subpoena in sight. --James Marcus--This text refers to the
Hardcover
edition.
From Publishers Weekly
Grisham fans will not despair as they discover that this finely wrought tale includes no lawyers. Instead, the author presents an evocation of the life of a young boy growing up on a Southern farm in hard times during the fall 1952 cotton-picking season. Lansbury, an actor of stage and screens, both big and small, brings a sweet innocence to the voice of narrator, Luke Chandler. Luke, a curious, even nosy seven-year-old, witnesses a series of events that range from the dramatic to the profoundly disturbing including a birth, a flood and a couple of killings. Lansbury gives each character his or her own distinctive voice: low and gruff for Luke's grandfather, Pappy; tough and huffy for troublesome Hank, one of the "hill people" the Chandlers hire to help pick the cotton; soft and gentle for Luke's mother. The range of voices helps listeners as he enacts dialogue; but when switching between dialogue and his narration as Luke, Lansbury's performance is far less smooth. Still, Lansbury's is an effective reading of a provocative novel that will please and surprise Grisham's many fans. Simultaneous release with the Doubleday hardcover (Forecasts, Jan. 22).
Long before his name became synonymous with the modern legal thriller, John Grisham was working 60-70 hours a week at a small Southaven, Mississippi law practice, squeezing in time before going to the office and during courtroom recesses to work on his hobby--writing his first novel. Born on February 8, 1955 in Jonesboro, Arkansas, to a construction worker and a homemaker, John Grisham as a child dreamed of being a professional baseball player. Realizing he didn't have the right stuff for a pro career, he shifted gears and majored in accounting at Mississippi State University. After graduating from law school at Ole Miss in 1981, he went on to practice law for nearly a decade in Southaven, specializing in criminal defense and personal injury litigation. One day at the DeSoto County courthouse, Grisham overheard the harrowing testimony of a twelve-year-old rape victim and was inspired to start a novel exploring what would have happened if the girl's father had murdered her assailants. Getting up at 5 a.m. every day to get in several hours of writing time before heading off to work, Grisham spent three years on A Time to Kill and finished it in 1987. Initially rejected by many publishers, it was eventually bought by Wynwood Press, who gave it a modest 5,000 copy printing and published it in June 1988.That might have put an end to Grishams hobby. However, he had already begun his next book, and it would quickly turn that hobby into a new full-time career. When he sold the film rights to The Firm to Paramount Pictures for $600,000, Grisham suddenly became a hot property among publishers, and book rights were bought by Doubleday. Spending 47 weeks on The New York Times bestseller list, The Firm became the bestselling novel of 1991.The successes of The Pelican Brief, which hit number one on the New York Times bestseller list, and The Client, which debuted at number one, confirmed Grisham's reputation as the master of the legal thriller. Grisham's success even renewed interest in A Time to Kill, which was republished in hardcover by Doubleday and then in paperback by Dell. This time around, it was a bestseller. Since first publishing A Time to Kill in 1988, Grisham has written one novel a year (his other books are The Firm, The Pelican Brief, The Client, The Chamber, The Rainmaker, The Runaway Jury, The Partner, The Street Lawyer, The Testament, The Brethren, A Painted House, Skipping Christmas, The Summons, The King of Torts, Bleachers, The Last Juror, The Broker, Playing for Pizza, and The Appeal) and all of them have become international bestsellers. There are currently over 225 million John Grisham books in print worldwide, which have been translated into 29 languages. Nine of his novels have been turned into films (The Firm, The Pelican Brief, The Client, A Time to Kill, The Rainmaker, The Chamber, A Painted House, The Runaway Jury, and Skipping Christmas), as was an original screenplay, The Gingerbread Man.
No, it is not the typical John Grisham suspense novel, but this book gave me a greater appreciation for Grisham and his writing abilities. A PAINTED HOUSE is a work of literary fiction that shows Grisham has a command of more than the tried and true lawyer/suspense formula and is darn good at it. I have read some of the unfavorable reviews and have to guess that these are people who rarely venture out of the "reading comfort zone" of popular fiction. Grisham in suspense mode is great, as is Baldacci, Patterson and others. But, there is a whole other world of great writing and Grisham has dared to venture into the serious world of true-blue literary fiction.
The story is narrated by seven year-old Luke Chandler, the son of an Arkansas family renting and farming in 1952 Arkansas. To say Luke "grows up" between the covers would be an understatement. Luke tells us a story of cotton pickers that will have you feeling every possible emotion, right along with young Luke. No, there are no slick lawyers or beautiful law students in A PAINTED HOUSE, but there ARE plenty of wonderful characters that come to life on the pages of this Grisham classic. To stay away from this John Grisham novel because it is not "typical" Grisham, would not be giving yourself enough credit for being able to appreciate a great author, and his work, because he is not writing something that is ready-for-the-screen. Trust the man who brought us THE FIRM, THE PELICAN BRIEF and others to keep you entertained in a different genre, to be sure, but entertained and mesmerized nonetheless. Do yourself a favor -- suspend your judgement about "literary fiction" -- and don't miss this one!!
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As an ex-country boy, now living in the city, A Painted House really struck a chord with me. Farm life is tough. The people who live on farms have to be tougher or they won't survive. I felt John Grisham captured this observation beautifully.
We look at cotton farming in Arkansas in the 1950s during harvest. We experience the many different apprehensions involved with this season. That of hiring hill folk and the Mexicans, what the weather will do, whether the price will be high or low, will the Cardinals have a winning season.
The big strength of this book is the way the characters are brought to life so wonderfully. We experience their joys over simple pleasures such as sitting on the verandah listening to baseball, the loneliness of farm-life, despair of ever finishing harvest, wariness of the strangers employed, intermingled with the acceptance of the life they lead.
Sure it's not what you'd normally expect from a Grisham book and yes, we're not glued to our seats with heart-hammering courtroom drama, but so what? We experience the drama of racing to bring the crop in, the troubles that come from mixing people of different backgrounds together, and life on the land as it was in the 1950s.
I can't recommend this book highly enough for anyone who enjoys looking back on simpler times.
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I have read every one of Grishams books. You could call me a real fan. I read this book in Oxford Magazine, and I found only one fault in it. It was to short. Yes, it is much different than anything else he has written, but so what, it is a great, yes great book. I can't wait until my 15 year old daughter gets time to read it. I see it as a classic for almost any school kid. Told from the view of this 7 year old boy on a poor farm, it had me from page one, and while it was not a great thriller it was a great story that could not have sounded more real. Do yourself a big time favor and don't pass up this wonderfully told story.
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