Amazon.com Review
Since the days of the ancient Greek philosophers, people have asked the eternal question "What is beauty?" It took the insight of Russian artists Vitaly Komar and Alexander Melamid to apply modern scientific principles to this problem and finally to produce an answer. Using polls conducted by telephone in Europe, Asia, Africa, and America, Komar and Melamid were able to determine what each country wanted to see in a painting, and what was least likely to please the public. They then produced canvases based on their polling, creating the most and least wanted paintings in the world. The results are not only funny, they are also oddly disturbing. Almost every nation had the same preferences: people wanted landscapes, and did not want abstract art. Only one nation bucked the trend, but you'll have to read the book to find out which.
Painting by Numbers has more insight into art and commerce than any 10 dry studies of aesthetics, and is one of the most significant documents on popular taste ever produced--plus it's a laugh riot. And that, Plato, is beauty.
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From Library Journal
In December 1993, the Russian emigre art collaborators Komar and Melamid began a statistical market research poll to determine America's "most wanted" and "most unwanted" paintings. Since then, the whimsical project has spread around the world. Polls in the United States, Ukraine, France, Iceland, Turkey, Denmark, Finland, Kenya, and China revealed that people wanted portraits of their families and always "blue landscapes." After conducting research, the pair paint made-to-order works that meet the wanted (landscape) and unwanted (abstract) criteria; they follow up with town meetings as virtual performance pieces. This intriguing and serious volume documents issues raised by the conflict between high art and popular taste. The best reading is an interview with the artists, whose gift of gab bounces around Marxism, Stalinism, God's inscrutability, Wagner, "Sears style," and the crisis of ideas in art. The project has been debated in the Nation and recorded in art magazines, and this summary volume is highly recommended for all contemporary collections.?Mary Hamel-Schwulst, Towson State Univ., Md.
Copyright 1997 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.