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Dutch Painting, 1600-1800 (The Yale University Press Pelican Histor) [Hardcover]

Seymour Slive (Author)
4.0 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

November 29, 1995 The Yale University Press Pelican Histor
This lavishly illustrated book is an authoritative study of Dutch painting from 1600 to 1800 and covers all the major artists of the period -- including Hals, Rembrandt, and Vermeer -- setting them firmly in the wider context of Dutch art. It has immediately established itself as the new standard work on this great period of painting.

"Seymour Slive's text first appeared in 1966 in partnership with the late Jakob Rosenberg. It was wonderful then, and it is even more so now that Mr. Slive has revised and expanded his text, and the number of illustrations is now 432, about twice as many as before". -- John Russell, New York Times Book Review

"Slive is a great teacher and he knows how to impart his enthusiasm to his readers.... This volume is the useful instrument which every user will hope and expect to find". -- Lyckle De Vries, Burlington Magazine

"Like the original Pelican volume, this one is an essential reference and serves both the academic and the general reader". -- Choice


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Product Details

  • Hardcover: 390 pages
  • Publisher: Yale University Press; Rev Sub edition (November 29, 1995)
  • Language: English
  • ISBN-10: 0300064187
  • ISBN-13: 978-0300064186
  • Product Dimensions: 11.7 x 8.8 x 1.2 inches
  • Shipping Weight: 4.6 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #1,160,558 in Books (See Top 100 in Books)

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33 of 33 people found the following review helpful:
5.0 out of 5 stars Superb Survey of Dutch Painting, April 2, 2004
This review is from: Dutch Painting, 1600-1800 (The Yale University Press Pelican Histor) (Hardcover)
I could not disagree more with the reviewer below. This is a thorough treatment of Dutch painting that includes both the heavyweights and lesser known figures. It is rarely technical; instead we get Slive's visceral (but authoritative) reactions to individual artists and works. He gives us context, but never overdoes it till the life is drained from the art. As a result, he explains Dutch painting but doesn't lessen the wonder that draws us to the Dutch in the first place. His moving analysis of Frans Hals is a case in point.

Should you be uninterested in Slive's text, however, the reproductions he has selected alone justify buying the book. I have not seen a more complete collection from this period available in a single volume.

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19 of 27 people found the following review helpful:
3.0 out of 5 stars Broad, but uninspired, December 10, 1999
Slive's book is a basic introduction to the art of the Northern Netherlands during the Baroque era. It covers a wide range of artists and genres, but fails to consider the wide interpretative issues of the art. When Slive does attempt interpretation, he tends to fall back on old-fashioned methods that have since been disproved by modern scholarship. The prose is boring and bland, but the book does feature many photos (although more of them could be in color). Overall, an introductory text that covers a lot of ground but has little depth.
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2 of 3 people found the following review helpful:
4.0 out of 5 stars Great Resource for Art History Students, August 9, 2011
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Very complete and interesting examination of the Dutch Baroque period. Is a necessity for anyone pursuing studies in this field.
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Inside This Book (learn more)
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First Sentence:
Dutch painting of the seventeenth century has such a distinctive character that one easily overlooks its ties with the Baroque style as an international phenomenon. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
oeuvre catalogue, classical art theory, groot schilderboek, fifty etchings, der schilderkonst, schilderkunst van, groote schouburgh, zeventiende eeuw, ooo guilders, zijn tijd, architectural painting, marine painting, topographical views, chiaroscuro effects, genre pictures, genre pieces, earliest known works, colour harmonies, genre painters, marine painters, decorative tradition, new town hall, flower painters, flower pieces
Key Phrases - Capitalized Phrases (CAPs): (learn more)
The Hague, Frans Hals, National Gallery, Frederik Hendrik, New York, Jacob van Ruisdael, Night Watch, Jan Steen, Metropolitan Museum, Pieter de Hooch, Staatliche Museen, Alte Pinakothek, Prodigal Son, Johannes Vermeer, Aelbert Cuyp, Constantijn Huygens, Esaias van de Velde, Hercules Segers, Jan Both, Los Angeles, Holy Family, Amalia van Solms, Boymans-van Beuningen Museum, Cornelis van Haarlem, Jan Baptist Weenix
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