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Painters and Politics in the People's Republic of China, 1949-1979
 
 
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Painters and Politics in the People's Republic of China, 1949-1979 [Hardcover]

Julia F. Andrews (Author)


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Book Description

January 12, 1995
Julia Andrews's extraordinary study of art, artists, and artistic policy during the first three decades of the People's Republic of China makes a major contribution to our understanding of modern China. From 1949 to 1979 the Chinese government controlled the lives and work of the country's artists--these were also years of extreme isolation from international artistic dialogue. During this period the Chinese Communist Party succeeded in eradicating most of the artistic styles and techniques it found politically repugnant. By 1979, traditional landscape painting had been replaced by a new style and subject that was strikingly different from both contemporary Western art and that of other Chinese areas such as Taiwan, Hong Kong, and Singapore.
Through vivid firsthand accounts, Andrews recreates the careers of many individual artists who were forced to submit to a vacillating policy regarding style, technique, medium, and genre. She discusses the cultural controls that the government used, the ways in which artists responded, and the works of art that emerged as a result. She particularly emphasizes the influence of the Soviet Union on Chinese art and the problems it created for the practice of traditional painting.
This book opens the way to new, stimulating comparisons of Western and Eastern cultures and will be welcomed by art historians, political scientists, and scholars of Asia.


Editorial Reviews

From the Inside Flap

"That Julia Andrews has reached sources that are so sensitive and difficult with such success is remarkable. The book is unquestionably a brilliant job, well-written, understandable, and of enormous scholarly value."--Joan Lebold Cohen, author of The New Chinese Painting

From the Back Cover

"That Julia Andrews has reached sources that are so sensitive and difficult with such success is remarkable. The book is unquestionably a brilliant job, well-written, understandable, and of enormous scholarly value." (Joan Lebold Cohen, author of The New Chinese Painting)

Product Details

  • Hardcover: 480 pages
  • Publisher: University of California Press (January 12, 1995)
  • Language: English
  • ISBN-10: 0520079817
  • ISBN-13: 978-0520079816
  • Product Dimensions: 10.4 x 7.4 x 1.7 inches
  • Shipping Weight: 3 pounds
  • Amazon Best Sellers Rank: #2,849,695 in Books (See Top 100 in Books)

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Inside This Book (learn more)
First Sentence:
born in Shanghai in 1910. Communist admirers describe him as a true proletarian: a third-generation urban worker. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
guohua artists, xueyuan lishi, polychromatic woodblock print, zuopin xuanji, yiba yishe, guohua painters, meishu gongzuo, art academy system, feng tongzhi, guohua painting, woodcut team, serial picture stories, banhua xuan, wenyi gongzuo zuotanhui, painting institute, meishu yanjiu, fandang jituan, minzu chuantong, preliberation period, winking owl, national art exhibition, meishu xueyuan, oil painting department, art cadres, national art academies
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Jiang Feng, Cultural Revolution, Red Guard, Shi Lu, Chairman Mao, Mao Zedong, Ministry of Culture, Yan Han, Zhou Enlai, Great Leap Forward, Dong Xiwen, Zhou Yang, Jiang Qing, Cai Ruohong, Chinese Artists Association, East China, Liu Shaoqi, Chinese National Art Gallery, Luo Gongliu, Central Academy of Fine Arts, Lin Fengmian, People's Daily, Deng Xiaoping, Hua Junwu, Hou Yimin
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